@OliverHeldens’ HI-LO alias is reserved for his deepest and darkest records. His 2020 tracks ‘Zeus’ & ‘Kronos’, landed in the top 10 of the most supported Techno tracks on 1001tracklists in 2020, which was a contributing factor to Oliver being awarded the coveted spot as the #1 most supported producer platform wide. His releases inspired by the Greek Gods, like ‘Poseidon’, ‘Athena’, ‘Hades’ and more recently ‘Saw of Olympus’ and the ‘Balearic Mornings’ EP with Dutch techno giant Reinier Zonneveld on Filth on Acid, garnered millions of streams and support from all across the Techno scene and beyond, contributing to HI-LO’s #6 best selling Techno spot of the last year on Beatport. With no signs of slowing down in 2021, HI-LO’s delivered a massive remix for Nina Kraviz’ ‘Skyscrapers’ and his debut EP on Drumcode ‘Hypnos’ which includes the title track plus the dance floor stomper ‘Hera’ that seen further support from the likes of Adam Beyer himself, Dubfire, Joseph Capriati, Pan-Pot, Robert Hood, ANNA, Joris Voorn, Nicole Moudaber, Sam Paganini and many more, proving HI-LO is here to stay as a Techno mainstay for the long haul!

https://www.beatport.com/artist/hi-lo/12692
https://www.instagram.com/officialHILO
https://www.soundcloud.com/official-HILO
@HeldeepRecords
https://www.youtube.com/watch?v=yKq7h3qedjw&list=PLoVPdGdbdII0xJjKngQcBAZm5yHbdTzAR
https://facebook.com/officialHILO
https://instagram.com/oliverheldens
https://instagram.com/heldeeprecords
Instagram.com/officialhilo
Twitter.com/official_hilo

Booking requests: martin@encodetalent.com
Music requests: info@8kays.com

There is an artistic approach in every corner of 8Kays’ space, deeply bonded and interconnected with her mature and creative mind.
Shaping and crafting her distinguished sound over the decade, whether it’s either the powerful heavy-infused techno or meaningful sense-related, aetherial and abundant with sound-design elements melodic works, 8Kays strives for freshness in her productions; yet aims to make a difference with her music at the same time.
With the grade of releases on the renowned Afterlife label by Tale Of Us, John Digweed’s Bedrock Records and Berlin-based niche and exemplary underground Watergate imprint, 8Kays firm creative vision looks far to explore new intriguing horizons ahead.
Having played geographically rich tours, which include the biggest notable festivals and clubs along multiple continents worldwide, she is eager to innovate, create and evoke her bursting energy into the sound, which was and remains the main core of 8Kays’ motto and lust to the neverending musical landscapes of her profound artistry.

Afterlife: an odyssey through the realm of consciousness.

https://www.encodetalent.com/kevin-de-vries

In the ever-evolving electronic music landscape, Kevin de Vries stands out as a luminary, crafting melodic techno masterpieces that echo through clubs and festivals worldwide. With a unique talent for melding musical intricacies, he has carved out a prominent place in the industry.

Kevin utilises the mesmerising and often transcendent potency of loops to captivate the dance floor. His close affiliation with Afterlife, where he has been a core artist since 2018, has provided a key platform to showcase his creative talent. Since his first release, Kevin has been part of the brand’s story, one which has unfolded to encompass a vast global community and a progressive ethos based on connection. Cuts such as ‘Dance With Me’ and ‘Metro’ have showcased his production abilities and distinctive style.

Kevin’s relationship with the label and event series also inspired the progression of his musical approach. The connection to his audience is the driving force behind his constant evolution. On stage, Kevin is a natural performer, matching the vibrancy of his music with his stage presence. Whether at larger scale productions, or more intimate settings, his aim is to form a symbiotic relationship with the audience - a mutual energy exchange that inspires Kevin, and the dance floor simultaneously.

Elsewhere, Kevin has released with Drumcode, Experts Only and Cocoon. With each release, he injects emotionally charged energy, combined with mesmerising beats and rhythmic arrangements. 

His unique sound has been featured in some of the most notable clubs, including Brooklyn Mirage NYC, Space Miami, and Hï Ibiza, as well as at world renowned festivals like Coachella, EDC Las Vegas, Tomorrowland, Awakenings, and Time Warp.

Kevin’s vision for the future upholds his community focused ethos - to connect with as many people as possible through his music, to keep finding new ways to communicate his message and, ultimately, to stay true to himself.

Booking (Worldwide): booking@otnicka.com
Artist Manager: Volha Karp

Management: mgmt@otnicka.com

Aliaksei Stanulevich (Alexey Stanulevich; better known as Otnicka; рус. - Óтника) — is a Belarusian musician, music producer, songwriter. He is best known for his stylistically unique works, as well as his collaboration with the Argentine musician, composer and producer, two-time "Oscar" winner Gustavo Santaolalla.

• A prolific sound producer Otnicka has released many popular singles including “Where Are You”, "Babel", "Mandoline", "Peaky Blinder", etc.

•  2+ billion streams.

• That same year, Otnicka’s pulsating rework of Argentinian composer Gustavo Santaolalla’s Babel score became a major hit. It led to a second collaboration in “Bailarín”—a track by Santaolalla’s band Bajofondo—where Otnicka remoulded the original’s neo-tango inflections into a slice of gloriously chilled electro. As if becoming a tradition, in May 2022, another collaboration of two musicians took place this time Gustavo Santaolalla and Otnicka recorded a joint composition "DUALQ".

• In 2023 founded the label "Otnicka Music Lab"

The release of "Where Are You" was ranked 8th in the Shazam (Electronic) world chart.

Send your track for Otnicka Music Lab: 
label@otnicka.com

MERCH: 
www.otnicka-merch.com

www.otnicka.com

Another Kannurian Down Trodden
https://www.facebook.com/sushinshyam/

Booking: 
World: dc@temporary-secretary.net

All Inquires Contact 21@21savage.com
#SavageMode #SlaughterGang

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

SWATHIK is following