Twisted

Logic Pro, Fender Tone Master, Gibson ES-355, Roland Fantom X8

Elsewhere

Freak

Happy Anniversary to my One and Only Love <3 <3  

I would like to thank Alan Hamilton @almal-4: for his generosity in mastering this track for me and answering all my Cubase questions!  Sincere thanks to you, Alan.  If you have not discovered Alan's superb jazz fusion let me encourage you to visit his profile and start listening.

"I'm Getting Sentimental Over You" is a 1932 song first released by the Tommy Dorsey Orchestra.  It is one of my all time favorites to play.  It seems to be a perfect template for all manner of styles.

Gettin' Sentimental Over You

Chanson Romanesque (Don Quichotte à Dulcinée - Maurice Ravel - with Helen Roberts)

Tajo Maijo Love

Classical orchestra, supported by a solo singer and a large choir, with the music continuously building up and then fading out with a few calm string sounds.

Klassisches Orchester, unterstütz von einer Solosängerin und einem großem Chor, wobei die Musik sich immer weiter steigert und klingt dann mit ein paar ruhigen Streichertönen aus.

Voices of Resonance

Introducing our rough demo , acoustic version : "Victim To Her Charms"
Hubert Stytz:  music: acoustic guitars, vocals ; composition and arrangement
Pee Gee       :  story /lyrics

Well, the idea for this surreal dreamstory came into my mind when I learned that shoes show the importance, identity and class of a man, giving him both protection and safety.
In this ficticious dream a beautiful lady waves her arms as I´m standing in the middle of the street...without shoes...exposed...feeling pretty uneasy and "incomplete"..while I watch my shoes walking down the street...  temptation in  form of a beautiful lady attracted me but I hesitated because the situation was so embarrassing..........
Hubert liked the story immediately and gave it a try...basically only guitars and vocals...but with all the intensity he had to give.
So... "Victim To Her Charms"  was born !

Highlight: Hubert Stytz and Friends Live!
https://youtu.be/ZaxG6V6IWig?feature=shared

In memory of Jens-Peter Abele ..R.I.P🙏

victim to her charms

Mahan Mahan is responible for the orchestration and mix(coverart)
TexMex Shaman on electric guitar and Mastering(coverart)
the poem and voice by stonerjazz(coverart)
 
the nature of their being by jeff gardiner 

 ponder and ponder if you wanna
speculations bout meanings and measures and structure
of time and the present
and yet it remains completely unknown
made no dent in the fabric
of monstrous illusion
collusion of unseen forces
nibbling away with whispers
while meekly we, perish, never knowing
what we're feeding
believers believing bleeding rivers of remorse
and of course, the horses don;t ponder for a moment
the nature of their being--

The Nature of their Being-with TexMex Shaman and Mahan💀Mahan

What was that man dreaming of, the one who played the saxophone the other night? When he finally wakes up, we’ll ask him – though it’s unlikely he’ll ever reply. And if by any chance he were willing to answer, he might say: "Nothing that I can remember, because nothing ever happens in my dreams."

This is the second in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. 

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon
Part 5 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-5-night-again

Composed by Michele Ansani (2025) (a partial remake of this: https://soundcloud.com/michele-ansani/johans-aceleration-check-the-description).
Female vocals courtesy of Function Loops.
Ambient and radio sound effects sourced from Pixabay.
Posted on SoundCloud: August 2, 2025.

In case nothing happens - part 2 (dawn)*

The music project "Present Paradox" by Dortmund-based David Kleinekottmann provides insights into the often opaque nature of the present. The result is a fusion of melancholic and danceable elements, expansive and intimate at the same time, diverse and yet familiar. Since 2013, Kleinekottmann has been regularly releasing LPs/EPs that move between indie, experimental rock and electronica.