The idea of these songs is a rag-tag bunch of settlers in 1820 or thereabouts, corralling their carts for the night and singing songs. A few have guitars, a consumptive child plays violin, and someone else has an early version of garageband. They are sitting around the fire, ever more drunk and maudlin. The next day they're butchered to a man, by Apaches or some stray pack of soldiers on the escape from a Cormac McCarthy book. 

The grand plan is for other people to sing and play on these songs, to stealthily build some of them up to full orchestra and choir. Some songs seem to work recorded drunkenly with one guitar, whereas others seem to ache for sweeping strings and four part harmonies, like Gustav Mahler with a cowboy hat on.

Louise Riley, Veronica Thompson, Rasp Thorne and Shimrit Elisar have been the first to come wandering in barefoot and wild-eyed out of the vast imaginary emptiness and stand close to the fire for a couple of songs apiece. There is also some beautiful fiddle on a few tracks, played by Sophie Loyer. Nicola Cunningham sang and played glockenspiel at a recent live show. Sarah Gill has played most impressive cello on some of the songs.

Photo by Karla Da Silva

Aporia is an independent music company. We connect songs to moments, and moments to people.

A country-folk inspired two piece based in Edinburgh

Prairie Rose & The Wildwoods are the love child of all things folk, Americana and country.  The band consists of singer Arpita Shah and guitarist Ross Fairbairn and together they offer a melancholic soundtrack for your first kiss, your first love and your first heartbreak...and every heartbreak since.

AIDAN O'ROURKE

Aidan O’Rourke is a fiddler, composer, producer and curator. With his trio Lau, in multiple solo projects and in collaborations, he has pioneered a new sound in folk music and redefined traditional forms.

His roots are in Scottish and Irish folk music. He grew up in an Irish family in Argyll and studied fiddle in the West Highland tradition. By 14 he was touring with The Caledonia Ramblers; in 1998 he joined Blazin’ Fiddles; in 2010 he formed the quartet Kan with whistle player Brian Finnegan; in 2016 he formed a duo with the jazz pianist Kit Downes; in 2017 he joined the legendary Donal Lunny's new collective The Atlantic Arc Orchestra.

Lau came together in 2006 and their debut album set a precedent for new politically-charged folk music that expands the form and experiments with sound while staying rooted in tradition. Four further studio albums followed, plus a couple of live albums and a 2017 retrospective charting the band’s first decade. Lau collaborators include Karine Polwart, Fred Frith, Anais Mitchell, Joan as Police Woman, John Parish, Adem, Jack Bruce, Trilok Gurtu, Brian Irvine and the Royal Northern Sinfonia. The band have made multiple tours of the US and Japan and won Best Group at the BBC 2 Folk Awards an unprecedented four times.

As a solo artist, Aidan is always looking for new ways to articulate the tradition. He has released four solo albums – Sirius (2006), An Tobar (2008), Hotline (2013) and 365: Vol 1 (2018) – as well as the experimental EPs Music For Exhibition and Film (2015) and Imprint (2016). He was named Musician of the Year at the BBC Radio 2 Folk Awards in 2014.

As a composer, Aidan threads his heritage into diverse settings. He is a three-time winner of the PRSF New Music Biennial commission at the Southbank Centre; other commissioners include the Scottish Ensemble, Royal Scottish National Orchestra, Sage Gateshead, Celtic Connections, the Tolbooth in Stirling, An Tobar, Cottier Chamber Project and Capella Nova. In 2017 he wrote the official music for the opening of the Queensferry Crossing.

As a curator, Aidan has co-directed multiple editions of the Lau-Land festival featuring eclectic lineups, one-off collaborations and workshops. Other curations include Lucky Middlemass’s Tavern, recreating a hub of Edinburgh enlightenment music and debate.

As a teacher, Aidan is a regular tutor at Newcastle University and University of Limerick, and holds fiddle classes as part of Lau-Land.

As a producer, Aidan's interests are in stripping back to bare elements and appreciating the real qualities of instruments and voices – letting the nuances of the tune be at the forefront. In 2018 he produced Brighde Chaimbeul's debut album The Reeling.

His latest project is the immense tune-cycle 365. Aidan wrote a tune every day for a year in response to a short story collection by James Robertson. The result is a major new body of 365 tunes – a significant addition to the Scottish traditional music canon. Aidan’s fiddle tunes are sparse and emotive; his playing is renowned for its lyricism, here paired with bold harmonies from Kit Downes on harmonium and piano, guitarist Sorren Maclean and harpist Esther Swift. 365: Vol 1 was released in May 2018. 365: Volume 2 will be released in August 2019.

“Few contemporary musicians in any category can match either his artistic ambitions or his achievements in bringing them to fruition” (The Scotsman)

“O’Rourke’s music – both his writing and playing – is unfailingly strong and imaginative” (The List)

“Lau are a remarkable band - exquisite and hypnotic, musicianship at its best” (The Guardian)

Radar is a blog and podcast about new music in Scotland, brought to you by The Scotsman and WOW247. Find us at http://www.wow247.co.uk/blog/category/radar/. You can also follow us at http://twitter.com/radar_scotsman and http://facebook.com/scotsmanradar

The Noise We Make is an instrumental rock band from Limoges, France.

They're back! 

Preston Pfanz & the Seaton Sands are back.

The dapper-threaded foursome spent a good few years in the wilderness in search of a new direction. Then they decided enough was enough. They quit the wilderness and headed for the beach, back home to their beloved East Lothian in search of surf fans.

But their time away wasn't entirely wasted!

While musing on their happy origins in the Port Seton ballroom, and the happy hours they spent watching the waves at St Abbs, the boys were inspired to write some hot new tunes. They cranked up the copy-cat, added some drums - lots of drums - and realised they had found a slightly new approach to surf rock'n'roll. A new sound - the now sound - that would get them dancing in Dunbar and jiving in Joppa.

And the surfer boys and girls in East Lothian? They're delighted to have them back, if their screams are anything to go by! 
A recent appearance at the shorefront in Musselburgh had countless dozens of surfers rushing for the sea.

"They're back," they screamed. 
"They're back!"

Angus McPake - Lead guitar
Richard Allen - Guitar
Colin Morris - Bass
Ross Fairbairn - Drums

prww is following