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The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

DJ/PRODUCER

Monthly independent house music podcast "Kalanda Tapes" covering the months best releases from the underground house scene, mainly covering the minimal / deep / tech subgenres, will also post original tunes from time to time.  

KALANDA TAPES PLAYLIST ALL EPS HERE!  - https://soundcloud.com/hifilowlife/sets/kalanda-tapes/s-OvhJp3vE9XB?si=e96cb31afed34cdcaaaddb60ddd2056b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Promoting underground music culture. 

Follow me on insta for some more mixes and music recommendations.

I make music fckd up tell anything like my followers 🩷

Gil Gámez : producción.
Mía León : diseño y edición.
Diógenes Tacuara : letra y arreglos.

Proyecto5813 pertenece al laboratorio audiovisual de CERCo21 (Centro de Estudios y Revisión Conrinuum). Un espacio que investiga lo que tienen en común una torre eléctrica y una palmera, los andes y los rascacielos, un microchips y una hélice de ADN. P5813 es un sintetizador que sondea las proporciones para orquestar sonidos, esculpir piedra, edificar ciudades y construir herramientas. Alquimia de Valores. No hay lugar para el arte por el arte mismo sino como producción estética. No es un deleite a los sentidos sino un choque psicológico que utiliza los sentidos como medio. Música para la vista. P5813 es la armonía entre la arquitectura de frecuencias  y un oscilador de punto-línea.
El ruido de la tecnología. Música hecha con los deshechos del capitalismo.

OCTOSHED! ----->>>>>> ☀ weird Beats / DnB / Ambient / Breakbeats / Samples / > Noise / Field Recordings ☀ >>> ☀ Amiga / Linux Audio ☀ >>>>>>>> releasing new tracks [2023] along with tracks from the past few years [2016 ->], but maybe the odd nugget from a good few years ago [1996 -ish onwards].

To be honest, I'd given up on Soundcloud for a long while, but I've returned to it in 2022 and it seems to be much improved. Also, maybe I never quite appreciated it in the first place. It's one of those things that is too hard to comprehend the scale/size/quality of, so you need to spend time with it to get the most out of it. It's certainly great when you connect with someone new etc, or discover their music etc.

"Beāuteoüs Läñdsçäpe Sñïffers are we!"

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'maisey moore' under CRSY is out now. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Find me @thefatfunker on Instagram
Music also on all streaming platforms please follow

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