A silent digital monolith unfolds through a sequence of conceptual states, tracing the inner logic of systems architecture as an emotional landscape. Each piece drifts in slow, shadow-coated motion, shaped by minimal structures, deep ambient space, and subtle cybernetic tension. The atmosphere moves like a blueprint turned into sound: cold, meticulous, textural, and quietly cinematic. Airy pads, soft synths, and deep bass carve out a spacious, low-intensity environment where form, function, and mood merge into a single evolving continuum. The project’s core message emerges through this restrained, architectural sonic design—an exploration of how hidden frameworks and invisible layers of structure can be translated into calm, focused, melancholic, and profoundly atmospheric sound

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Working on some other material

I'm a 36 year old, man, playing guitar, living in MA. Making metal riffs!

Got all my tracks from Demo 1 as playthroughs on Instagram (got 1st track from Demo 2 as well)

I don't know how to use music recording software (I just make my riffs at home and go to the studio to get them recorded) but if you want to collaborate just let me know and we can try to work something out

Digital mind generating structured sound. Focus. Analyze. Work. Flow

Max Yoshio, (maxyoshiocomposer@gmail.com)

Max Yoshio is the composer behind NORA, 3020 — an ongoing archaeological music project that documents real and projected events from the year 2000 onward. Each release is presented as a recovered audio artifact from the 20st century

https://www.discogs.com/fr/release/12265331-VCTR-Disillusion-Day

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Pltcrt