Through a long uncertain path - Smarrita la diritta via

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Shyntwirl | Alternative / Atmosphere / Ambient / R&B / DJ / Techno / EDM
Mixtape / Sample / IDM / Electronic /  Music Produccer / Programmer / Electropop / Synth / Deep / Piano / Nature Sounds / Lullaby / Chill / Funky / Relax / Artpop / Descontructed Club / World / Reggaeton / Orchestra / Classic / Noise / Glitch / Hyperpop / Groove / Speechful / Melancholic / Film / Soundtrack / Background / Disco / Artpop / Underground / Ethereal / Break Core / Techno / Darkwave / Glo-Fi / Wave / Hopecore / Spiritcore.

Composer & Produccer

Goal: 1K

I'm just an Alien in he room composing music and learning.

*[Experimental Alien Boy]*
My music is a way of experimenting and playing with elements.

Birth: 15/07/2008 / 17 Years Old
[Sound engineer, independent producer and sound editor.]

[ • Open Now Collaborations • ]
(spam or bots blocking)
https://linktr.ee/luis.del.carpio89

Musical Influences:
Doja Cat, Björk, Arca, Grimes, Erick Serra, SOPHIE, Charli XCX, Megan Thee Stallion, Cardi B, Chlöe X Halle, Beyoncé, Lustmord, Doon Kanda, Melanie Martinez, Yma Sumac, Sega Bodega, The Sugar Cubes, FKA Twigs, SZA, Doechii, Aurora, Eartheater, Aphex Twin, Imogen Heap, i_o, Ayesha Erotica ,Dorian Electra, Shygirl, LEYA, Sabrina Claudio, Oliver Coates, Thom Yorke, Poppy, Sevdaliza, ROSALÍA, Imade Suputra & More.

• [My favorite phrase is]: 
Divisions Are Between Beliefs and Religious Formations Established by the Patriarchy  - Shyntwirl.

(Notice: This is my only official SOUNCLOUD account, I am not interested in buying bots or advertising promotions so save yourself the blockage).

- All comments and likes are made by me, no one else comments or responds by my. -

(Notice: If you are interested in working with me on a musical project, send me a message with your ideas).

- Music -
Programs I recommend.
BandLab, FL Studio, GarageBand

- Picture Editor -
Programs I recommend
InShot, CapCut, Photoshop, Peachy

- Creation Devices - 
Laptop, Phone, Keyboard, Synthesizers, Horns


Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

D'autres pièces finalisées ou non, mes mises à jour et mes remerciements.
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Other pieces finalized or not, my updates and my thanks.
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