"musica assoluta" (agosto 2025)

Polyend tracker programmed from my score.

Adagio - Polyend

A Compendium of Beasts Volume 4

Beware the Claws of Palug

Composer and Harpist Anne Vanschothorst’s music has been described as innovative, minimal, lyrical, cinematic, and touching yet intense. The same rings true in THAT I DID ALWAYS LOVE, the artist’s musical ode to the great American poet Emily Dickinson. Featuring seven of the poet’s works set to music, Vanschothorst fosters an intimate listening space where two art forms reach a soothing synthesis, amplifying the elegance of Dickinson’s texts with the graceful nature of the harp, a perfect pairing. linktr.ee/thatididalwayslove

05 There's a certain slant of light ft. Annie Einan (voice)

Live improvisation - hardware synths. No AI but pure RHI

In what century?

Marco Lucchi : synthesizer and tape

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playing with
https://soundcloud.com/agnosturaelwar/in-what-century

Carnac

Through a long uncertain path - Smarrita la diritta via

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"