For the hundredth chapter of the Patterns of Perception mix series, we're delighted to feature the one and only @flxk1. To all of our listeners, we want to say a huge thank you for your support over the past 6+ years! We truly appreciate you all <3 

Read our interview with Felix here: https://www.patternsofperception.com/post/a-chat-with-felix-k

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As a DJ, producer and label head, Felix K’s singular perspective and approach has been an ongoing source of inspiration across the scene since the early 00's. From seminal work on his own array of imprints to key performances at events around the world (including an unforgettable set at a Patterns of Perception party in 2019), Felix’s vision has been, and continues to be, both influential and indelible.

For Patterns of Perception 100, Felix drew upon his vast knowledge (and record collection) to compile an ambitious four-hour mix which traces the spirit and lineage of both fundamental and contemporary sounds across the wider breakbeat/UK scene.
Beginning the journey with foundational dub, Felix layers modern counterpoints of breaks, jungle and dnb, in the process highlighting connections, overlaps and inspirations that have taken place across years, generations and eras.
The result is almost encyclopaedic in its depth and scope, but with an approachable energy that channels the warmth of mixtape culture. It is a  fascinating and compelling undertaking from a true head, with a presence that feels both fresh and timeless.

Links:
https://soundcloud.com/flxk1
https://www.instagram.com/flxk1_/
https://www.facebook.com/flxk1/
https://twitter.com/flxk1_
https://ra.co/dj/felixk
https://flxk1.bandcamp.com/
https://nullpunkt-records.bandcamp.com/

Read our interview

Patterns of Perception 100 - Felix K

Perhaps best known for his association with beloved dance music blog Truants, @riccardovillella is also one of our favorite DJs—with a streak of mixes that always feel like instant classics—and a staple of the broader dance music scene in his own right. Villella's penchant for community began on early dance music forums and extends into today's social media networks and elevating others through mixes and in-depth interviews on @truants. His mix for us, inspired by timeless mix CDs like those of Fabric and a 'spiritual successor' to his mix for our friends at @sure_thing, is also a vivid memory of teenage bike rides along the beach in 2006.

Read the interview and see a tracklist:
spontaneous.zone/051-villella

"For the last 11 years I’d been living in London and for a long time, I had no desire really to leave. People say you can call somewhere 'home' after living there for a duration of seven years, so I was well past and on my way. The last three years though, I had really burnt out quite hard creatively, and was kind of just trudging along. It took me a while to realize that I’d maybe needed a break away from London and the constant living for the weekend parties. Work had gone remote, so the option of moving back home to Brighton on the seafront for a temporary reset and to save some money seemed like the logical next step.

I was quite excited about moving back, as one of my friends Bobby had moved back home from London a year prior to also work remote, my friend Sean was still down there and had been making some really cool art recently so we’d been reconnecting, and my friend Sam who moved to Australia 10 years ago was going to be back for a short trip in Brighton this year for a couple weeks. This felt kind of important to me as, as we’d all be in the same city for the first time in a very long time, and these were people that made up my favourite summer ever - the year 10 one in 2006.

... We spent most of that summer going on these really long bike rides from Shoreham-by-Sea, past the cement factory before reaching Brighton beach, and just cycle as far as we could until the sun went down. Me and Bobby would pack our little MP3 players (think I had a Creative Zen Touch then) the night before with as much ‘feels’ music as we’d like to call it, anything that would make our cycles feel like an extended Michael Mann movie, or "LA Action" we’d say. There was just something quite life-affirming as a 16 year old, headphones in, cycling back as the sun sets after exploring some beach cave and you’ve got either of Fila Brazillia - "Subtle Body", Groove Armada - "Paris", or DJ Shadow - "Blood On The Motorway" playing in the background. It was all very Stand By Me in the most musically liberating way possible. I’ve caught myself thinking of those times a lot lately.

I’ve tried to channel a lot of those feelings quite subtly into my studio mixes over the years—hopeless nostalgia, bittersweetness, a sad euphoria—more so on ones where I’m trying to achieve something other than a club-mix. The Sure Thing mix comes to mind especially, but that was also very influenced by the techno aspect of the series and certain life events. Whilst this feels very much like a spiritual successor to that mix, I didn’t want to be so subtle with this one. It’s a straight ode to a single perfect 24 hours that summer, and all the tunes that I was listening to back then, plus some that capture that perfect world-at-your-feet, carefree, teen vibe for me. It covers many moods and feelings of a hot day down at the beach and the transition as the sun sets and you’re getting ready to dance the night away.

I’ve wanted to record something like this for a long time, something that kind of felt like a timeless mix CD, and think you gave me the best opportunity and timing in wanting to put it together, especially as I’ve been doing that same cycle route every other weekend whilst down here."

@riccardovillella / @truants

Spontaneous Affinity

Interview + Tracklist

Spontaneous Affinity #051: Villella

Recorded live at Nowadays Nonstop on Saturday 5th October. I opened up the night from 10pm - 2am before Aurora Halal. 

My favourite place to DJ :)

Shoutout to Yumi, Jenna, Chris & Gareth.

Tracklist:

Civilistjävel! - Säbråvägen 11 1987
Mark Hollis - Inside Looking Out
Deaf Center - Fiction Dawn
Bark Psychosis - Rose
Crescent - Sombra
Stress Assassin - Nature
Dettinger - Untitled
M. Quake - Annie U R A Bird (ft. Jonnine)
JPLS - DFN Paralysis
Plastikman - Pakard
Ricardo Villalobos & Max Loderbauer - Reblazhenstva
Lowtec - Untitled
Biosphere - When I leave 
Civilistjävel! - Untitled
Ø - Olenaton
Lowtec - B2
Andy Stott - Made Your Point
Kassem Mosse - STOSW
Lamin Fofana - Toco SOS
Monolake - Mobile
Gombeen & Doygen - 7,000 Years
Basic Soul Unit - Innershell 
The Hazardous Dub - Real Dub Selection (Mix1)
Free Style Attitude - Morning Star (Club Mix)
First Strike - Fist Of Facts
Cabaret Voltaire - Brutal But Clean
Genesi - White Dove
Siverlining - Walls
JPLS & Ambivalent - Creep
Herbert - Back Back Back Back
Peace Division - Poke
Tony Morris - House of God
Chiapet - Westworld (Termination Mix)
Luar Domatrix - Bo Teias
Patcool - Patcool 
Mark Ambrose - Untitled
Mark Thibideau - Rotation
YMC - Subway
Procare - Unreleased 
Kerri Chandler - Keep Me Inside
Shinichi Atobe - Ongaku 1
The Quest - Avenue D
Christopher Just - A Future Without Hair
Bolz Bolz - The Ultimate 
Eggfooyoung - B-Boys Take Control
Sync 24 - I Don’t Know
Drexciya - You Don’t Know
Clatterbox - Vector Model 
Paradox - Proceed
Cousin Cockroach - This Ain’t Tom and Jerry
Primitive - A
Aquatherium - Carnival Beats
Basscut - Follow Me (Mixmaster Club Dub)
Volcano - Neural Eclipse (Liquid Mix)
The X Factor - Desert Rain (Invocation Mix)
Maurizio - Ploy (UR Mix)

https://en.wikipedia.org/wiki/Big_Duck

Live at Nowadays - 5th October 2024

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Two hours of blissful, atmospheric, dubbed-out grooves and sound system pressure from Kizen Records' head honcho and one of our favorite selectors... Romi.
~~
Artist Support:

https://soundcloud.com/romi808
https://ra.co/dj/romi
https://www.instagram.com/___romi_/
https://kizenrecords.bandcamp.com
https://soundcloud.com/kizenrecords

Artwork by Clayton Ciolac
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Romi

We could not imagine a more fitting Podcast Series contribution to soundtrack the peak of our of summer than this lush dubby mix recorded by the New York via Chicago DJ & productress Eden Aurelius 🦋

Back in April last year, the inaugural record on the Glaswegian label co:clear lands in the crates at Phonica Records and it steals the show. It was the debut release by Eden Aurelius titled ‘Plateau’ with it’s soft-edged downtempo take on dub techno dancing through clouds of ambient textures and perfectly embodying that netherworld in between ambient and dance music that is the beating heart of Introspective Electronics. Over a year later, we are so grateful and proud to have Eden feature on our Podcast Series with this stunning hour-long recording 💕

Nothing else to do now but to plunge into the dubwise depths of this magick mix where tender energy ebbs and flows in the spaces between not-quite-ambient and not-quite dance. It’s in the liminal space of the soft cracks in between. Aren’t you curious to hear? ✨

Sounds by @edenaurelius
Visions by @marcomaldarella

Buy Music Club: https://www.buymusic.club/list/ie-podcast-series-54-eden-aurelius

TRACKLIST

Rhauder & Paul St Hilaire - No News (Assemblage Mix)
Purl - Hollow 
Attila Jahanvash - Morning Glory 
Rod Modell - Body Sonic
Illuvia - Khalani
The Urban District - 100.2
Purl - Saraide
DT-90 - Kone 
Alex Humann - Recovery Passage 
Rhythm & Sound - Aerial 
Electric Birds - Stem 
DJ Paradise - Ssumo
Fonica - 1899-12-31
Off The Sky - Cumulae Movement

Podcast Series 54 | Eden Aurelius

LEVL performed on the third day of #Mostra25 at the Vall d'Hebron Olympic Pavilion. 

+ + + + + + + + + + + + + + + + + + + + +

Forest Drive West, Felix K and DB1 are LEVL. Together, they explore the murky territory between drum & bass, techno and experimental electronics, crafting a distinctive sound that defies the boundaries of genre. The trio's collaboration began with DB1 and Forest Drive West putting out music through Berlin-based Felix K’s label Hidden Hawaii, which led to the formation of LEVL: a combination of each artist’s unique production approach that creates a cohesive and innovative sound. 

LEVL's debut release, “LEVL#1”, was issued in 2019 on Arcola, a sub-label of Warp Records, a bass- and breaks-heavy record showcasing their ability to blend ambient textures with complex rhythms. “LEVL#2”, on Felix K's Nullpunkt label, further explores the intersection of ambient, drum & bass and techno.

Beyond their recorded output, LEVL brings a strong energy to live performances, delivering an immersive and genre-bending musical experience. With meticulous attention to detail, the group pushes the boundaries of electronic music through soundscapes that challenge and captivate listeners.

@dee-bee-one
@flxk1
@forest-drive-west

LEVL (DB1, Felix K & Forest Drive West) @ Mostra 2025 🖤

@shoall

Today’s Deep Mind Music entry is a trip through the depths of the earth from Shoal 🌘🌙

Listening to this set I was transported into another realm of being, taken by the hand through the mists of time, into the molten core of the earth. A transmission from the collective unconsciousness of mankind, sinking into the faded memories of our ancestors. Megalithic drones contrast with intricate moments of delicate celestial harmony, as iridescent shimmers of light glint into a shadowed cave. As the mix concludes, we softly re-emerge, floating on a blanket of rainbow-hued clouds ✨🤍

This mix is a live set made entirely of music composed by Shoal, formed from a series of recordings. It features field recordings captured in Japan, as well as a jam session with flute (Urosh), contrabass (Julian Tjon Sack Kie), and sound exploring a tam-tam gong, all collaged together. Thank you Shoal for this moving and evocative journey taking listeners through the primordial beyond 🌌💠🌀

~~  
Downloads Enabled ~

Shoal ~ Deep Mind Music Vol.35

Haruka x Craig Gonzalez opened the Dance Room at I.T. presents The Bunker, May 26, 2025, Day 3 of Return to the Source, at Tangent, Detroit.

Craig Gonzalez – @craig-gonzalez:

It's one thing to hop on the decks with someone during peak time at a party in a packed room like the first time Haruka and I played together in NYC but it's another to open a party during the last leg of RTTS weekend. So we started talking about the set a couple of months beforehand, but nothing really prepares you until you're in the middle of RTTS weekend itself. We were texting and chatting about the setup and direction throughout the weekend and eventually landed on keeping things a little funky and fun.  Playing with someone with a similar approach to DJing and also range really made the set feel so effortless for me and I feel that cohesion and the fun we had translated quite well to those that were in attendance.


Haruka – @haruka_ptc:

2023, Good Room (Brooklyn)
We were both booked to play a Bunker party that night and with an hour left before our room was about to shut down, I asked Craig to jump on for an unplanned B2B.  Craig had already set the room up with a deep, super-diverse selection and then vibe in our room was so good, I will never forgot it. So when IT asked us to do it again we got hyped.

RTTS, Detroit
Our slot opened the last day of the three-day marathon, and other parties were running in the daytime too, so it felt like one long 72-hour session. Craig also played Movement. It was my first time in Detroit, so I wandered around, popped into a bunch of events, but spent every night back at Tangent Gallery with Craig—talking, listening to other artists, and getting a real feel for the room. That helped us lock in the vibe and refine the ideas we’d been tossing around for months.

The set
Two words kept coming up: funky and fun (maybe sexy too). I played only a few recent tracks but most were older finds with some electro slipped in naturally. In hindsight the whole thing was a back-and-forth between electro and deep, psychedelic techno, with extra flavours layered on top.




IT Podcast

IT.podcast.s14e06: Haruka x Craig Gonzalez

ꔪꚳ𖤟𖤟𖤀ꛈꛘꚽ 𖣠ꚶ𖢧

A themed studio mix revolving around the intersection of time-space travel and magic, focusing on purist electronics and obscure disco. 
Recorded for Robert Theakston's radio show in Lexington KY, 2007

Prestidigitation

DJ • Remixer • Producer
The Bunker New York, Interdimensional Transmissions

For bookings, please contact:
North America: michelle@thebunkerny.com
EU + rest of world: mike@berytus.art

Prestidigitation

Patrick Russell