Voz - Gorka Molero
Guitarra - Felipe Maqui

El Buho - Calchaqui (Nicola Cruz Remix)

Le Mindi Show

Le Zoukuro de la MAM des Écureuils

Limited Edition 10" vinyl Campaign on Qrates

qrates.com/artists/shika.shika…show_complete=true#

Digital sale
shikashika.bandcamp.com/album/calidoso

Hello folks!

Shika Shika presents:

History of Colour // Calidoso EP

Release date 02.03.16

After our first release via ZZK records 2 years ago, History of Colour, a collaboration project between El Búho and Barrio Lindo, returns with our second release, "Calidoso". The 4 track EP explores new sonic landscapes for us both, inspired by slow-dance and flitting between andean folk, marimba, electronica and organic sounds.

The music was co-created by Robin (El Búho) and Agustín (Barrio Lindo) in January over emails and Dropboxes between Buenos Aires & Mexico DF and mastered by our good friend Nicola Cruz based in Quito, Ecuador.

The artwork is a fragment of a gorgeous mural called called "Historia del tiempo" from Buenos Aires by the Argentine artist Elías Santis.

Thanks for the love and support,
History of Colour (El Búho & Barrio Lindo)

/////

Mastered by Nicola Cruz
@nicolacruz
Artwork by Elías Santis (fragment of "Historia del tiempo")
www.eliassantis.com
Graphic Design by Mauro Balzarotti

Rumba Juankita (History of Colour interpretation)

sounds, samples, from past and future.

Get Your Digital Copy Here:

▶ JUNO: bit.ly/1Uj7hnx
▶ WhatPeoplePlay: bit.ly/1srqBZu
▶ iTunes: apple.co/25IDqjQ
▶ Spotify: spoti.fi/212Xp6a

Chan Chara

¡¡¡ REPRESS OUT NOW !!!
BUY ViNYL: http://www.ynfnd.com/shop
Get Your Digital Copy Here:
▶ JUNO: http://bit.ly/1Uj7hnx
▶ WhatPeoplePlay: http://bit.ly/1srqBZu
▶ iTunes: http://apple.co/25IDqjQ
▶ Spotify: http://spoti.fi/212Xp6a

@http://soundcloud.com/jaja-music

YNFND008

A1  Bajoo
A2  Chan Chara
A3  el Ritmo
 
B1  Cura del Sentimiento
B2  Tropical Bird
B3  Elega al Che

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JAJA - Tropical Bird Club (Album Snippet) [YNFND008]

Multi Culti’s lucid-lifestyle dreamer Peter Power takes us on a free-wheeling trip to the motherland on AFRO DAMBA.

The Irish-born Voodoohop resident has returned from the jungles of Bahia with a fresh ep of primal party tracks sampling voices and rhythms from across Africa and it’s neighbouring islands, producing what is easily his most club-oriented work to date. Whereas his tracks for Voodoohop were spiritual flute-heart-openers, these are neo-pagan mating-ritual floor-fillers. The rhythm is set to tribal chug, with rollicking percussion, reverb-soaked vocals, and all the fun jangly bells & bits you expect to be hanging off such a well-traveled producer.

If that weren’t enough, we enlisted Romanian-dance-duo Khidja to double-down and remix both Adama Waro and Dansakoni (available as a digital-exclusive). Resident mix-lord Dreems also weighs in with a subtle remix of Dansakoni, gently upping the tempo and tweaking the knobs in selfless service of the original groove.


• ‘Dansakoni’ samples Guinea’s Famadou Konaté

Afro Damba [MC033]

Peter Power - Dansakoni

Jacob Groening - Shimshai

Purchase Here: https://wonderwheelrecordings.bandcamp.com/album/jallalla

In 2017, Lagartijeando (Mati Zundel), released his second full length album ‘El Gran Poder,’ via Wonderwheel and subsequently hypnotized the masses with the way he laced the traditional Charango playing that he picked up traveling the Andes with the pulsing, digital-cumbia electronica that’d been popularized in the region by the likes of Chancha Via Circuito, Nicola Cruz, and beyond. El Gran Poder plucked Zundel from his small town of Dolores in Argentina and catapulted his sound onto a global stage. He was revered by the likes of The Fader and Bandcamp, who referred to him as an electro-folk alchemist - and that he is. 

On June 7, Lagartijeando casts a new spell with Jallalla, an ambitious new full length being released on Wonderwheel Recordings. Jallalla is a word used in Bolivia to celebrate something- and it’s a word that strengthens in meaning when more people say it together. Jallalla is an entire life in an album - beginning with what would be the sonic representation of pulling back reeds to discover a new path with the song Villazon-Potosi and its sparse electronic percussion gradually filled in with curiosity-giving winds. Following is joyful charango riff that becomes the base for the track La Frontera, which features the sweet, wispy voice of Minük, the Colombian artist Alejandra Ortiz, known as half of the duo Lulacruza. As the album progresses, it becomes more experimental with electronic elements, sneaking in bits of deep house and dub. The fourth track is called Caña, and is a collaboration with none other than Chancha Via Circuito. It’s minimal and haunting, playing with repetitive bass, chimes, and what sounds like owl sounds. Zundel’s beloved charango sneaks back in via the next track, Adios Potosi, continuing the trek with a sweet melodic mid-album break. On the track A Todo Pai, one that celebrates Latin American identity (a todo pai, un solo maiz, repeats the song), Zundel collaborates with Javier Arce - lead singer of the Costa Rican indie-funk band Cocofunka, whose peculiar and infectious voice adds new layers onto the album. The last few songs are a mix of meditative electronic tracks and life-giving dance-floor ready numbers, all lending to Jallalla being a celebration of life and the various adventures it contains. 

Jallalla is out on June 7 via Wonderwheel Recordings.

Jallalla

Lagartijeando - Añoranza en las Yungas

Devenir Maleza was one of those projects that just arrived in our overflowing inboxes one day out of the blue. We opened the link and discovered four finely crafted, beautifully produced and captivating tracks of transformative, percussive music. 

It rare to find music that marries so well recorded percussion, live instrumentation and vocals with deep electronic productions without one dominating on the other. With Devenir Maleza Prisma and Martin Broder, a duo based between Berlin and Buenos Aires, managed to find that sweet spot that we love so much here at Shika Shika: deep, electronic but natural, acoustic and introspective. Or as the duo describes it: “a crackling, soothing, hypnotic lullaby.” 

Devenir Maleza’s was inspired by the concept of “becoming” and of transformation in many aspects. Through their long-distance collaboration the duo’s starting point was to imagine music becoming la maleza or “the undergrowth”, as if it the synths, vocals and instruments were sinking into the humid earth or drawn from the whistling wind or emerging from a rustling forest. 

The duo is joined on the EP by the talented singer and pianist Maria Barone as well as techno-producer / percussionist Merlin Genschel.
credits
released July 25, 2019 

Producido por Prisma & Martin Boder 
Voces: Maria Barone 
Percusion: Merlin Grenschel 

Turbina de amor es originalmente de Rafael "flaco" Ferriaolo 

Mastering: Rob Small
Artwork: JUMU (instagram.com/jumumonster)<3
ShSh 031

Buy on Bandcamp

02. Prisma & Martin Boder - Turbina de Amor

GET IN ON BANDCAMP
https://shikashika.bandcamp.com/album/devenir-maleza

Devenir Maleza was one of those projects that just arrived in our overflowing inboxes one day out of the blue. We opened the link and discovered four finely crafted, beautifully produced and captivating tracks of transformative, percussive music. 

It rare to find music that marries so well recorded percussion, live instrumentation and vocals with deep electronic productions without one dominating on the other. With Devenir Maleza Prisma and Martin Broder, a duo based between Berlin and Buenos Aires, managed to find that sweet spot that we love so much here at Shika Shika: deep, electronic but natural, acoustic and introspective. Or as the duo describes it: “a crackling, soothing, hypnotic lullaby.” 

Devenir Maleza’s was inspired by the concept of “becoming” and of transformation in many aspects. Through their long-distance collaboration the duo’s starting point was to imagine music becoming la maleza or “the undergrowth”, as if it the synths, vocals and instruments were sinking into the humid earth or drawn from the whistling wind or emerging from a rustling forest. 

The duo is joined on the EP by the talented singer and pianist Maria Barone as well as techno-producer / percussionist Merlin Genschel.
credits
released July 25, 2019 

Credits 
Produced by Prisma & Martin Boder 
Vocals: Maria Barone 
Percussion: Merlin Grenschel 

Turbina de amor was originally written by Rafael "flaco" Ferriaolo 

Mastering: Rob Small 

Artwork: JUMU (instagram.com/jumumonster)

BUY ON BANDCAMP

Sala Nabina

Support & Stream

Izadorä - Sala Nabina (Karmaâ Remix)

Prisma is Nicolas Di Bernardo, born in Buenos Aires and currently based between Berlin and Thailand. Organic, crackling textures that shift between tranquility and turbulence. Complex rhythms, otherworldly atmospheres, warm sequences, Influences from inner and outer space exploration.

02. Prisma & Martin Boder - Turbina de Amor

prisma