I draw my life into music.
No boundaries, except my limited skills.
The conveyed mood is the goal.

Enjoy your stay, leave some feedback!


If you're inspired by something posted here, I will happily provide the sourcefiles (wav or Reason6 project) to you.
Most of the tracks are 'incomplete ideas', so you may change that. :)
see http://nroo.de/snarsk for more info

David Steinlage is a hobbyist music producer based out of Kansas City.

* Introduction
* More on my music background
* What makes me stand out, and More on my highly personal styles
* On comment exchanges

INTRODUCTION:
I'm an Awards-winning Composer & Music Producer with lots of depth and experience in several musical genres, but also for visual and music symbolism.
Recently, I'm focusing on Music for Licensing. Both individual work and producing other artists with the same aims.
I'm also offering my services for pro music productions for media, musicians and singers.

For projects, my music can be focused on the single emotions and effective cues, to greatly enhance moods, or more complex and closer communication to bring extra plot dimensions to the script and screenplay, on a highly professional intepretation & correlation level.

The thing I value the very most in music is the emotions it touches, both my own and for listeners.
It could be technically and theoretically advanced, but not always necessarily.

Some of my personal tracks here are very complex and not suitable as cues, more for showcasing my depth, composing level & musical versatility.

Recently, I've focused a lot on improved mixing & mastering skills quite a bit, and I also consider re-mastering most of my existing tracks. 
I use professional plugins & software, but one can always learn more.

Thanks a ton so far, and stay tuned for new versions & new tracks, reaching the next level!


MORE ON MY MUSIC BACKGROUND:
With 7 years of full-time post-college music education, and more than 15 years of teaching music subjects, I've begun to focus a lot more on my own music again in recent years.
Still improving my production skills towards Music Production, but I now feel ready to start marketing myself and my services, whether it's for moving image and other  medias, freelance musician for track projects, or editing and mixing your own tracks.

So let me know if you think you got some task for me to work on. Either as a hired talent, or for mutually fulfilling self-promotions of pro quality.


ON WHAT MAKES ME STAND OUT:
I think the attention to details is of highest importance, be it details in phrasing, melodies, chord changes, sound and mixing etc.
The diverse and extensive music background and close studies of film & game genres all certainly help for these things. But there's more:

Another aspect is that I often design my own music for deeper analyze challenges, for anybody who gives it a try.
Therefore, my most personal tracks are heavy on both traditional music symbolism, but some also including sublime or hidden symbolism. 
It's a highly personal way to add depth, multi-layered concepts, mystery and challenges while listening/analyzing.
In specific tracks, I avoid spelling out any sublime references, because I'd rather invite you to have all kinds of personal & individual thoughts on my creations.

Before I picked up composing again, I spend most of my spare time with personal research on numerous subjects, from different perspectives & media for a wider picture.
This too helps me in my highly personal composing style - Metaphors, allegories, and to reference well-known and less known knowledge & media alike.


ON EXCHANGING TRACK COMMENTS: 

For OLD FRIENDS: 
Give me a holler if you wish for some new in-depth feedback of your own material. (I'd wish that you will take a close listen to another track of mine in return, giving me your honest thoughts too.)

for ANY LISTENER: 
Put a REAL listening comment on my track, and I'll prioritize giving a real comment back on yours. 
If I feel you're the kind that welcome critical ears mentions with close attention listening, then I'm usually game for offering some in-depth feedback.
Personally, I welcome all kinds of nitpicking and remarks on my own tracks, but I'm aware that not everybody appreciate that on  theirs,

Don't forget to visit my website for blog posts and more info. Thanks!

Image credits to Pixomar at www.freedigitalphotos.net

Original indie rock from Waterloo, Ontario, Canada.

We're four guys from K-W playing catchy, melodic rock with the occasional foray into dischord, and the odd lap steel or mandolin tossed into the mix.

Since March 2015, we've been releasing a new single every month, and we're going to continue right through until February 2016. 

Why? We want your feedback. We want to know if we're doing it right. (or doing it wrong). Follow us to keep up with our new stuff, and let us know what you think!


Agenda-setting Stockholm-based duo Daleri have the full-strength sounds and precision studio skills that will take them all the way to the top of the electro premier league. 
Describing their studio technique as “sweat, blood, bruises, tears and joy”, fittingly Eric and Robert first met on the football pitch. Trading goals for grooves, the boys were inspired by the waves of progressive electronic music happening at the turn of the century. Eric’s first sonic investment was Kai Tracid’s ‘Trance & Acid’, Rob’s was Daft Punk’s ‘Discovery’. Armed with a copy of Fruity Loops, the earliest stage of their quest for the perfect dancefloor dynamics began…
After years of experimentation they served their first Daleri dishes in late 2011/early 2012, at the age of 20. Their self-campaigned free download ‘Eavesdrop’ and debut commercial release ‘Touché!’ (on Armada’s Trice) broadcasted their entry message loudly and proudly, instantly raising eyebrows among the DJ elite. Within a matter of two releases, Eric and Robert had already received personal props from none other than Hardwell, Axwell and Ferry Corsten. 
‘En Route’ followed. Developing a life of its own it became ‘Somebody Told Me’ with vocalist Vice and proceeded to smash every dance and every download chart in the process…. Paving the way for more unapologetically vibrant and demonstratively alluring big room sounds such as the funk-bumped ‘Curare’, the rush-soaked spine-tingler ‘Pitch Please’ and a high profile remix of Rebecca & Fiona’s ‘Taken Over’ on Ultra. By now Daleri tracks were being fronted and maxed by a roll call of electronic music’s biggest and brightest: Wolfgang Gartner, Zedd, Gareth Emery, Dyro, Thomas Gold, Swanky Tunes, Matisse & Sadko, Cedric Gervais, W&W, John Dahlback, Morgan Page and Hook N Sling… The list goes on.
In the summer of 2013 the Swedish house success story also added to their impressive reputation as genuine scene statesmen with a canny slab of commentary. A rare moment of successful scene satire, Eric and Robert poked fun at the similarity of the Beatport top 100 chart, ruffling EDM feathers by fusing 16 of the season’s biggest hits into one long identikit minute-long ‘mashleg’. Triggering support from Tiesto, Kaskade, Deadmau5 and Sebastian Ingrosso it inspired heated debate and online discussion about the scene and its need to progress, elevating Daleri’s pedigree as thoughtful contributors who aren’t afraid to question the scene and its direction, progressing with enlightened ideas, dynamics and arrangements. 
Now at the controls of their own label Dalerious, Eric and Robert promise more progression, development and unchartered audio explorations and it kicks off with their own launch release ‘Hysteria’. Tried and tested across their international shows since spring 2013, it’s yet another full-strength, precision engineered chapter on their journey to the electro premier league. Stay tuned…

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