IL FAUT TAIRE LE TEMPS

Les vérités fragiles, celles qui indisposent
Des heures indociles qui vieillissent les roses
Sous des lueurs ingrates dans ce compte à rebours
Les années qui partent aux allers sans retour.

Les folles images sans oraisons verbeuses
Nous tournent la page des idées voyageuses
Devant ces rêves fanés de pensées furtives
Le souvenir d’un passé aux humeurs positives.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
Briser le miroir des ans, s’il est tant lucide.

Sous couvert d’absolu, larguer le mauvais sang
Vers des terres inconnues au milieu d’océans
S’oublier des hier sans se moquer de tout
Il reste tant à faire pour aller jusqu'au bout.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
Briser le miroir des ans, s’il est tant lucide.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
Briser le miroir des ans, s’il est tant lucide.

En rêvant de son mieux, vers de jolies pensées
Un sourire dans ses yeux ne peut faire qu'avancer
La vie est ainsi faite, elle va, elle vient, elle fuit
Et même quand tout s'arrête, rien n'est jamais fini.

Mais regardons l'avenir, il reste tant de choses
Beaucoup d'éclats de rire qui font les vies en rose
Profitons du bonheur en vivant ce présent
Et sans penser à l'heure qui brisera ce temps.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
En vivant les instants… en vivant simplement.

IL FAUT TAIRE LE TEMPS (Chanson Française)

Paroles guitare interprète :EmmaJack
Musique production mixage Aor Agni
Mastering Jean Michel Vaicle

Where you gonna go , where you gonna go ?
Are you going to face your fears tonight ?
Swallow your tears 
Where you gonna go , where you gonna go ?
Are you going to face your fears tonight ?
Follow the lines , you'll be fine 
Take your time , you'll be fine
You'll be fine if you stay right in the middle
Where you gonna go , where  you gonna go, 
Are you gonna face yours fears tonight
Watch your back, check it out , don't get trapped
Stay right in the middle
Watch your back, check it out , don't get trapped
Stay right in the middle 
Don't forget , don't except anything, and you'll get, everything
Don't forget , don't except anything, and you'll get,  everything
Watch your back , check it out , don't get trapped ..

Interactions

Watch your back

Watch Your Back

Experience a bold cross-cultural journey in this innovative rendition of 'Away in a Manger.' Opening with passionate Spanish flamenco guitar dancing above didgeridoo drones, the track creates an unexpected bridge between continents. As hypnotic electronic trance beats emerge, powerful male vocals deliver the ancient lyrics in Hebrew, soaring through the composition and transforming this beloved lullaby into an uplifting spiritual celebration.

This unique interpretation weaves together flamenco's fiery spirit, Aboriginal-inspired sounds, Hebrew sacred tradition, and modern electronic production to create a powerful multicultural fusion. Each element - from the intricate guitar work to the soaring Hebrew vocals - adds a new dimension to this timeless melody.

Perfect for those seeking fresh perspectives on traditional carols or anyone drawn to the magical moments where different musical traditions meet and transform one another.

Away in a Manger

Visuel : Lemoonboots / Vieilherbe
Musique : Pascal Regnaudin
Licence : CC.BY.ND (2025)
Partition : https://musescore.com/user/50660795

Azimut

It is with great honour I present my first collaboration with artist NB NAKITA

https://soundcloud.com/nb-nakita

Nakita brilliantly added vocals with additional lyrics, additional instrumentation and mastered the track.

Welcome to the Neonverse. Thank a mill from NB Nakita & TBD. Your ears mean a lot. We hope the tune pays them back 🫶🏽🔆🧬🎶♾️

Lyrics

New merged Blue
Building light from true
Nighttime comes to seed
Aurora musical feel
All access sips of soul
Under verse and all
Kinetic core of creed
Two times souls turn to tease
Industry of tone
Insane makes sane from song
Two rhymed roles rhythms be
Free form fine tuned 
To happy
Anoint the light
Universal right
Love is living loose
Nurtured selves we soothe
Drinks got thc
Eat me some cbd
Your my true
Velvet light from true
Neon verse
Beautiful universe
&
Ad libs

Original arrangement here:

Note the words typed above are written as two separate references one to Nakita and one for TDB. Original lyric sheet is image of below track 🔆 https://soundcloud.com/thebeautifuldark/sets/neonverse

Neonverse

As a tribute to their bandmate, this tune serves as a reminder of the divine powers that come from friendship, love and music!

WE'VE GOT YOUR BACK

Grandma twirls with Frank, a magical sight

THE PARK

Look also

https://youtu.be/18tILSpCXvE

Dedicated to HH

This song began in 2011 and has changed its melody and lyrics somewhat since then. I'm usually more of a singer-songwriter. This one is more pop.
What hasn't changed over the years is the longing for people to live without war.
It's not that everyone loves me, or that I love everyone. Nevertheless, I'm not constantly threatened or beaten by people in my personal life just because I think and live differently.
And I personally have no desire to harass or even kill people just because I don't share their interests or outlook on life. So, on the level down here, almost everyone gets along without murder and manslaughter.
That should be possible on the higher level too, right?
Or not, since other interests prevail there?
When I stay awake and see where death and destruction are currently raging everywhere,
I don't really believe the message of my own lyrics.
It's just an illusion, fantastic nonsense.
But I allow myself to dream. The alternative would be despair.
And I have no desire for that any more than I have for war.

Dieses Lied nahm seine Anfänge 2011 und hat Melodie und Text seitdem etwas verändert. Sonst bin ich ja mehr so Liedermacher-mäßig unterwegs. Hier ist es doch eher Pop.
Was sich in den vielen Jahren nicht verändert hat, ist die Sehnsucht, dass Menschen ohne Krieg leben.
Es ist nicht so, dass mich alle Menschen lieben oder dass ich alle Menschen liebe.
Dennoch werde ich im persönlichen Bereich nicht ständig von Menschen bedroht oder geschlagen, nur weil ich anders denke und lebe. Und ich selbst habe auch keine Lust Menschen zu bedrängen oder gar zu töten, nur weil ich nicht ihre Interessen oder Lebensansichten teile.
Also auf der Ebene hier unten klappt es doch fast mit allen Menschen ohne Mord und Totschlag.
So sollte es doch auch der höheren Ebene möglich sein.
Oder nicht, da dort andere Interessen herrschen?
Wenn ich wach bleibe und sehe, wo gegenwärtig überall Tod und Zerstörung wüten, glaube ich selbst nicht so recht an die Botschaft des eigenen Textes.
Ist doch nur Illusion, fantastische Spinnerei.
Aber ich gestatte es mir zu träumen. Die Alternative wäre Verzweiflung.
Und darauf habe ich genauso wenig Lust wie auf Krieg.


Immer wieder danke Frank, für Deine Geduld, sich mit einem Laien die Aufnahmesessions um die Ohren zu hauen und dann noch was ganz Ordentliches daraus zu machen.
Thank you again and again, Frank, for your patience in going through the recording sessions with a complete amateur and then making something really decent out of it.

Lyrics proofreading in English my dear friend and musician Sabine Weber 


You and me and one

1.
Little girl, pretty springtime’s bud
Her whole life is warm and bright, she’s so fresh and free
Little girl in a little world
Playing wonderful games and she lives in harmony

Ref.: 
You and me and one are three
Late springtime not too late to start the game
Not too late to calm the storm of violence
For the innocent to be released

Fife, six, seven, earth and heaven
Many weak hearts make a brave heart that can reach the aim
Little steps of love become the biggest march
With all people we can live in………….peace?

2.
Lady young, many years are gone
Wakes up painfully in a cruel world’s reality
And she recognizes all of mankind’s works
But she takes the chance of planting an apple tree

Ref.: 
You and me and one are three
Late springtime not too late to start the game
Not too late to calm the storm of violence
For the innocent to be released
Fife, six, seven, earth and heaven
Many weak hearts make a brave heart that can reach the aim
Little steps of love become the biggest march
Little steps of love become the biggest, biggest, biggest, biggest….
March
Many weak hearts make a brave heart that can reach the aim
Little steps of love become the biggest march, little steps of love…..
With all people…., with all people…..
We can live in…….., live in……….,
Live in peace.

You and me and one

Meine Tabakpfeife

2 Late

Xak Stahl: Alchemist of Sound, Architect of Emotion

Xak Stahl is a genre-blurring music artist, sonic storyteller, and relentless experimenter. Every track he creates is a new world—a kaleidoscope of indie folk, alt-pop, electronica, and global flavors—infused with raw emotion and boundless curiosity. Xak’s music isn’t just heard; it’s felt.

From Shadow to Spotlight

For Xak, music is metamorphosis. His journey began in the shadows, transmuting heartbreak and struggle into songs that glow with hope. Early anthems like “Neon Dreams” and “Rising Through the Darkness” invite listeners to find their own light. His newest project, Major Arcana, channels the mysteries of the Tarot—each song an archetype, each lyric a step along the path from the Fool’s first leap to the wisdom of The World.

More Than Music: A Multisensory Universe

But Xak isn’t confined to sound. As a visual artist and writer, he crafts immersive stories that spill across genres and languages—sometimes haunting, sometimes playful, always honest. Whether he’s conjuring lush soundscapes, weaving bilingual lyrics, or creating striking visuals, Xak’s art dares you to feel deeper and dream wilder.

An Invitation to Transformation

Join Xak Stahl on a sonic odyssey that blurs borders—between genres, between artforms, between you and the music. Each release is an invitation to explore, to heal, to become. For Xak, every song is a spell, every album a universe. The only question is: are you ready to step inside?

Away in a Manger

XAK STAHL