🍃🍃🍃thistheplace🏔️🏔️🏔️

fave listenings of this month
*
in the pic: Loney, Dear

"musica assoluta" (febbraio 2024)

SOULS IN THE BORDER OF PLASTIC LOVE

Tunes 18

Magi©ian™ (Making music make a difference)

Weekly

Related tracks: Oaxaca-(Holy Dumpling #8) featuring Tot. /TexMex Shaman /and Tea are Sea--A Smoking Trout production

from the album 'virgins' available 10/14
on kranky [world] and paper bag records [canada].

tim hecker 'virginal ll'

The Watcher

Spécial thanks to Odarka  for her a cappella...

GET OUT.  feat. Odarka

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (collab)

Here's a track from the forth coming album ....
The Rat Palace was our studio from when we first started seriously working together in 2016 until the landlords decided it was time for the artists to go and the tourists to come. It had been Mat's base since 2009 and hosted dozens of artists and musicians since it first started in 2006.
As the name suggests the place was run down, lacked various things like hot water, proper access and heating but it had a vibe, and the people we shared the space with all felt and helped to create it....Art was everything, day after night after day for years.
These 7 improvisations are a tiny fraction of the jams we had there, just a few highlights from 100s of jams. They are raw, unpolished and unconcerned with anything outside the moment. We rarely 'rehearsed' as such at the Rat Palace - just played.
Things come and things go - Vale Rat Palace, you were amazing.

Kirby/Ward -  Rat Palace Sessions Track 1 : Frantic. New Album out March 16

Magic Box

Jellyfish Palace

Portal To Another World

Turning around,
I see my shadow
in the moonlight

Sumitaku Kenshin was a haiku poet who practiced free-form haiku. He started writing poety after being diagnosed with acute myeloid leukemia, and dedicated the last 2 years of his life to haiku, leaving 281 poems, mostly published by the free-form haiku magazine Kaishi.

 

Haiku by Sumitaku Kenshin
Picture by Marco Sebastiano Alessi

Turning in the moon light (naviarhaiku526)

2024-02-02

Reflection Of The Moon On A Calm Surface

Exhibition title: Fukuoka Postcards
https://www.naviarrecords.com/fukuoka-postcards/

Drawing inspiration from his first two years as a father and the recent tenth anniversary of his record label Naviar Records, sound artist Marco Sebastiano Alessi created Fukuoka Postcards, a sound installation focused on the concept of time, and how humans and landscapes perceive it differently.

Marco spent four weeks at Studio Kura in Itoshima, collecting sounds from the local nature, temples, and shrines, looking for places where time seems to have stopped. Creating a collage of soundscapes and applying minimal melodies to convey human presence, Marco aims to create organic music in an endless, ever-changing loop, to represent the impermanence of art and timelessness of nature.

more info

Fukuoka Postcards - 30 min sound installation

Hazed and Amused - Track 3

RETORCIDO - banda de Mar del Plata años 92/94
integrada por:Fabian cachu Spaltro-bateria,Guillermo Cerato-guitarra,Pablo di Giovanni-bajo,Berni Villar-guitarra y Christian Lisotti-voz

El vino podrido

Love

a quick one in the morning............cheers for having a listen

I'll Be On My Way

Vocals + lyrics: She's Excited! (https://soundcloud.com/she-s-excited)
Keys, bass + initial backing track: Greg (https://soundcloud.com/g-c-ess)
Aleatoric method, guitar, beat + production: Wou-Wou & The Wormling

Chords, tempo, time signature and lyric themes were all picked out at random using dice, coin flips and pulling prompts from a hat.

Artwork by Wou-Wou & The Wormling (https://www.instagram.com/wouwouandthewormling)

0304: Plastic or Steel (feat. She's Excited! & Greg)

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Another one from previous century cassette !
Hope you enjoy the song despite the lo-fi sound 

I wrote the song, sang and played it 
Nataly NGM made the ideal artwork 🧡🩵

Gotta Get Out Of It - Bruno C

Music and backup vocals by Hobocop
soundcloud.com/metrocityrecords

Vocals and lyrics by Cosmic Keanu
soundcloud.com/cosmic_keanu

Produced by metrocityrecords
soundcloud.com/metrocityrecords

Lonely sits the city
Now desolate,
Barren and empty!

We watch the fall
In silent apathy
Nothing’s real
Augmented reality

Walking sleep
Our lips are sutured
Our eyes stitched shut
To past and future

Self-serving
Apathy
Buried along
with our fantasies

[chorus]
Lamentations!
Lamentations!
Lamentations!
Turn back before
it’s too late!

Silicon smiles
Hide mechanical gears
Oiled with blood
Spilled in fear

Enemies
Seek our demise
Choking us
With honeyed lies

Parasites
Have wormed their way in
They cause our fall
And mock our ruin

In the midst
of our distraction
ravening wolves
Have overtaken

[chorus]
Lamentations!
Lamentations!
Lamentations!
Turn back before
it’s too late!

Lamentations (HoboCop & Cosmic Keanu)

Endless - Cronaca di un lungo Febbraio

THE BORDER EXPRESS
Written by Mike from UNGUIDED EXPRESS (Bass & Drums) and
ANDREW BORDERICK (Guitars &  Keys) 
Mixed & Mastered by Andrew Borderick Copyright 2024 AB Music
Special thanks to Mike Gabriel for the invite to this amaxing track.

INFINITY

THE BORDER EXPRESS

THE BORDER EXPRESS - Collab with UNGUIDED EXPRESS

Scott Tumino ~ Original Composition / Live Guitars ~ Vox ~ Drums
Chris Dargay ~ Additional Comp. / Bass / Production / Mix / Master ...

Soul Quivers

All Wired Up

Electric Eve

Pour échapper à la critique, ne rien faire, ne rien dire, n'être rien."
Elbert Green Hubbard

https://www.linternaute.fr/citation/32616/pour-echapper-a-la-critique--ne-rien-faire--ne-rien---elbert-green-hubbard/

you can find us here
@pas-risky
@dhpf
www.instagram.com/pas_risky/
www.mixcloud.com/pasrisky22/uploads/
www.facebook.com/ParisteN48/
www.youtube.com/channel/UCM6Yw_BD6K4rAvG1OPQf_LA
www.facebook.com/groups/promoparis
www.facebook.com/DHPF.01/
hearthis.at/pars-risky/#tracks




Bio:
Tom Pavicich is a DJ and Producer from Rosario, Argentina. Currently based in Berlin he
is focusing on production always looking to push his boundaries. His music has been
supported by world class artists like Hernan Cattaneo, Martin Fredes, Franco Armellini,
Oliver & Tom just to mention a few.
In his sets he creates soundscapes filled with energy and groove. His musical choice is
based on the time and place, in order to create the best journey.
Tom has his own radio show “Apricus” in which he showcases music from all over the
world including his own.
Track List:
VegaZ, IshaN D - The Sundering Sea (Max Effe Extended Remix)
Julian Moreno, Lucas Ramos - She
Julian Moreno - Moment
Ekis Ekis, Matías Vega - Acid Nights
Zahna, Tuzio - Polisemia
Nichols (UK) - Memento (DJ Ruby Remix)
Dianarp - ID
K Loveski, Kabi - Whisper From the Moon (ARTN Remix)
Tom Pavicich - ID (Ignacio Berardi Remix)
K Loveski, Kabi - Lost in Roses (Mezbi Remix)
Tom Pavicich - ID
Aman Anand, Da Luka - Mythical Creatures (Golan Zocher & Kamilo Sanclemente Remix)
Hector Cortes, Hassan Maroofi, Jaime Garza - Shine The Light
Martin Fredes & GEØVHÄN - Deep Story (Ruben Karapetyan Remix)
Zaleski - Taniec (Andres Moris Re-Vision)
Alto Astral, Nicholas Van Orton - Black Water (Extended Mix)
Martin Di Sciascio – Bhopal

@tompavicich
www.instagram.com/tompavicich/
www.youtube.com/@tompavicich

tompavicich

// NE RIEN #43 // Exclusive mix bY Tom Pavicich fR Berlin

Music : Janne Hennie & PJ Project
Lyrics & vocals : Janne Hennie

I thought it would be easy to love
That it would only be good
We have distance
We're close, we touch...
I hate you!
But I love you so much..

Chorus:
You can fall from a hill
You can fall from a mountain
But the hardest you ever fall
Is in love..

Chorus...

Lots of ups and downs
One moment we're high up
The next on the ground..
Oh, I have fallen so many times
But never as hard
As falling for you..

Chorus..

One moment we're yelling at each other
The next we're making love..
Oh Baby, don't stop telling me
That I am the one..

Chorus..

You make me laugh
You make me cry
Many times you make me wonder: why?
But I love you so much, Baby
I keep falling, and falling for you...

Chorus...

Falling W/ Janne Hennie

That moment

rumbustious 'demo' (with Falsestart)

I BRING THE NOISE  feat. IPG1 & Paploviante
IPG1: Vocals 
https://soundcloud.com/ipg1/i-bring-the-noise-vocals-86-bpm
Paploviante: Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Production and Arrangement

I Bring The Noise feat. IPG1 & Paploviante

čekam te u jarku(demo)

空の彼方へ

Recalling some tequila, love words and more with them in that Ibiza bar, I wondered: “What if Pink Floyd met the spirit of Camarón de la Isla… in my bedroom?” I used lots of guitars, basses, etc. on a 12/8 beat, to enclose 3/4, 6/4 & 8/8 rhythms along.
> Pic: ruined well at hometown countryside

Letra / Translated Lyrics: EL POZO DE TU AMOR  /  THE WELL OF YOUR LOVE

Fui a abrir el grifo, estaba sediento,  /  I turned on the tap, I was thirsty,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Fui a abrir el grifo, necesitaba hacerlo,  /  I turned on the tap, I needed to do it,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el grifo de tu amor.  /  I needed the trap of your love.

Fui a bajar al pozo, me estaba muriendo,  /  I was going into the well, I was dying,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Fui a bajar al pozo, y me caí dentro,  /  I was going into the well, and fell inside,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

Por bajar al pozo, yo me caí dentro  /  Because of going into the well, I fell inside
y no quiero que nadie llore por mis lamentos  /  and I don’t want anybody to cry for my laments

Caí… por ti.  /  I fell … for you.
Caí… caí… caí por ti.  /  I fell … fell … fell for you.
Caí… a tu pozo, caí por ti.  /  I fell … into your well, fell for you.
Caí… caí… caí… caí a tu pozo por ti.  /  I fell … fell … fell … fell into your well for you.
Caí.  /  I fell.

Me he caído al pozo, y ahora que estoy dentro  /  I have fallen into the well, and now I’m inside
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Vine a beber al pozo, pero el pozo está seco,  /  I came to drink at the well, but the well is dry,
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

ER30HC9 ©1995 ®2015

Grab it !!

El pozo de tu amor (Caí por ti)

I Feel Your Hollow Outline

Our guardian angels are always beside, and sometimes they use someone's lips to tell us something really important

Chained Angels

Mourner EP

Triple Sun / Mourner EP

North Cormorant Obscurity

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"