I used polyrhythm with strings in triple meter and drums in simple meter for the verses. Just like that song  in 1975. More creative uses of this to follow. Also used a quartile chord found in ‘So What’. There’s a walking bass line and it is also the first to feature piano voicings that make for easier bass lines. 

Co production (cool sound effect in intro),drum editing, drum fills and instrumental mix from Blaz @a7-recording-studio

Lyrically, it is stream of consciousness with a few lines edited to rhyme. It was supposed to be about finding inner peace but I only ended up with one line about that. I am not tortured but someone else might be. Hope is a good thing. Not based on the novel with the same name as I have never read it.



I would like to thank my family (especially my parents and sister), Jinn (weren’t for her listening to the songs not sure I would have returned after a 1 year hiatus), my friends, the parents and students that I have taught (“I have been touched by your kids. And I'm pretty sure that I've touched them”), all of my teachers and the teachers for that compliment at Hulu (it’s an honor), and my listeners.

2 Quotes.
Past year has been busy with no days off. I’ve started jogging for 30 minutes and last year I finished Macroeconomics on Khan’s Academy. This year I’m onto Unit 8 of his Finance & Capital Course. I’ve gone on 2 week long business trips to Thailand and Malaysia. Since I am in this field I decided to see if I could pick up my mental maths. 

It reminds me of a quote that an Indian boy replied when asked, “what are your weaknesses?” at a job interview.

He replied, “I don’t have any weaknesses. My greatest asset is turning my weaknesses into my strengths.” 

For the longest time I thought it was a good reply but didn’t think it was possible. 
So I did some research online and all of the quant traders were using either rankyourbrain or zetamac. 
2 minute long sessions. Since rankyourbrain shut down I will only list my scores for zetamac. I began around the 40’s which was actually a ‘decent’ score by international standards.  I’d memorize the ones that I took a bit longer on and go over them daily.Then after about 20 minutes each day on both websites (2 sets of default zetamac questions) I started seeing improvement after 3 weeks. And now, I have a high score of 79 which puts me 12 points off from a rubiks cube whiz who posted his score on Youtube. If you had told me that I would be only 12 points off at the start I would have called it a miracle. Going from below average at something to above average. But, ‘miracles’ do happen like those Mexican teachers who rescue a whole class of failing students. And, there are guys who started off scoring 20’s on zetamac going on to score 90’s. And, a woman who is now a quant trader who bought elementary math books to work on. 

2 schools of thought.
“Take it easy man.”
“Sometimes the hardest thing to do and the right thing to do are often the same thing.” - Alfred

I think people don’t really pick one and live by it and its more of a mixture. So, I would encourage you to find something you think you’re bad at and work on it.
I know.
“Numbers isn’t my thing.”
I used to feel the same way. In the beginning you’ll experience frustration and disappointment. But confidence isn’t the lack of those thoughts but having those thoughts and still working through it. Keep at it and you will experience this feeling of joy that is usually not associated with maths. For only 4 mins a day. Free. A chance to see what your mind has tricked you into thinking you suck at. 

And when you do improve just remember that it is only mental maths, a very small portion of what maths actually is.



The other quote I really liked was:
“ I don't even care if they respect me. I know who I am. I've got enough respect for myself.”

An early Merry Christmas and happy new year to you all!

The Crazed

This is a genre called Talking Rock. I love '70s West Coast American music. It's the music that inspires me. I also like Ennio Morricone's style. Then I mix it all up. I play electric, classical, acoustic, and 12-chord guitar. I also play bass.
YouTube Channel: https://www.youtube.com/channel/UCeCBZ4l-tqzB1iYK4sdhYzw

Artist working with Guitar and Amp simulators and A.I.

Industrial dance and cinematic fuel.
Find me on Bandcamp: https://planetyes.bandcamp.com/

• Artist | Producer 
• Original tracks 
• Support the Arts!

• Dell • Ableton • Splice • Waves
• Rokit • Serum

• No generative AI tracks

I support with reposts frequently, If you are looking for some curated content, my playlists are my favorites!

César Granados-known simply as Granados-began his descent into the depths of sound at thirteen. A boy shredding his vocal cords in rock bands, unraveling the threads of his own sanity until he hit thirty. But rock was just the first step, a gateway drug to the darkness that would soon consume him. In 2012, he dabbled in progressive house, mistakenly thinking he'd found his path. But by 2021, Granados had truly fallen—into the abyss of Indie Dance and Dark Disco—where the music isn't merely heard; it's felt, like a cold breath on the back of your neck.

Now, Granados has signed his first EP with Soviett Records, titled G.O.D. (Guadalajara On Darkness). His first single was signed by CS Recordings. But don't be deceived—this isn't just a single; it's a ritual.
"Guadarklajara" isn't a song; it's a curse, a spell cast through speakers. Now, both are haunting @beatport under the cryptic aegis of @CRecordings, with the full EP poised to follow under Soviett Records.

This EP is his manifesto from the shadows, a declaration of war against the light, a plunge into the cold, unforgiving depths where forgotten nightmares stir. But here's the unsettling truth about Granados: he doesn't want you to merely listen. He wants to drag you under, into the murky depths where his music dwells. His sound is a venom, a twisted concoction of terror-laden harmonies and frenetic rhythms that don't just play—they consume. 

This is Granados, and he isn't just crafting music. He's weaving a nightmare, and you're the one ensnared within it.

Meditation and Spiritual Growth Guide

My spiritual name is Om Kleem Hum Gum Namo and I share teachings from Divine as songs to help people to start and proceed in their spiritual material path.

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

Hyperpop Grunge Post Punk Vocalist 
On some other shit ♣️👁‍🗨♾ 
The power is within you
YouTube in the link below💋❤️‍🩹💊

Joe and Barry met in 2003, near Portsmouth, when they both started studying a BTEC in music together. After completing the course in 2005, they remained good friends even when Joe moved back to Birmingham. Joined by a love of music and sport, using both as an excuse to meet up as much as possible. Over the years they have played music together on and off, whether it was local gigs in Birmingham or recording new music. Due to the distance, playing new music was difficult to do regularly. In 2019, they recorded a 4 track EP. It was released in March 2020 and gives an introduction to the current line up of Hope Street. 

Early into the Covid lockdown in 2020, Joe and Barry, now both armed with recording software, started sending demos to each other. They quickly realised that they had a collection of songs that they were happy with and started working towards recording the 11 track album Silence & Chaos, scheduled to be released in December 2020. Uploading the songs as they were individually finished to Soundcloud and Instagram and receiving mostly good comments from the online community, 

Hope Street are looking forward to the future and are already working towards their next project.

Hope Street are Joe Tibbits on guitar and vocals, with Barry Harman on bass. String arrangements an some piano sections are by Steve Tibbits. We hope that you enjoy listening to our music. If you do, please follow us on our social media accounts. Thanks for listening!

Hope Street are an Indie/Rock duo from the UK.
Joe Tibbits (Vocals and guitar) and Barry Harman (Bass Guitar)

Many of the songs also feature piano and string arrangements by Steve Tibbits.

From the live houses of the Jing to busking in tunnels (Granted, the 33.3% donation rate was based on the fact that he had removed his stifling white collar shirt and was dancing bare chested) in Singapore, Psychedelic Revolution (aka Psyche Rev) is a one man project that likes most things such as alt r&b and alt rock. Made it as a semi finalist in 'Song of the Year' competition in 2022 with his song 'Cassius.' Finalist in 2023 with 'We'll Go Down.' Finalist in 2024 with 'Sigh' and also taking semi finalist positions with 'Heartbeats & Inner Turmoil' and 'You Had Me'. Finalist in 2025 with 'Cold Cold Storm' and semi finalist with 'So Typical.' Tastes like Kung Pao Chicken. Looks like a cross between Brag Pitt and Heath Leather. Smells like team spirit. Feels like baby powder. Oh the music. Yeah, it sounds good. 


Don't respond to DM's on here so if you would like to get touched pls contact  via some other avenue. He does have a sun fetish though.

Daily Musing:

The schedule is like this cos’ one song takes a huge amount of time to produce. Then the next will be easier as a sort of break. So if I equal any one of these reference tracks I’m doing well. I might get someone to help me with the mastering,. Mastering is pretty cheap. Since 25’s Vesper Lynd took 15 hours of prod work I want to pace myself. 
Jan: rnb. Ballad-‘The love we make’ as inspiration       Prod Difficulty 10:10
Feb: stomp n holler folk ‘ Sleep Deprivation’ by Chance Pena as inspiration          2/10
March: Serious pop. Srsly. Like indie pop. ‘ Using ‘The Lake Heard Everything’ as inspiration. OK that song might be AI. First time a human is trying to be more like AI instead of the other way around. So this might be our sad song of the year.   5/10
April: shelved retro soul tune
May: Abi’s birthday. I want to do a ‘build up’ rock song. With a lot of suspense.       6/10
June: How to train your dragon theme          10/10
July: daft punk electronic danceable tune.    7/10
August: Trap electronic hybrid. Royalty by Ezgod as inspiration. This is probably the hardest to do as the production is immense on that song. 10/10
Sep:: dark rnb        8/10    using any of 1984’s tracks as inspiration. He’s a very solid producer here on Soundcloud.But I will do a full length cover for once.