@arrayaccess
www.arrayaccess.com
www.facebook.com/arrayaccess

Array Access - Mixes

Untitled Playlist

On Repeat pt.2

Podcast 234 of atomar audio, featuring cutting edge techno artists. This week we present you Allpa Puruma from Buenos Aires, Argentina.

Tracklist:

01. PETRU - Retro Futura Muse [Kolibri Space Shuttle]
02. Aridan Torke - Character (JOTON Rmx) [Cronopolis Recs]
03. Urquiaga - Messier 74 [Kusiya Records]
04. Urquiaga - Human Experience [Kusiya Records]
05. Cosmic Xplorer - Loophole [Fenomenos Records]
06. Cosmic Xplorer - Space run [Kusiya Records]
07. Romain Richard - Drone Invasion [Kusiya Records]
08. LachrymaL - HADLEY´S HOPE [????]
09. André (ARG) - Siniestro [Dynamic Form]
10. YANT - Contained In A Vein [Platform22]
11. Albert Chiovenda - Hatters Gonna Hate (Viels Remix) [ANAØH]
12. Albert Chiovenda - Hatters Gonna Hate (Divide Remix) [ANAØH]
13. Uväll - Solidarity [Bomphcast Audio]
14. ADMINISTRATOR - SKYABOVE.sensebelow [Bomphcast Audio]
15. Rene Wise - Swamp Dancer [SK_eleven]
16. bw - Gazes [Secession]
17. Obseth - Killing It [Kusiya Records]
18. Symmetrical 812 - dotX [Kusiya Records]

Allpa Puruma
@allpapuruma

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atomar audio -234- Allpa Puruma

Welcome to the 65th chapter of the Deep Electronics Podcast mixed by Olesia Elfa! A trip into very deep dubtechno. Enjoy!

tracklist:

01. Syrigga - Voices
02. Alan Backdrop - Axiae
03. SEEKERS INTERNATIONAL - VoiceoftheVoiceless
04. Deepchild - Gnade und Vergessen (Echologist Pub Tech Tool)
05. Overcast Sound – Sarapiqui
06. Zzzzra - Douce Mollesse
07. Move D & Benjamin Brunn - Melons
08. Rust - Elevation II
09. Rust - Ruption
10. Grad U - Unnamed one
11. Martin Schulte - Yellow
12. Kaalaatita & spoRA fm – Nanoworld Is Our Terminus


Photo and design: Jeroen Smulders

Logo: NLz

Links:

www.facebook.com/Olesia.Elfa?hc_location=stream

@dj_elfa

www.mixcloud.com/OlesiaElfa/

Deep Electronics Podcast # 64- Olesia Elfa

Pri Agüero House Session #1

recorded at More Dresden 21/09/24 - Opium, Vilnius . A beautiful Saturday (and Sunday Morning). huge thanks to Enrica. <3

More Dresden 24 - Enrica Falqui

Enrica Falqui opening the Earthling stage at Houghton 2024.

@enricafalqui

Recorded at Houghton - Enrica Falqui (2024)

exclusive mix for NovaFuture Blog by @arrayaccess

Infos and tracklisting:
http://novafuture-blog.com/2015/06/01/mix-array-access-novafuture-blog-mix-june-2015

www.novafuture-blog.com
www.facebook.com/NovaFutureBlog
www.twitter.com/NovaFutureBlog


Array Access - NovaFuture Blog Mix June 2015

The 26th Forsvarlig Podcast Series features Philipp Fromme, who goes by the name of Array Access, a young German dj and producer who's been arranging sounds since 2010. His latest piece of work is a superb EP on the Ressort Imprint label with phenomenal remixes from Eomac and Evigt Mörker. This set contains various ambient and techno moods. Enjoy.

Artist: @arrayaccess
facebook.com/arrayaccess
Ressort Imprint: @ressortimprint
facebook.com/ressortimprint

Forsvarlig Podcast Series 026 - Array Access

Infos & Tracklisting ==> http://716lavie.com/716-exclusive-mix-isorinne-appearance-in-memory-mix/

Isorinne (@Isorinne) has just released his beautiful first album on @Fieldrecords, but who is Michel Isorinne?Let' the artist answer himself : 

"If you ever heard the name Michel Isorinne, it was probably in some kind of connection with his involvement in the two man group D.Å.R.F.D.H.S. (@darfdhs)together with Jonas Rönnberg (@varg).

And if you heard his or read his name unaffiliated to D.Å.R.F.D.H.S. it was most likely from his vinyl debut this year on the Dutch label Field Records with the experimental ambient affair dubbed "Recollections of Forgotten Dreams".

But then again, you might be one of those few who actually knows he started his solo career with the release "Varseblivning" on the Northern Electronics (@northernelectronics) sub label Blodörn (@https://soundcloud.com/blod-rn) and that he followed up with two other tapes ("1980" & "2061") on Rimini based record store and label MIXED-UP (@mixedupitaly) and also put out yet another tape of collaborative works dubbed "Samarbeten" on Danish label Infinite Waves (@infinitewaves) in 2015.

Most likely you didn't know anything about the guy prior to this, and that totally fine because now you do."

Michel Isorinne

This mix includes tracks from Lee Gamble (@https://soundcloud.com/leegamble), Alessandro Cortini (@alessandrocortini), Fluorescent Heights (@fluorescent-heights), Sand Circles (@sand-circles), Nicolas Szczepanik (@nszcz), Delroy Edwards (@delroy-edwards), IVVO (@ivvvo), Infinity Frequencies (@infinity-frequencies), Yong Yong (@rodolfo-brito), Ectoplasm Girls (@ectoplasmgirls), Heroin in Tahiti (@https://soundcloud.com/heroinintahiti)

716 Exclusive Mix - Isorinne : Appearance In Memory

[EN]
Since beginning his career Krisyon has already shared the stage with some of the most widely known and esteemed musicians 
in the underground electronic music scene and has performed at many festivals and clubs throughout Europe.
In July 2015 Krisyon set up his own record label Tenebrous Music with a clear vision to provide
a professional platform for forward thinking concepts that don't necessarily conforming to norms. 
At roughly the same time in 2015, Krisyon joined Fnoob Techno Radio as a resident DJ. 

Krisyon's music can be described as dark, deep, minimal, atmospheric, and experimental.

Experience a tempest of feelings and emotions rising from the depths, consciousness frozen in an instant of the present. 
A transformation sets in motion and the path from darkness to the light returns.

[PL]
Od początku swojej kariery Krisyon dzielił scenę z jednymi z najbardziej znanych i cenionych muzyków podziemnej sceny elektronicznej, występując na wielu festiwalach i klubach w całej Europie. 

W lipcu 2015 roku postanowił założyć własną wytwórnię - Tenebrous Music. Powstała ona z potrzeby propagowania koncepcji myślowych, które mają zbyt nietypowy charakter, by wydać je „zewnętrznym” kanałem. W tym samym roku Krisyon dołączył jako rezydent do Fnoob Techno Radio.

Jego selekcja to brzmienia ciemne, głębokie, atmosferyczne i eksperymentalne - wszystko to zaklęte w estetyce minimal. 

Podążając mrocznymi ścieżkami, zatracając się w ciemnej otchłani, poczekajmy aż wróci światło i poznajmy je na nowo.


BTS Podcast 040 - Krisyon

Berlin based Array Access has put together this weeks mix for Podcast number 31.  Reluctantly giving a few words behind the idea of the set he wanted the mix to progress as naturally as possible and the tracks to share common aesthetics,starting with a slow ambient intro. 

Here we go, for this weeks set mixed by Array Access exclusively for Solenoid Radio.

-Track List-

Alva Noto - Monophaser 1 [Raster-Noton, 2009]
Polar Inertia - Indirect Light (Original Mix) [Dement3d, 2012]
Akkord - Gravure (Original Mix) [Houndstooth, 2014]
Ken Karter - MX-02.11 (Original Mix) [Stroboscobic Artefacts, 2015]
The Binary Collective - Love & Death (End Credits) (Original Mix) [Exit Records, 2015]
Dead Heat - Dedication (Original Mix) [Parachute, 2015]
Cosmin TRG - Redus (Original Mix) [Fizic, 2015]
Voiski - Answer Silently (Original Mix) [Delsin Records, 2015]
House ov Leaves - A Safe Haven From The Problems Of The Real World (Original Mix) [Parachute, 2015]
Ancestral Voices - Ritual Terre (Original Mix) [Samurai Horo, 2015]
Monic - Hollow Victory (Original Mix) [Tresor Records, 2015]
Shapednoise, Black Rain - Metal Home (Original Mix) [Cosmo Rhythmatic / BK, 2015]
Samuel Kerridge - Paint It Black (Original Mix) [Blueprint Records, 2015]
Lucy - Catch Twenty Two (Shapednoise Remix) [Stroboscobic Artefacts, 2014]
These Hidden Hands - Hidden (Old Apparatus Remix) [Hidden Hundred, 2013]
Emptyset - Signal II (Original Mix) [Subtext, 2015]


Solenoid Radio #031 - Array Access - [ Techno ]

Array Access evolves between noisy, techno and/or ambient sounds. Passionate about art, aesthetic and code, he's discrete, almost cryptic at times - letting his concepts showing through his work and do the talking. We even the more appreciate him delivering a more experimental, special mix and answering some of our questions. When did you start producing? What was the reason for it ?
 
I started about 6y. ago. At that time I was getting started with DJing and got more and more interested in different kinds of electronic music. Soon I realized producing my own music would give me far more possibilities to express myself, what’s going on inside of me, without getting too specific either with the reasons behind it.

How would you depict your work ?
There are a few constants in my music, such as distortion, harshness, sustained pad sounds, loads of reverb, many pitched down and slowed down sounds, lots of noise and mud. Everything remains a bit hidden in the mist. These are just sound characteristics. Everything else depends on what I feel like. I only limit myself in terms of the tools I use. Other than that there are no rules. I think there’s a lot of melancholia in my music. At least this is what people tell me.

I noticed you've got some really nice productions still unsigned. How come we don't see more of them being released ?
I feel like I’m still at the beginning of everything, slowly building my musical identity. Until I don’t feel like I’ve reached a certain point I don’t want to enforce anything to be released just for the sake of releasing and staying relevant in order to get gigs. There’s so much music out there already. I don’t want to add to all the noise. I want to raise my voice once I found it. Maybe that i'll never happen. So be it. At the end of the day to me creating music is just a way of being. Releases are secondary.

Any plan or project you want to talk about ?
I’m involved in an art project i can't give too much details about. There will be a performance next year. Besides that the next Ressort Imprint compilation will feature a track of mine and there's another release scheduled for early 2017 on another label. For the next couple of months I’ll be busy with the first other (more) arty project.

Anythg you 'regret' to this day? 
Not having continued learning an instrument and getting a proper musical education. I dropped learning the keyboard when I was about 14 because I was lazy as fuck. I regret that.

Smthg you're proud of ?
Neither having neglected my studies nor my music. I’m passionate about both programming and creating music. Actually both of them require lots of creativity. I love doing both.

Sc https://soundcloud.com/arrayaccess
FB http://bit.ly/28UpZkM
RA http://bit.ly/28WQSXW

PRIOR ACT #003 — Array Access

WEEK03 18 Guest Mix - Technasia B2B Dennis Cruz, Viña Del Mar, Chile

Podcast | premiere channel 
Deep/hypnotic/mystic monthly podcast since late 2016, sometimes leaning toward raving Techno — The whole in strong, unique signatures, supporting both established as well as emerging Djs/artists and focusing on pulsating, atmospheric deep sounds. Based in Geneva, Switzerland.

Prior Act has a preference for free spirited people/set lengths, esp. toward Live sets and vinyl building approach (since Day One). Pls Check PA's FB and artists pages for the Tls that have been provided. All Tls transmitted so far are in online Info boxes (If u don't find them, they most likely weren't transmitted). We gladly answer Ids requests.
 
__________________________

Spread #Music, #Love & #GenderEquality. 

Note: in 2017 (channel was paused for 2y 2018-19 becuz of triggered misogyny) point of honor was made to not promote any local DJs, same afar - in my own techno musical taste/range, IF their gender-equality support/perspective reveals to be based on social posing (and/or 'friends based') i.e: if motivated by exposure / publicity / status / image & bookings conveniences (all the while displaying clear sexism in private, repeatedly. Some of them, years in a row). Same for narcs and their enablers.

Thks 4 the support and  follow ❤