Name: interplace by proxemia
Duration: 6 min 25 s
Description: composition experiment for a larger work at the Sensory Enthography Lab.

clean pickups - more of the noise that matters, and less of the stuff that don't

Vandals 
out now
http://openmouthrecords.blogspot.com/2015/10/jake-meginksy-vandals.html


Jake Meginsky \\\\\Vandals///// Three Naga Uta (last Loop First)

composition experiment for a larger work at the Sensory Enthography Lab. 

interplace

Quad Core Excerpt

Generated with a fractal algorithm. Based on some vocals I was doing for another song.

Reflection

Fractal music automatically generated from a voice sample. 

mm hm

**Production Notes**

Over the years, I’ve worked in different offices. Most of them were nice, some bad; all of the were too noisy. As I need to focus, working with headphones and unintrusive ambience music, played at low volume, has become a must. Some years ago, I started to do my own ambiences and drones, not for my listening pleasure, but as „thinking music“.

The underlying drone you hear was done last week. The original is half an hour of pretty much „nothing“ (as in „keep working, nothing to listen here“).

As much as I enjoy the „autofocus“ mode these drones put me into, they put most listeners to the test. So if I add something to my drone environment, it either is too melodic, too per- cussive or outright wrong. For this piece, it took me four hours to get some sounds I though would have the right balance.

Used AAS Chromaphone, Elektron Analog Keys, some Reaktor ensembles, the amazing Madrona Labs Aalto (must have!) and even an old ambience from Generator (pre Reaktor) from 2002.
Oh, and the name came from a now defunct web name generator.

_______________________________________________________________

Disquiet Junto Project 0240: Emerging from a Drone

The Assignment: Compose a piece of music in which a drone slowly, imperceptibly, gives way to something rhythmic and/or melodic.
Please note the new instructions below, in light of SoundCloud closing down its Groups functionality.

Big picture: One thing arising from the loss of the Groups functionality is the goal that an account on SoundCloud is not necessary for Disquiet Junto project participation. The aspi- ration is for the Junto to become platform-agnostic.
￼
Project Steps:

Step 1: Record a short drone, something that suggests stasis, timelessness, something that could play forever and feel like it never substantially changes.

Step 2: Create a piece of music that slowly emerges from that drone. More to the point, cre- ate a piece of music for which the drone is the beginning — a drone that slowly, impercepti- bly, gives way to something rhythmic or melodic or both.

Six More Important Steps When Your Track Is Done :

Step 1: Per the instructions below, be sure to include “disquiet0240” in the name of your track.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track. It is also helpful that you are a member of the discussion boards at llllllll.co.

Step 3: Add your track to the Disquiet Junto group on SoundCloud (this specific task will continue until the August 22 sunsetting of that service). The group is here:
https://soundcloud.com/groups/disquiet-junto/

Step 4: This is a new task, if you’ve done a Junto project previously. In the following discus- sion thread at llllllll.co post your track:
http://llllllll.co/t/music-that-emerges-from-a-drone-disquiet-junto-project-0240/4027 

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto par- ticipants.

Deadline: This project was posted in the evening, California time, on Thursday, August 4, 2016, with a deadline of 11:59pm wherever you are on Monday, August 8, 2016.

Length: The length is up to you. Between one and four minutes seems about right. (...)

More on this 240th weekly Disquiet Junto project — “Compose a piece of music in which a drone slowly, imperceptibly, gives way to something rhythmic and/or melodic” — at:
http://disquiet.com/0240/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place on llllllll.co and on a Junto Slack (send your email address to twitter.com/disquiet for Slack inclusion).

Reality Wins Every Time [disquiet0240]

QNMX002
DeForrest Brown Jr - Outwardly Coiling Context Collapse

text and reading by DeForrest Brown Jr
mix by https://soundcloud.com/ornine 

FULL ARTICLE + EXHIBIT: http://quantumnatives.com/OCCC/index

TRACKLISTING

Viktor Timofeev - Pan Humana
communicvoid - we/infect b
Kepla - mouth sketch
darkmatter - synthetic dub
Yearking Kru - Hungover in Zanarkland (Fifth Era Valley of the Shadow of Death - For P.C. mix) 
Orchine (ornine and Cian O'Neill) - By The Irish Hand Of Thanatos
[teddy bear eats a pumpkin]
Kepla - Hersh
❀yikii.✧✲ﾟ - I am turning into a zombie
Viktor Timofeev - Pan Humana

QNMX002

DeForrest Brown Jr - Outwardly Coiling Context Collapse (QNMX002)

From the archives; my entry into daw music production circa 2015.

The Other Nomad  - Triad Voices (2015)

Russell Haswell - Ant Colony Featuring Eurofighter Typhoon F2 Flyby
Bruce Gilbert - Oblivio Agitatum
Front 242 - This World Must Be Destroyed
Emptyset - Medium
Andy Stott - We Stay Together
Miles - Flawed
Mika Vainio - It's a Muthang
Emptyset - Monad
Powell - 09
Mark Fell & Peter Rehberg - Zikir
Jeff Mills - Rich
Byetone - Opal
Ancient Methods - Third Method
Heiroglyphic Being - 2 Bath in the Black Sun
Ancient Methods - Second Method
Sleeparchive - Ronan Point
Vainio, Vaisanen, Vega - Incredible Criminals
Emptyset - Function (Roly Porter remix)


Medium” arrives as the first non-studio based production by emptyset, recorded on location in the remote Woodchester Mansion in Gloucestershire UK. The collection of tracks explores the duo’s preoccupations with the elemental properties of sound and bare rhythmic structures and overlays it onto the textural possibilities
of space and material. The project marks their first act of adapting their analogue
based studio system into an architectural intervention, pushing extreme bass and
feedback into the irregular spaces of the unfinished building. The rural mansion, which remains an incomplete remnant of the gothic revival and a place studied by
both architectural researchers and psychic investigators, provides a rich source of
texture as the sparse palette of sine waves and noise is adorned with the intricate details of the space. Medium emerges as an act of translation remodeling the
house through sonic impulses into a state of audio, a fluid transformative gesture
and a process mirroring the sonar impulses of the bats residing within
Woodchester's rooftop sanctuary.


￼￼The project, supported by the Woodchester Mansion Trust, was provided technical support by the renowned Bristol based sound engineer Mat Sampson who managed the array of vintage microphones and preamps distributed within the building along with the central monophonic sound system.

“Medium” will be released March 19th, 2012 on Subtext Recordings based at Multiverse in Bristol. It follows on from emptyset's second LP Demiurge, Roly Porter's landmark Aftertime album and a live recording by Paul Jebanasam.

Emptyset Mix 2012

Joe Mygan - Adverse Effect

//electroacoustic composition, geonotational mapping, location recording, installation, experimental music, fun

interplace

proxemia

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