Name: Philip Glass, Metamorphosis 5 by Prettyinscarlettpiano
Duration: 4 min 47 s
Description: Continuing to enjoy Philip Glass, this time with Metamorphosis 5.

live audio recording from an instrumental show at the Chapel - fall 2013.

Opening (Philip Glass) Live At Chapel 2013

Continuing to enjoy Philip Glass, this time with Metamorphosis 5.

Philip Glass, Metamorphosis 5

Spotify: https://open.spotify.com/track/0bf5EW1aMSEpvysqe16iUB?si=CD_igLkpTemBuLVyVEKSLw

Epiloog

198 — Piano

An ambient piano track that I hope will create some emotion for you, probably best heard on headphones, I hope you enjoy it.

Originally this idea came by listening to a YouTube video on composition then I used it as the basis for a short challenge piece on Max Konyi’s Sonic Sorcery channel under the title “Where I Must Return“

I turned it into this ambient track, I will possibly use the idea to create a choral piece in the future (maybe!).

Under the Moon

watch: https://www.youtube.com/watch?v=i8STQgaZuns&list=RDi8STQgaZuns&start_radio=1

See You Again - Charlie Puth & Wiz Khalifa, lovely piano

Recorded for Gonzalo Bénard for his art video 'Distichous - Mind vs. Consciousness'

Vimeo Link: https://vimeo.com/134122061
Youtube Link: https://yout.be/IrPex57oeE0

G's Website: www.gbenard.com

Beautiful Storm in the Ocean

Federico Albanese - THE BLUE HOUR

'The Blue Hour', released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016

Buy on Itunes - itunes.apple.com/us/album/the-blu…our/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Shadow Land Part 1

Written and recorded over a period of more than two years, “Paraphrases” is a collection of chamber music compositions performed, recorded and layered through numerous recording sessions in a small room in northern Germany near the Baltic Sea.

Christoph Berg scores the history of eight narrow worlds, carved only from wood – violin, piano and double bass. The initial composition “Quiet times at the library” defines the tone, but the album also sees many shades; the solo piece “Poems written by an old (prepared) piano”, the crow haunted field recordings of “Interlude” and reverent remixes provided by Yasuhiko Fukuzono (aus) and P Jørgensen specially for the CD edition.

The direct intimacy of the material is a stark counterpoint to the sweeping cinematic grandeur and electronic sound manipulation of previous releases as Field Rotation, and is also the logical progression from 2011 releases ‘Acoustic Tales’ and ‘And Tomorrow I Will Sleep”; the former a tribute to literature, and the latter a paean to hibernation after exhaustion. Completed in the brief escapes allowed by gaps in graduate study, “Paraphrases” is a recontextualisation of the experience of exhaustion, written in other words.

Mastered with precise weight by Ian Hawgood, the 250 run limited edition 180gm vinyl is packaged inside heavy gatefold four panel sleeves, wrapped within an A1 double-sided poster. The package also includes a double sided 12 x 12 hand numbered print along with a hand numbered embossed letter-pressed CD with fold-out booklet featuring striking photography by Aela Labbe. Extras as always will include scent, card and download code containing audio and PDFs. The album is a treasure of both talent and soul, and the extraordinary packaging from the label and considered art design by Ian Hazeldine reflects the classic nature of the material.

Release date: 30.11.12

Pre-orders this weekend through the Facture mailing list.

www.fac-ture.co.uk

Christoph Berg - Buildings At Night

Scale

To Learn and Grow

Philip G Anderson & Laura Masotto - To Learn And Grow

A minimal and intense CD dedicated to Philip Glass' music.
Floraleda Sacchi (Harp and Creative Mix)

Since 2007 Floraleda Sacchi performs regularly Philip Glass' works on Harp. 
She realized Glass' music works perfectly on Harp and since then she became for many years the only harpist regularly performing worldwide his music in concerts, tv and radio broadcast: performances were listed on official Glass' website and some Glass' pieces were recorded live for the American Harp Society as important contribution to Harp repertoire.
 
Beside live performances, in 2007 Floraleda recorded 'Open the Kingdom' for the CD 'Suite en Duo' published by PHILIPS label (Cat. No. 476 5978).
In 2008, she included the five 'Metamorphosis' in her celebrated recording 'Minimal Harp' (DECCA, cat. No. 476 3172).
 
Finally, in 2012, she recorded this album for Portraits' Collection by Amadeus Arte with a lot of world premières for the Harp and with a completely new sound approach opening a new dimension for this music.


"Ms Sacchi invents a fascinating chapter of modern history of the harp." Angelo Foletto, La Repubblica
 
''I'm pretty sure fans of Glass will be stunned by these renditions.''
Tokafi Magazine
 
''The way Floraleda performs Philip Glass goes beyond the wonder.''
Tommaso Labranca, Acid Jazz

Philip Glass: Closing

I'm an enthusiastic amateur pianist. The tracks uploaded are examples of my current interests.

Philip Glass, Metamorphosis 5

Prettyinscarlettpiano

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