Oscillation ::: Mayday Radio Marathon - festival 2020

To Listen again

conversations

podcast

In aflevering 4 van De Goede Leugen onderzoeken we de rol van maskers. Welke maskers zetten we op en hoe zien ze eruit?
Corinne praat met een illusionist en een advocaat, Mirjam overdenkt haar kijk op liegen na een gesprek met een goede vriendin en Juliet vervolgt haar zoektocht vanuit het bos.

Wil je je ontdoen van een leugen? Dat kan! Laat ze (anoniem) bij ons
achter via het Leugenloket. Wees gerust, we gaan er zorgvuldig mee om. Stuur een whatsapp(voice)bericht naar 06-82388335.

Drie uur 's nachts is geproduceerd door Stichting Watershed met steun van het Nederlands Letterenfonds en Stichting Cultuur Eindhoven.
Wil je meer podcasts luisteren van Watershed? Ga naar www.stichtingwatershed.nl

Aflevering 04 - Maskers

In de laatste aflevering over de goede leugen zoeken Mirjam, Juliet en Corinne het verschil tussen balletjes opgooien en bedrog, een nieuwe naam voor de goede leugen en een manier om jezelf te vergeven voor een leugen. 

Hiervoor gaat Mirjam in gesprek met Peter Pannenkoek, praat Corinne met Floortje Scheepers en reist Juliet naar Amerika.

Voor iedereen die zich heeft gemeld bij het leugenloket, dankjewel. Jullie leugens zijn ons niet ontgaan en hebben ons geholpen in deze zoektocht.
We hebben besloten de bevindingen van het leugenloket privé te houden, maar één bevinding delen we wel: het aantal luisteraars was vele malen hoger dan het aantal ingestuurde leugentjes. Wellicht dat jullie na het luisteren van deze laatste aflevering wel durven.

Drie uur 's nachts is geproduceerd door Stichting Watershed met steun van het Nederlands Letterenfonds en Stichting Cultuur Eindhoven.
Wil je meer podcasts luisteren van Watershed? Ga naar www.stichtingwatershed.nl

Makers- Juliet Gagnon, Corinne Heyrman, Mirjam van Dijk 
Muziek - Axel Lukkien 
Beeld - Joppe Rovers

Met dank aan Dennis Gaens, Stan van Herpen en alle mensen die het gesprek met ons aandurfden te gaan over de goede leugen.

Aflevering 05 - Vergeving

http://digthattreasure.blogspot.co.uk/2013/10/guest-post-ed-askew-presents-tracks.html

Margaret Leng Tan - Suite For A Toy Piano 1948
Baden Powell - Berimbau
Liam O'Kane - Politeness Is Free
Harry Partch - Chorus Of Shadows
Kronos Quartet - Cold War Suite from How It Happens
Do Make Say Think - A Tender History In Rust 

Guest Post: Ed Askew presents Tracks From My Shelf Mix

In this episode of Talking Experiments, host Jennifer Torrence chats to composer Catherine Lamb about her desire to create pieces that evoke a sense of collective intensity among musicians; about how, as a young composer, she found a sense of belonging through rational intonation; and about how she conceptualises listening and the perception of sound, and in particular the idea of sound as multi-dimensional shapes.

Catherine Lamb’s inter-spatia premieres at Borealis – a festival for experimental music on 18th March in Bergen, Norway, and then on the 20th March at MaerzMusik in Berlin, Germany.

Talking Experiments is hosted by Jennifer Torrence and produced by Borealis – a festival for experimental music

Talking Experiments with Catherine Lamb

“It is the act of people being together, and finding that space together that I find most fascinating, and it’s the most difficult thing, I feel like I’m still learning how to do that and will be trying to do that for the rest of my life”.

In this week’s episode, Marina and Madison speak with Catherine Lamb about her extensive practice of composing and performing in rational intonation, Erv Wilson’s proof of the harmonic series as a spiral, the process of tuning in as an expression of human agency in performance. We also talk about paradoxical roles of tones, her string quartet divisio spiralis, the Harmonic Space Orchestra, and tips for performers who are interested in deepening their relationship with rational intonation.

The music at the beginning and end of this episode is from "divisio spiralis," performed by the JACK Quartet, from their 2021 album CATHERINE LAMB: String Quartets (Kairos)

The music in the middle of the episode is an excerpt from "three bodies moving" from the 2019 album of the same name (Another Timbre), performed by Erika Duke-Kirkpatrick - cello; Eric km Clark - violin; and Phil O'Connor - bass clarinet

For more information about Catherine Lamb, you can visit her website: https://www.sacredrealism.org/artists/catherine-lamb/

028. Catherine Lamb

BRÈVEGRANDEUR / face A

Tracklist:

Charlie Parker - How Deep is the Ocean?
追悼のざわめき (Noisy Requiem Soundtrack)
Hole - Miss World
Grouper - Giving It To You
Earn - A Following Shadow
Capricorni Pneumatici - Adramelech
麓健一 (Kenichi Fumoto) - 彼女は言うそう言う
Elliott Smith - No Name #5

Single-sided tape mix 2020.wav

HOB21: # 80 by @toiretstatus

Artwork by @quintano644

Download

Toiret Status — '#80' (HOB21)

An oral/aural exploration of the creative work, materiality, practice, and history of the four individuals who compose the collective Sacred Realism. Although their work as individuals is rather varied and unique, there is something similar (or not?) at the core as to why they each chose to become musicians. Through a threaded conversation and collective listening they (we) will try to understand further what the core of the collective is by each asking the other some questions about it and the work we do.

Sacred Realism is an independent music collective producing scores, recordings, and concerts. It formed through the friendship and mutual respect of Andrew Lafkas, Bryan Eubanks, and Catherine Lamb in 2011 in New York City following the desire to support each others work and initiate something self sustaining. Rebecca Lane joined later in 2017 in Berlin after the three others had eventually migrated there.
http://www.sacredrealism.org/

Sacred Realism ::: Conversations In Duo

Wave Debris takes place during sunset, a collaborative performance at-a-distance which modulates the frequencies emitted by the sun at this time. Taking as a starting point Elisabeth Alexander’s research in the field of radio astronomy, Diana Duta and Julia E Dyck attempt to illuminate other phenomena which are always present yet not always perceived; phenomena that mediate, disclose and dissolve; that dust. The modulated frequencies are blended with field recordings, feedback and several readings of Ron Siliman’s Sunset Debris (2014).

Diana Duta works with visual, aural, and nearly-verbal language through performance, sound composition, and writing. Her work relies gently on the translation and re-interpretation of existing materials for generating new meaning. Duta’s most recent project 'Jambes' is a recording studio commissioning new work by artists interested in experimenting with sound and voice.
Julia E Dyck is a Canadian sound artist and radio producer working in performance, composition, installation, and transmission. She’s interested in the possible relations between the body, consciousness, and technology.	
http://dianaduta.com/
http://jaaambes.be/
http://juliaedyck.com/

Diana Duta & Julia E Dyck ::: Wave Debris (excerpt)

THE KITCHEN explores the kitchen as a space for cleaning, cooking and a playground for performance by adding objects and instructions to play each particular object. This piece was performed in the morning by Liew Niyomkarn and myself.
GOOD FOOD IS GOOD MOOD / WHAT’S GOOD / GOOD explores marketing slogans or taglines on cooking through dictation software and speech recognition. The generated text is voiced and altered in pitch and speed by various text-to-speech software. Related to the newly proposed subjects, the text are layered with field recordings and music. 

Antwerp-based sound artist and musician Inne Eysermans creates musical performances and spatial compositions, often in combination with text and/or (moving) image. Her works encompass synthesis, resampling techniques, field recordings, found sounds, objects and generative approaches to text.
https://soundcloud.com/inneeysermans/

Inne Eysermans ::: AND SALT TO TASTE (excerpt)

Ecological Fiction is a sound-navigated story told through different times and environments. It is the tale of an animated, vibrating object that exploded because of stress-ridden capitalism. Some of its pieces are shattered to ancient time, in a mythical landscape where the Chinese Monk Shen Fu, and blessed animals have lived for over a century. The story focuses on the intersection between nature, power and humanity.

Liew Niyomkarn is a sound artist and musician based in Antwerp. Liew's work primarily focuses on sound synthesis, field recording, and storytelling through sound and text. Liew's work engages in collective knowledge and expresses the natural behaviour of sound through synthetic elements alongside found objects. Liew seeks to discover another way of being/living in association with the environment.
https://liewniyomkarn.com/

Liew Niyomkarn ::: Ecological Fiction (excerpt)

This hour is dedicated to the cult of connection; allowing listeners, through an initiation rite, to connect to the invisible forces of radio waves. The dance of the spirit will give rise to disembodiment in order to reach the land of voices and travel in a space parallel to our perceptions.

Jonathan Frigeri is a sound artist, radio producer, sound collagist, and electronic musician. As a sound artist he is mainly interested in revealing hidden sonic layers of reality, to open spaces of imagination. In his work for radio he incorporates the creative process, the radio device and the space between the transmitter and the receiver, emphasising the space in between; between here and there.
http://jfz.zonoff.net/jfz/

Jonathan Frigeri ::: The Cult of Connection (excerpt)

The second edition of Oscillation festival will take place as a 3-day radio marathon over the first weekend in May, in resonance with the International Day of Workers. In the absence of project funding, the format of radio offered us a possibility to nonetheless continue the festival and to use it as a framework to reflect on the notion of value in art and cultural organisation beyond the monetary. Radio has always been a favourite tool of autonomous, DIY and experimental practice; offering low-cost means of reaching people, diverse forms of expression, and new tools for thinking community, audience, and access. We want this year’s festival to be a practical experiment in balancing responsible collaboration with an urgency to make space for things to happen.

Oscillation Mayday Radio Marathon ::: Jingle

Eero Pulkkinen's (W, Running, New Sincerity) Oumuamua: A contemplative and meditative journey split in two chapters.
Created from Pulkkinen's sound design work originally presented in the fashion showcase 'Nothing But a Message of Inclusion' by designer Nimco Hussein.

Written, produced & mixed by Eero Pulkkinen
Mastered by Joni Judén
Cover art by Gabriel Boicel

Oumuamua

Oumuamua II

Q-O2 is a Brussels based workspace for experimental contemporary music and sound art. Q-O2 develops projects in collaboration with national and international artists and arts organizations, hosts artists in-residence, and holds performances and concerts. 
http://www.q-o2.be