Tous les vendredis et samedis soirs entre 20 heures et minuit, écoutez les meilleurs mixes des DJ résidents de Pure Trax.
Pure Trax propose à chaque fois un savoureux mélange de « trax » de qualité et le meilleur de la musique de dance/electro alternative. 
HOST/ ALEX K
Vendredi
20h00 Vincent Cayeux (Pure FM Reloaded)
21h00 Alex Klimow (Pure Dance)
22h00 Sonar 'The New planet Show'
Samedi
20h00 Laurent Garnier 'It Is What it Is'
21h00 ATTAR!, Compuphonic (Union Match)
22h00 Forma.T
23h00 Fuse
Dimanche
22h00 System D 'System Dub' c'est la référence en matière de dubstep. System D lance ses flows et ses scratchs pour les fans de dubstep et drum'n'bass

MEMBERS:

Jean Waterlot - vocals, keys
Manu Simonis - guitar, strings
Gabriel Reding – bass  
Pierre Waterlot - drums 

MGMT: 

Stephane Viard : stephane.viard@gmail.com

BOOKING:

Belgium:

Arnaud de Koninck
arnaud@progressbooking.be (Fr)

  Don’t even try to find the meaning of “Temperplane” in the Webster. The word is the fruit of Jean Waterlot’s imagination, an attempt to capture the momentum that lead to the release of the 3rd album of his band Montevideo: a fantasized plane that would allow you to fly through various degrees of emotion, from where you could observe our planet Earth from above, far above. 
Nonetheless it’s a more conventional plane that Montevideo took to record those 8 songs, heading to New York to work with Joakim who established his Crowdspacer studio in Brooklyn a few years ago. The band decided to extend the fruitful collaboration with the French producer started on their 2nd LP “Personal Space” in 2012. So fruitful that they also signed the record to Joakim’s label, Tigersushi.
After exploring more synth heavy, discoid vibes on “Personal Space”, Montevideo are coming back to their indie roots here, a rawer energy, without abandoning their ambition to keep your feet dancing. Here, their “psychedelic dance” vision takes on the challenge of dressing up the Beach Boys with the baggy jeans of the Happy Mondays, bringing the Pacific ocean breeze to Manchester, spreading complex vocal harmonies all over the dancefloor. Who else other than Joakim, the producer, musician, DJ and remixer, could have made this vision happen?
Between the band and Joakim, the communication is fluid and effortless. Like Andrew Weatherall or Erol Alkan, the studio sorcerer seamlessly mixed Dance and Rock acting as a producer from the recording to the mixing, beefing up the beats, adding the right samples where they were needed. “With his extensive knowledge of Electronic Music, Joakim filtered our ideas through the processing of his machines” says Jean.
A special attention was brought to the vocals arrangement and they space in the mix, emphasizing lyrics that gained in depth, especially after the 4 belgians heard about the devastating terrorist attacks that happened in Brussels airport as they landed in NYC. Jean recalls: “It was really strange to experience those terrible times in our homeland from such a distance, through American media. We somehow unconsciously fled this apocalyptic world we describe in the song Temperplane”.
Because of their Pop influences and the melting pot of cultures present in Brussels, English remains their language of choice when it comes to singing, like when they describe this “Fun House”, a nightly place to lose yourself, even scarier that The Stooges’ one. The song starts like Fad Gadget and ends like The Charlatans, like a tribute to the the historical bond between Belgium and British pop music that dates back to the 80s (Factory Benelux, Les Disques Du Crepuscule…).
Montevideo’s dance-pop crossover sometimes evokes the psychedelic fumes of the Beta Band or Django Django (New Dandy, Empy Space), before taking a romantic New Wave stroll in Brooklyn (Sutton Street) or heading straight to the club (Calypso).
The very graphic artwork was done by the legendary studio H5, famous for iconic French Touch artworks like Super Discount. Maybe the Temperplane is actually a time traveling aircraft, bringing together Primal Scream, New Order and Metronomy and proving that there’s another life after their post-punk debut and that 2018 electronic music can still enhance ambitious pop melodies to take you high, very high.

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Soumaya Pheline explores CDJism/turntablism with a focus on DJing's performative aspect, redefining CDJs, turntables, and mixers as creative instruments. Her cinematic approach transforms tracks into narrative tools, crafting immersive sonic storytelling.

Jamming plays a central role, generating a rich pool of audio and visual material for sampling and refining choreographic movements. Pushing musical and bodily boundaries, she balances precision and improvisation, embracing the spirit of reinvention inherent in turntablism.

Soumaya Phéline, active since 2006, is a DJ & sound performer, and music curator blending bass-heavy beats, polyrhythms, and narrative. She challenges DJing cliches and boundaries, promotes inclusivity, and rethinks club culture. Founder of Another Way to Play, a festival focused on turntablism/CDJ exploration, she also engages in BIPOC cultural work, eco-friendly touring, hearing awareness, and music accessibility while fostering immersive dancefloor experiences.  She hosts ‘Soumaya Phéline & les copains’ show on Kiosk Radio & was part of Psst Mlle Collective.  
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For bookings : music@soumaya.cool

*l u v g a n g

home of 
10LEC6 / BREAKBOT / BOSTON BUN / BUSY P / DJ MEHDI / DSL / FEADZ / JUSTICE / KRAZY BALDHEAD / MICKEY MOONLIGHT / MR FLASH / MR OIZO / MYD / PARA ONE / RITON / SABRINA & SAMANTHA / SEBASTIAN / SO ME / UFFIE / VLADIMIR CAUCHEMAR

* PRESS / INFO / BOOKINGS *

info@guy-ohm.com

Eskimo Recordings is a label based in Ghent, Belgium, and was founded in 2000. Eskimo has always approached the divide between electronic and indie music with a reckless abandon that suggests that there is no divide at all. A mix of Indie Dance / Cosmic & Balearic Disco / Italo / EBM / House and more. Welcome!

Christoph has been interested in electronic sounds ever since he can remember hearing music. Just to be clear, yes, this was mainly cheap mainstream dance music, but unfortunately, Burial and Nico Jaar were still hiding in the abyss of electronic music genius. At the age of 16, his brother brought him to the Dirty Dancing parties in Mirano/Brussels. Lovely idea. Chris loved chasing girls on the turning dancefloor but he soon wanted more. He wanted to responsible for all this magic, this screaming, this crying…And since he didn’t have enough money to buy himself a nightclub, he decided he wanted to be a DJ, fair enough. One year later, together with his childhood friend Ben Marzys, Wirspielen was born, and they were playing their first tune in front of this very same crowd as Resident DJ’s until the end in 2009. Homeless? Not for long. A new story began with the Libertine Supersport opening. Under his moniker « Lefrog » (something to do with his way of dancing apparently) Christoph got involved in the bookings and the general promotion together with Renaud Deru and Lorenzo Serra. 2 years of Madness, 2 years where Christoph rolled up his sleeves and took his role to heart (mainly drinking and partying). Today, Christoph’s love to see people smiling and dancing on his fine contemporary selection. Call it house, deep house, or even techno, whatever, as long as there is emotions, long breaks, and a f******* good sound system.

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