I think this is the one where I used a classic soul progression. The packaging at the start that imitates a DJ scratch rhythm came when I accidentally touched a mi goreng pack of noodles around the mic and it fit so I used that. The stop start is influenced by ‘I Try’ by Macy Grey. Then a trademark 4 layers of cello for the chorus. It’s 4 layers cos that’s how I get the cellos to have enough power that I want. First time doing a vocal ’staccato’ sort of chorus like ‘Work Song’ by Hozier which is my fave Hozier song cos’ maybe I’ve overplayed ‘Take Me to Church.’ At the end a brief bit of funk. I remember trying something more complex but the classic James Brown sort of funky riff worked better so I used that.  The second verse is influenced by the production of ‘Hold On’ by Bishop Briggs with the claps. Then, a neopolitan chord for the bridge.  The last chorus has the 2nd chord flattened like ‘Imperfect For you’.  Also a harmonic minor scale being played by the synth lead which reminded me a bit of Just Like You Imagined by NIN. So we’re not lyrically referencing 300 anymore but musically referencing it. The horns are a new addition which I did just based on … what I thought might sound good. The verses/bridge are new but the chorus is from last year. Oh yeah I did reference FNM's Ricochet for the bridge. King for a Day is Spiderman's fave FNM record. Should just hired as a consultant when their biographies are due. Correcting people like, "nah it was a sunny day when that event happened." Yes, the weather is important. Details are important.

Speaking of mi goreng which I discovered in my 1 year of boarding school in Australia. “I do hope my overpriced education doesn’t offend you.” I remember looking at it and thinking it was strange that it had no broth. Then, tasting it and going “ this is amazing.” It’s wonderful how an Indonesian noodle brand has gained popularity in Australia. Other than that, I do miss the meat pies and Shapes (they are a good snack). It was also at boarding school that I discovered Meri lewa which was played once a week by the PNG boys.

Give Me Release

Welcome To My World! 🌎
King of Mashups 👑
Join The Journey 💯
Enter My Mind 🧠

This is a genre called Fanta Rock. I love '70s West Coast American music. It's the music that inspires me. I also like Ennio Morricone's style. Then I mix it all up. I play electric, classical, acoustic, and 12-chord guitar. I also play bass.
YouTube Channel: https://www.youtube.com/channel/UCeCBZ4l-tqzB1iYK4sdhYzw

I'm Hank Rusch.  I am a musician who writes, sings, plays lead guitar.  this is my Soundcloud site where I feature my solo releases featured at www.hankrusch.bandcamp.com  I also act as producer, lead guitarist, co  writer, back up vocalist, for the powerhouse band Smokin Rock that can be heard here or at smokinrock.bandcamp.com 

Smokin' Rock, a powerhouse rock group that delivers high-octane, unfiltered rock music right to your eardrums. Join them at www.smokinrock.bandcamp.com to hear all their music. Formed by the brilliant minds of Hank Rusch and Bob Dannewitz, these visionary musicians craft electrifying anthems fueled by their passion for cars, epic concerts, and, believe it or not, the captivating allure of a certain mysterious "C". Prepare to be captivated as Smokin' Rock takes you on a sonic journey through the fast-paced world they know and love.

DoYouSeeTheVZN?


Socials:
YouTube: VIZION Music
IG: vizion.xiv
TikTok vizion_xiv
X: vizion_xiv
Snap: officialvzn

GENRES: Easy Listening | Electronic | Experimental

INSTRUMENTS: Keyboards | Synthesizers | Guitars | Vocals.

Born in São Paulo, Brazil, Evandro B. Lira, also known as “Vintage Mutation”, has been a musical explorer since he was nine years old, when he started his first music studies.
In 1990, he became a trombone player, participating in “jam session” meetings and joining with some gospels orchestras. In 1996 he began his studies in synthesizer keyboards, suffering the influence of the electric guitar since 1998, when he started composing his first songs.
Active researcher on the relationship between music and mysticism, revives his experiences since 2016, expanding his sounds from synthesizers and guitars, in order to rescue all the classic and “vintage” atmosphere, for consequent transmutation into contemporary tendencies.

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Jah-Femi Telewa : Multi-Award-Winning Multi-Disciplinary Artist

Jah-Femi Telewa is a poet, rapper, composer, songwriter, author, inventor, and philosopher whose work has earned recognition across literature and music. He has won multiple Koestler Arts Awards under Derby House, spanning rap/hip hop, poetry, spoken word, song lyrics, instrumentals, animation, and computer-generated music.

As an author, his poetry collection J’s Words: A Collection of 50 Poems received a 5-star Readers’ Favorite review and the Literary Titan Gold Book Award, while his novel Somewhere Enchanted — written under the pseudonym J.F.T. — was also honoured with the Literary Titan Gold Book Award.

With artistry that blends lyrical brilliance, philosophical insight, and inventive vision, Jah-Femi stands as a multi-award-winning multi-disciplinary artist shaping culture with words, music, and thought.

(☝️God,☝️💜)

https://jahfemitelewa.com

https://open.spotify.com/artist/3coLZml4WSdevkSg7mSb5z?si=NA4UVfPDR1ODAiaxqeaQ3A

From the live houses of the Jing to busking in tunnels (Granted, the 33.3% donation rate was based on the fact that he had removed his stifling white collar shirt and was dancing bare chested) in Singapore, Psychedelic Revolution (aka Psyche Rev) is a one man project that likes most things such as alt r&b and alt rock. Made it as a semi finalist in 'Song of the Year' competition in 2022 with his song 'Cassius.' Finalist in 2023 with 'We'll Go Down.' Finalist in 2024 with 'Sigh' and also taking semi finalist positions with 'Heartbeats & Inner Turmoil' and 'You Had Me'. Finalist in 2025 with 'Cold Cold Storm' and semi finalist with 'So Typical.' Tastes like Kung Pao Chicken. Looks like a cross between Brag Pitt and Heath Leather. Smells like team spirit. Feels like baby powder. Oh the music. Yeah, it sounds good. 


Don't respond to DM's on here so if you would like to get touched pls contact  via some other avenue. He does have a sun fetish though.

Daily Musing:
Yeah. 4th year in a row. Happy about it. Happy that I wasn't awarded anything in 'rock' again.  4 months left to still compete. It's been an honour to play for you all as usual. 

October: I think I'm gonna do a chill hop/jazz hop thing with Coltrane changes. Done a instrumental before but never done a vocal jazz hop thing.
It's going well. Pretty exhausting because of how much brain power is used to decide what scale to play over the Coltrane changes. Easily the most 'jazziest' thing I've ever done. Tho it's hip hop. So when it comes time to explain the song I've forgotten about half the scales I'm using. Will probably be out end of the month. I've been thinking that I want to do a 'How to Train Your Dragon' theme. I've really only seen the third one and the live action version (the recent) but they moved me. Multiple times. Which I guess says something about how the filmmakers handled No Time to Die. So maybe like medieval rnb. Worked for Seal.