
http://www.flickr.com/photos/georgeccs/
http://www.mixcloud.com/georgeccs/
http://www.vimeo.com/georgeccs
http://www.podomatic.com/profile/jfml72
http://www.facebook.com/elgeorgeccs
http://73kn073s.tumblr.com/

http://headshigh.bandcamp.com
Previous releases on XXX, Razor-n-Tape, Pleasure Unit, Bastedos, Low Life, Secret Squirrel
Bookings/Contact: info@mikemisiu.com
One ½ of Club Of Jacks: https://clubofjacks.com

Billy Caldwell: A Selector’s Tale, Told Like It Ought to Be

“Well, you see, it was never about ‘career moves’ or ‘scene politics’—it was about chasing that moment. That feeling. The one where the bassline bends time and space, and for a few fleeting hours, the outside world doesn’t exist. That’s what got me. That’s what still gets me.”

Billy Caldwell, Manchester-born but now very much part of New York’s nocturnal fabric, has spent a lifetime in pursuit of those moments. His sound? A mongrel blend of Balearic warmth, NYC disco sleaze, and the raw, machine-soul of Detroit and UK techno—stitched together not with precision, but with instinct.

“It all started, as most of these things do, in the thick of it—late ‘80s Manchester, the Haçienda looming large over everything. But it was the afters, the places you’d stumble into at stupid o’clock, that really shaped things. Epping Walk was one of those places. A couple of knocked-through flats, a sound system that could shake the fillings from your teeth, and a rotating cast of reprobates, geniuses, and people who somehow managed to be both at once. New Order would be in one corner, Tony Wilson holding court in another, while someone like Sasha or Mike Pickering was test-driving the next evolution of dance music. It was beautiful chaos.”

That chaos became the foundation for a life spent soundtracking dance floors from Manchester to Manhattan. These days, Caldwell is a resident at Brooklyn’s Good Room and The Standard Hotel, regularly weaving his sonic narratives at Le Bain, The Boom Boom Room, and Sunset Beach. His radio show, Camino Del Sol on The Lot Radio, is a love letter to the Balearic spirit—freewheeling, eclectic, never predictable.

“Venues? I’ve played a few. Some grand, some gloriously grimy. From The Haçienda to Red Rocks, Radio City Music Hall, Sankeys, Festival No. 6—they all have their own stories, their own ghosts. And then, of course, there’s New Order. Opening for them on tour is a bit like coming full circle. One minute you’re sneaking into clubs to hear them, the next you’re stepping up to the decks before they take the stage. Surreal. But then, this whole thing has been surreal, hasn’t it?”

A defining force? A tastemaker? Maybe. But Billy Caldwell isn’t much for labels. He’s just a bloke with a record bag and a knack for reading a room. And maybe that’s the whole point.

Bookings: butch.the.butch@gmail.com

Butch le Butch is a Melbourne based DJ nerd playing underground disco, long forgotten gems and memorable moments reworked for today’s dance floors. He is one of the residents at Melbourne underground disco night 'Bruno'.
His remixes of Madonna, Dolly Parton, Cerrone & Dua Lipa (to name a few) have been played across the world by the likes of Honey Dijon, The Blessed Madonna, Prosumer, Boris Dlugosch and DJ Sneak. He has supported Dave Lee, DJ Spen, Horse Meat Disco, Dimitri from Paris, Purple Disco Machine, Boy George, DJ Heather and Moby and played at events such as Midsumma, Summer Camp, Sydney Mardi Gras, Lavandaze and New York's 'Hot For You' party.

Darren Daz Dalton aka one half of dj duo Get Down Edits & the man behind all the Get Down Edits production work has been a music lover since his early teens & began collecting Vinyl back in 95 at the tender age of 15 by the time he hit 17 he was out playing gigs in bars & clubs in his native Waterford City & has been djin ever since, 
Over the years he has supported or played beside international djs like Kenny Dope (MAW), 
Kerri Chandler, Chez Damier, Greg Wilson, DJ Deep, The Revenge, Atjazz & Charles Webster to name a few & as part of Get Down Edits alongside dj partner Martin Roche has 
been doing the festival and international circuit with great reception playing some incredible events including the famous Glastonbury in 2016, Electric Picnic, Body & Soul, Electric Elephant in Croatia, the House of Disco Warehouse Project Takeover in London, and so on. Summer 2017 saw Get Down Edits playing as part of the Glitterbox Ibiza family alongside huge names like Dimitri From Paris and Aeroplane at the incredible Hi Ibiza venue and Defected Croatia at The Garden in Tisno, they also went onto to play Suncebeat Croatia,
Production wise Darren grew a curiosity & interest in how the records he was playing were put together very early & started doing edits for use in his own dj sets back 2001,
It was years later before the whole edit scene emerged & he was drawn to it straight away & under the advise & encouragement of Greg Wilson set up Get Down Edits the record label in 2011, since then the labels put out 6 vinyl releases which included his own edit work along side guest producers like Late Nite Tuff Guy, Deep & Disco (JKriv), Fingermann, LTJ as well as releasing with other labels including Disco Deviance, Editorial, Samosa Records, Glenview Records, Daje Funk, Queen & Disco, Wall Of Fame, Masterworks Music, Nang, Paper Disco, Hot Digits, File Under Disco, Re-Loved, Golden Soul, Slighty Transformed, Hotbox Boogie, Reckless Records, Deep Sense, Alpaca Edits, Unkwn Records, Ism Records, Elevation Recordings & Midnight Riot.
Darren has also been busy with remix work & has remixed for artists like Funk My Jesus, Nine Lives, Heion, Slync, JMRS, Darran Nugent, Oh Yeah, JFunc, Stephen Richards, Smashed Atoms, JB Dizzy, Jay Ru, Fran Deeper & Rayko, Soopaman inc feat Andre Espeut, JKriv & The Disco Machine As well fellow Irish artists & acts like Le Galaxie, King Kong Company, Kormac, Danny G & The Major 7th`s & Peter Vogelaar as well as written some original pieces of his own including “Sweet Love” where he teamed up with two piece Irish electronic act Cut Once which got released with a serious of remixes from Mix & Fairbanks, Fingerman, Jay Ru, Micko Roche, 
Darren`s bandcamp page does well also (https://darren-daz-dalton.bandcamp.com/) & you’ll find more of his bootleg style stuff up there one of which was an incredible rework of 1988 house classic “Good Life” by Inner City with the amazing vocals of Paris Grey, Darren`s Get Down Edits - Life Is Good caught the ears of Defected Records boss man Simon Dunmore & featured heavily on his “Defected In The House” radio show.

Editor & Producer of Disco and CEO of Hot Digits Music

FOR BOOKINGS CONTACT: hotdigitsmusic@gmail.com
https://www.facebook.com/HotDigitsMusic
https://hearthis.at/z6kyhg4c/

or visit my FACEBOOK GROUP

https://www.facebook.com/fingermandisco/
For Reworks & Track submissions please email:

hotdigitsmusic@gmail.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

This is the Dimitri From Paris official Soundcloud page. The purpose of this page is to act as a showreel for my skill as an artist, producer, remixer or editor. 
Please note that due to the host's strict copyright policies NO DOWNLOADS will be possible unless I have a written authorisation from copyright holders.

Collecting and spinning records since 1992... Producing music since 1997. Worked with many legendary artists such as Average White Band, Hip-Hop legends Masta Ace, Edo G, Guru from Gangstarr, Large Professor and others. Semi-pro bass player, performed in various bands.

Vinyl and digital releases on BBE Music, Street Edits, Editorial, Ghetto Disco, Fat Beats and other labels.

Currently a resident DJ at The Quin House (exclusive private club in Boston) last 4 years. Dj'ed and played music at countless clubs, music venues and private events locally and across USA for the past 30+ years. Performed at various festivals / clubs / events overseas (UK / Europe). 

DJ bookings: sergegamesbourg@gmail.com

Mostly dance material on this page: Disco, Boogie, Funk, Soul, House & Hip-Hop reworks, edits & mixes. You can also check out some of my hip-hop productions from back in the day on my old page www.soundcloud.com/djsupremeone 


BANDCAMP:  https://sergegamesbourg1.bandcamp.com/


MY COMPILATION ALBUM "BOSTON GOES DISCO" OUT ON BBE MUSIC

- 3x Vinyl w a bonus 7”
- 2x Cd (contains a bonus track + dj mix)
- Digital (all original versions + edits)

psh78 is following