Musique électronique libre et sans frontière.
Booking : mononokemusik@gmail.com

All killer, no filler.

Releases:
"Wisdom & Aberrance" (30 August 2024): https://wonder-music.mailchimpsites.com/wisdom-aberrance

"Karma Calling Remixes" out on 6 October 2023: https://fanlink.to/karmarecalling

"Karma Calling" out on 11 November 2022: https://fanlink.to/ynfnd024

„Matter & Time Remixes“ out on 10 December 2021: https://wonder-music.mailchimpsites.com/matter-time-remixes

"Matter & Time" out on 25 May 2021: https://wonder-music.mailchimpsites.com/matter-time

„Mystics and Men“ out on ynfnd: https://soundcloud.com/ynfnd/romanski-mystics-and-men 

"Wonder Edits" EP release out on 20th of April 2018.
order here: https://oye-records.com/releases/romanski-wonder-edits

booking requests: roman(at)wonder-music.de

ALIEN ALIEN is the shadowy side project of HUGOSAN and RODION .
Alien Alien is a trip in a urban jungle of allucination and life behind light. Voodo and electro primitivism are the keys to enter a music of fear and hope. You see their videos to get the thing. As producers, the Aliens are also the men behind the label ROCCODISCO.

Original Productions
BLACK GURU EP (Slowmotion / Roccodisco)
TAPE OXYDE (Solardisco)
SAMBACA (Get Physical)
MONDAY EP (Discaire)
ONE BY ONE EP (Meant rec)
NO GDM (Roccodisco)
MYOO SIC (Electrique Music)

Remixes
AJELLO - El Charro (Danny Was A Drag King)
TRZTN - The Seed (Flexidisco)
RODION & MAMMARELLA - Escape From Kyoto (Slowmotion)
EARL GREY - Through The City (La Belle)
BOOT & TAX - Brace Brace (Meant)

Supported by
Ivan Smagghe, Erol Alkan, Damian Lazarus, Dubfire, DJ T, Chloé, Tim Paris, Matt Walsh, Mugwump, Justin Robertson, Sean Johnston, Massimiliano Pagliara, The Hacker, Maceo Plex, Arnaud Rebotini, Andrew Grant, Telonius, In Flagranti, Jennifer Cardini, Kasper Bjorke, Acid Washed, Eskimo Twins, Bozzwell, Monoblok&PSLKTR, DC Salas, Jokers Of The Scene, Split Secs, Demian, Carreno Is LB, Dimitri Veimar, Javi Redondo, Jonny Cruz...

Lead by Laurent Bardainne (Poni Hoax), David Aknin (DPZ, Insult Reason … ), Maxime Delpierre (Viva & the Diva, Paris) and Frédéric Soulard (Maestro), LIMOUSINE composes instrumental music, both pop and jazz.
Contemplative and sensual, LIMOUSINE’s music gracefully undulates to stretch time and admire silences. To the point that the four boys, fascinating and mesmerizing on stage, have been elected France’s musicians with the best hairstyle by the online magazine CrissCross, according to which «kings of the hair waves, Limousine are none the less princes of the sound waves”.
as far remote from virtuosos aspirations as from pure minimalism, LIMOUSINE successfully expresses with a few notes what others would write on several pages, and fully embraces the creation of songs without lyrics yet full of emotions.
Untitled, this is how their first album, released in 2005 on the Chief Inspec- tor label, presented itself. It was testifying, with as much force as delicacy, of the band’s love for soundtracks composed by the likes of angelo Badalamenti for David lynch, neil young’s for Jim Jarmusch’s Deadman or ry Cooder for Wim Wenders’ Paris, Texas...
This is also probably why members of the Broadcast Club (autour de Minuit) chose the track Lila, featured on this album, to illustrate their short film of the same name, which went on to win an award at the Clermont-Ferrand Festival (jury’s prize, Télérama 2009 prize) and was nominated for the 2010 Césars (French film awards).
With «II», recorded at the Pigalle studios, LIMOuSInE goes further still by stating that as musicians coming from jazz and activists of the French independent scene, their influences also include the likes of Brian Eno or Air (Cosmos, Goodbye). References to their first album however transpire on titles such as Drianke or The Reindeer, used in the trailer of Bruno Dumont’s new film, Hors Satan, presented this year at the Cannes film festival, as part of the Un Certain Regard selection.
Visionary, this is what eventually should characterize the music of LIMOUSINE: Through nine titles and as many stories, the boys have reached beyond a nostalgia that nevertheless seems to hover above the album.

Welcome to Brownswood Recordings, the London-based indie label from globe trotting purveyor of all sounds soulful and inspired, Gilles Peterson.

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