Listening with headphones creates a sensation of moving in all directions at once. Great work!

interesting composition with great atmosphere

This creates an overwhelming feeling of vastness that boggles the mind! Hugely encapsulating & the intrigue is sensational, Marco! 💯🙌🏻🔁🖤🖤🖤

🔥🔥Awesome Performance🔥🔥
👏a lot of vastness and power 
👏creative & unique 
👏👏👏Bravo👏👏👏

It's a beautiful journey... I admire - ❤️🕊️🙏

Spectacular Soundspace-- very nice and powerful:):):)

fave listenings of this month

*

in the pic: Johann Johannsson

"musica assoluta" (marzo 2025)

It's a spring for two! 𖦹𖦹

~ @samprock ~ @prockjet ~ @art-of-nonsense ~ @silentzen ~

Love

Soulmates

The Earth Love

Glimmer (Psy Trance Dance Remix)

Video; https://youtu.be/OIH-kBOh1Ao

Made in Februari 2025

Genres;
#Ambient
#Electronic

Forbidden Ruins

The whispering room.

LIve recording from premiere at the Festiwal Muzyczny Trzy-Czte-Ry. Konteksty. Kontrasty. Konfrontacje – 19.11.2024 / Studio Koncertowe Polskiego Radia im. Witolda Lutosławskiego  w Warszawie

Andrzej Karalow – Some whispers of mists and water above, hidden in the rocks (2024) for clarinet, violin, cello and piano

The work is inspired by japanese poetry dedicated to landscapes, nature and its atmosphere and it reflects the sound and mood of constantly flowing water. In the steadiness of the subtle wall of sound, I try to integrate and mix timbres of all of the instruments. This composition can be connected to ambiental sounds, to static structures, which are slowly fluctuating or evolving over time. It can be also connected to water flowing through the waterfall.

Andrzej Ciepliński – clarinet
Małgorzata Wasiucionek-Potera – violin
Marcel Markowski – cello
Andrzej Karałow – piano

Andrzej Karalow – Some whispers of mists and water above, hidden in the rocks (2024)

here and there
upon scorched fields
wild violets

by: Arii Shokyu-Ni
Picture by A C

here upon wild - naviarhaiku582

Live performance from Hashtag Lab 27.10.2024 in Warsaw

Andrzej Karalow - Luminous Gardens (2024) for vocal-instrumental ensemble and fixed electronics

Luminous Gardens is an ambient space in which the listener freely chooses the path, voices and layers to listen to. The structure of the composition consists of consonances, harmonic structures that shape the narration and segments of individual parts-sound gardens. The musical material consists of vocal-instrumental motifs separated by sections of silence and processed field recordings interspersed with pads recorded with the original Roland Juno-6 synthesizer.
Light, sound "organisms", space, reverberation - these are the main features that make up the sound environment of Luminous Gardens.
The composition was written for Hashtag Ensemble.

Match Match Ensemble (SSAATTBB) 
Hashtag Ensemble
Łucja Chyrzyńska – flute
Bartłomiej Sutt – vibraphone
Aleksandra Demowska-Madejska – viola
Dominik Płociński – cello

Lilianna Krych – conductor

Wojciech Błażejczyk – sound engineer

Andrzej Karałow – Luminous Gardens (2024) for vocal-instrumental ensemble and fixed electronics

« Prière pour notre terre » pour piano, bande magnétique et récitant
Ma nouvelle composition réalisée ce Dimanche 2 Mars 2025
Franck Douvin © 2025 Contemporary Chamber Music
Thanks for listening & sharing
I hope you'll enjoy !

« Prière pour notre terre » pour piano, bande magnétique et récitant (Ma nouvelle composition)

A solo bass piece that I've been working on for a couple of weeks. The bass is tuned C F Bb Eb G C.

Ghosts

Vision of a timeless space

I hope isn't an Omen....

J'espère que ce n'est pas un présage...

Scarlet Dawn

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering


This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

Meet The New Bossa…-Eclectic Collective

Here's a track that Jeff and Terry had started and sent to me before release to see what might happen.  It's a rare Smoking Trout one off, although I suspect one day our friends on the bus will be talking about this one.  I was able to add some wacky playground guitar that gets crazier as things assimilate.  I think 

Synth, Mix, Beats, Production: Tea R Sea @tea_are_sea
Lyrics, Vocals : Stonerjazz @user-911083679
Guitar: TexMex Shaman

Lyrics by STONERJAZZ

Always get a little sentimental
in the middle of the conversation
when i think about all the options offered
during the assimalation

when the level of concern
and the nature of the consternation
for the mundane and the useless
made it difficult to accept or advocate the privilege
and the worship of the lucky landing of the crooked Cowboys

Though sentimental in its nature
its making meditations incomplete
and decisions Faulty
just distractions while we fiddle in the middle of another Crisis
in the simulation
and the monkeys say "Good good Real good yum yum yum yum
now we're gonna get some Yeah"

Assimilation (The Smoking Trout: TRC, STONERJAZZ & TexMex Shaman)

stars

02 Synthscape Two

in due time certainly | untitled project 004 sessions | ambient atmospheric psyche drone industrial noise horror WIP | WACG 1.1 G 35 bpm take 1 5525

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

"I'm a mellow artist, aging 68. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases

https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Vision of a timeless space

progettosonoro

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