A new label for 100% original material that has emerged from the Ghetto Funk scene.

Spoonbill is a restless sonic author constantly defying genres and experimenting with the potential of the vast sonic canvas. He has carved a unique niche within contemporary electronic music, building a worldwide reputation for his idiosyncratic sound design and richly textured high production values.

Contact: info@caseandpointmusic.com

Case & Point are an American production duo

Qdup -(Fort Knox Recordings – Los Angeles, CA / Washington, DC)

For bookings contact: 
USA & Areas other than Canada: qdupbookings@gmail.com
Canada: tomas@daniomanagement.com

Jason Brown is Qdup, and has been making dance floors groove and butts move worldwide for over a decade. Now residing in Los Angeles, CA the Wasington DC area native brings DC Funk vibes along with West Coast Festival Sensibility to the dance floor. Over the years, Qdup has released top selling tunes and remixes on many well received labels from all over the world including Bombstrikes, Fort Knox Recordings, Goodgroove, Air, ESL Music, Royal Soul, Super Hi-Fi, MustBeat and his own Qdup Records imprint. 

Qdup has had a steady string of acclaimed original releases with Washington, DC’s Fort Knox Recordings since 2013. His tunes have consistently made it into top 20 charts in the Glitch Hop, Funk and Breaks Genres on Beatport and Juno Download. From earning a nomination for a Washington Area Music Award for Hop Hop Recording of the year in 2013, to garnering Mixag’s “Breaks tune of the Month in October 2014, to coverage on some of the web’s hottest taste making blogs like Magnetic Mag, Surviving the Golden Age, Life Support Machine, Dance MusicNW and EDM Sauce; Qdup’s projects have consistently been praised by funky dance music aficionados world wide. Qdup has also gained a following dropping his secret weapon DJ tunes to the masses as free downloads.

Qdup broke out as a DJ on North America’s festival scene from 20012-17 including memorable sets at Shambhala Music Festival (BC, Canada), Firefly Fest (DE, USA), Art Outside (TX, USA), Gathering of the Vibes (Ct, USA), BassCoast (Merritt, Canada), Boogaloo (CA, USA) and P.E.X. (MD, USA). Late 2015 to 2016 saw Qdup join forces with longtime collaborator and label mate Steve Raskin of Fort Knox Five in a steady string of gigs performing their unique Four Deck Set. They’ve had a busy schedule with tours up on both coasts of the states, Colorado and Montana & have frequented Canada’s west coast BC and Alberta. Their touring included a festival run with Canadian favorite’s Shambhala (Salmo, Canada) & BassCoast (Merrit, Canada) and adding events like Sonic Bloom (CO), Northern Nights (CA, USA) and Burning Man (NV, USA). 
When not on tour, Qdup has played regularly at DC hot spots like Eighteenth Street Lounge, U-Street Music hall and Tropicalia where he along with Fort Knox Five have held their residency “Sao Funky” for 4 years. Qdup has also made the official promotional mix tapes for The DC Funk Parade 3 years running, further solidifying himself as one of DC’s most sought after party rockers. Since relocated to Los Angeles, Qdup has continued this trend frequently playing at some of LA’s best underground warehouse and festival venues.

Bookings: grant@midnightagency.com

Hailing from the vibrant Canadian West, Tyler Martens, widely known as Stickybuds, boasts over two decades of global touring and music excellence. As a premier Canadian export, his excellence on turntables and in the studio has captivated audiences in over 27 countries, gracing iconic festivals such as Shambhala, Envision, Burning Man and Glastonbury.

With a repertoire exceeding 70 label releases and numerous DJ mixes, Stickybuds has woven a sonic tapestry that resonates worldwide. His music has left an indelible mark, featured in blockbuster franchises like Spider-Man and Star Wars, while concurrently blasting out the sound systems of underground scenes and massive festivals.

A fixture at Canada's Shambhala Music Festival for 20 years, Stickybuds has perfected a unique DJ style, blending genres with live turntablism and impeccable selections. His annual Shambhala mixes showcase a fusion of funk, reggae, drum n’ bass, house and broken beats, adorned with exclusive acapellas, his own productions, and custom VIPs.

In 2025, Tyler is embracing his role as a dedicated father and husband, choosing family life over the grind of month-long tours and relentless release schedules. Bedtime stories and raising his young children now take priority, though he still enjoys performing at select festivals and special shows.

Booking inquiries: https://slynk.net/contact

Management: Mammoth Music Group
jaredo@mammothmusicgroup.com
phil@mammothmusicgroup.com
joemccarten@gmail.com

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Russ Liquid is the future-vintage groove-blasting maestro who has stirred the souls and minds of the electronic music world. Renowned for his ingenious compositional approach, this cosmic virtuoso imprints a prophetic musical experience on his audiences. He detonates explosive beatscapes, seamlessly adding flourishes of instrumental color and emotion; all while drawing from an endlessly diverse sonic palette.

Sola Rosa, the long-running project of New Zealand producer Andrew Spraggon, has never lacked stylistic ambition. Over the past two decades, he's taken an omnivorous approach to genre—soul, R&B, funk, jazz, hip-hop, and the occasional nod to pop—all filtered through a lens that favours polish and warmth over flash. It’s music that feels lived-in rather than lab-engineered.

Since winning Best Electronic Release at the 2001 NZ Music Awards for Solarized, Spraggon has quietly built an international rep. There’ve been remixes from Tall Black Guy, Hermitude and DJ Vadim; sets at Secret Garden Party and Green Man; praise from Rolling Stone, Mojo, and more. Yet he remains a bit of a secret—an underground mainstay rather than a household name.

The 2020 LP Chasing The Sun marked a return after five years and proved there was still plenty left in the tank. Now, 25 years into the Sola Rosa journey, comes New Tomorrows: a taut, considered EP that feels less like a statement and more like a bridge between chapters. The collaborators remain—singers, writers, players from both sides of the Tasman—but there’s a quiet sense of closure. A drawing of breath before something sharper.
That “something” is already coming: a new album lands later this year, with Spraggon stepping further into the foreground. Watch this space.

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