An artist with a long and varied career, dating back over a decade, Luis León continues to chart a path of innovation with his ‘diverse musical landscapes'. Returning to Proton Music, after a year's absence, he returns in a collaboration with Unseener to present, "Concorde".

Peruvian born but ensconced in his current Barcelona home, Luis León is a notable producer and co-founder of the Blankhaus label. Able to point to a portfolio of appearances on over a century of releases, the Spanish-based artist initially found success with a series of high-profile bootleg remixes. Going on to release original and remix production material on the likes of Manjumasi, Nie Wieder Schlafen and Chapter 24 Records, a Proton Music debut in January 2023 saw a remix of Erdi Irmak. Returning to the label, Luis León now teams up with Unseener after their collaborative work saw success on Blankhaus, as the duo debut with "Concorde". Opening with a shimmering synth backdrop, an intricate rhythmic framework quickly makes its mark as a breakbeat pattern fills the soundstage with a head-shaking groove and meticulous percussive patterns. A haunting female vocal elevates the track further as it melts enticingly across the exquisitely timed piece. The beautiful combination of vocal and melody, combined with dynamic rhythm, thus creates a truly memorable offering.

The legendary figure of Petar Dundov has been a regular contributor to the Proton Music catalogue since a June 2019 debut remixing Simos Tagias. Since then, December 2020's "Salvation" and October 2021's "Spark" has seen stellar original releases from the Croatian star. Returning to the label for the first time since a remix of Desaturate in early 2022, the Petar Dundov remix is yet another masterpiece of melodic prowess as a high-energy reworking makes virtue of the breakbeat foundation, turning it into a powerful setting for elegant piano and sumptuous melodies from the original to make their presence felt. A huge, sustained bassline adds gravitas against the light vocal flourishes before a trademark arpeggio blossoms post- breakdown in another stunning interpretation from the Petar Dundov studio.

Another long-time friend of Proton family, Juan Deminicis is Argentinean progressive royalty. An artist of innumerable talents, the Buenos Aires based artist is responsible for almost a half-century of production credits across its two labels. 30 of those can be found on Proton Music where "Behind the Sun", "Synchronicity", "Water" and "Cycles" have lit up the label with an array of original material. Remixes for the likes of Michael A, Mark Slee and Savvas have shown another side to the Juan Deminicis production character as his reworking of "Concorde" showcases yet another elegantly sculpted offering. Using a 4/4 beat and a rapid-fire hi-hat/shaker combination, melodic lines from the original filter into range as a new rippling arpeggio adds so the sonic melange. A spine-tingling new bassline sequence and repeated motif continue to maintain urgency and dynamism while the vocals from the original scud easily across the 8-minute piece featuring prominently at the beatless breakdown. Hitting is stride once more in the second half an additional piano phrase supplies another majestic moment.

Flying high into rarefied atmosphere, Luis León & Unseener have hit new heights with "Concorde", additionally supported by Petar Dundov and Juan Deminicis.

Directed by Jay Epoch
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Concorde

Buy on Beatport

Luis León, Unseener - Concorde (Petar Dundov Extended Remix)

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


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Progressive Deep Organic House DJ
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