This is a playlist containing all (well I think there's one that's not on my soundcloud lmao) the tracks from the garrys mod map I released lately called PlacesFromFilm.

Can find it here if you're interested in weird garrys mod bullshit and my bad hammer editing skills

https://steamcommunity.com/sharedfiles/filedetails/?id=3169142453

Should only need HL2 and the episodes to run, I packed everything else in.

PlacesFromFilm "OST"

A selection of tracks I used for ambience or radios in gm_floatingisles!

If you want to try the map it's available here: https://steamcommunity.com/sharedfiles/filedetails/?id=3423156221

gm_floatingisles music

Soft

EQD Avalanche Run Use

this one is from before, but I'd let this stupid shitty account lapse and didn't reup till recently my bad guys

I like this one! its got good rytm drums, good weird live mangling from the octa, and some really good bass from the manther, love that thing

bitmatch

Field Records keeps up the Dutch tradition of publishing deep, Detroit-inspired electronic music with high-class contributions from various artists. Having published the Field Recording series between 2010 and 2013, a hand-picked selection of mixes will be made available again.

Buy Field on Bandcamp

Field Recording mix by Artefakt

1 year after his gorgeous "Straight ahead" Ep, Tony Lionni gets back on Goldmin Music with a softer and deeper one "A photograph of you".
A very distinctive and insightful ep about the passing of time including plainly heartbreaking house tracks as he did so well up to now.
We've been amazed by Tony's music since the beginning as whatever he does, there's always a promise of something unexpected and a high dreaming potential..
That's what it's all about. House music for the 21st century, more conscious and lucid than ever with a hunk of optimism and faith in what the future can bring.

This musical tale starts with the unmistakable "Remember back when".. As it's name suggests, it might be an ideal flashback track, bringing back a warm and stained 90's vibe.
However, Tony is the master of evoking both the familiar and exploring the unknown, feeding your sense nostalgia while simultaneously inspiring visions of a hopeful future
As always, it's a perfect balance between dreamscape and reality as that irresistible groove deserves a very physical reaction, the urge to dance while it slowly brings out your inner-child.

"There's no future in the past" continues in a more ear-catching way thanks to his perfect straightforward arpeggio constantly pushing you combined with a round, dry and heavy bass quickly elevating the track to it's cruise altitude. The perfect example of a contemporary different dancefloor tune. 

"Together" brings your imagination back on track. Probably more abstract and hypnotic nonetheless it's power will be all the stronger.  It feels like a wonderful 6 minutes playground experience, high in the sky, a representational, half-conscious musical trip that makes your mind wonder.


Tony Lionni - Together

Goldmin founder Romain Lanteaume aka EinKa meets Terrence Dixon for a 2nd record which is nothing but a logical suite to the one released last year.

Terrence Dixon is perhaps the only man in techno to have achieved the perfect fusion of the finished work with a concept theoretically formulated beforehand, There's not many artists being as consistent as he is in this respect. He is also one of the very few artists who dedicated his whole life to a very personal and constantly evolving ideal and of course, you can feel that lifelong research in every single tracks he recorded.. His guiding principle was the elimination of what is known as expressiveness: from the very first ones in 1995 to what he's doing now - completely unique and timeless. Whatever he does, this man knows how far he can go "too far"!

When you listen to any track of this man that his very own artistic ideal is not driven by the desire to please anyone nor make people dance. His music is not even determined by a certain aesthetic or by it's function in the club. This man's never trying to bring a certain emotion out of you by exciting some brains with already known, he just let things happen, lets subconscious talk with no limits and that's probably why Terrence's music is so touching..
Listening to this incredibly unique "halftime" on B-side, we (and hopefully you) can hear what we're talking about.. He breaks the barriers of time and space.

Following The Edge concept, both artists delivered 1 solo track each and once again, Romain sent some carefully selected music parts to Terrence to work with in order to make 2 brand new tracks / remixes out of them which could illustrate that VOID idea. Once again, these as well as the solo works bring a very spontaneous and delicate record.

B2 - Terrence Dixon & EinKa - Only you can see

Alright, here we go. This is the first track of the new synthwave album I'm working on for FAWM.

That's right baby! Two albums for the price of one! And that price is 0, of course.


Equipment Used:
Roland Super JX10 - Strings
Ensoniq ESQ-1 - Brass (love this patch I made)
Korg DSS-1 - Arp
Korg Monologue - Bass (along with ESQ-1 brassy bass)

【ｓｉｌｉｃｏｎｄｒｅａｍｓ８９】《シリコン》

yo yo yo, just got my hr16 fixed and hooked it up to the midi grid over here. Works pretty well, but the buttons are fucked, so that's irritating. Wanted to do something kinda vapory using the tape technique I've been doing, got some good results. The reverb comes from a Midiverb 2 I just got the other day, and then gets slammed by a dbx166 compressor.

Equipment Used:
(First Pass)
Squarp Pyramid Mk2 - Sequencing
Roland JD-800/JX-3P - Pads
Alesis HR16 - Drums
Yamaha TX81Z - Lately Bass
Roland MKS-50 - Arp

(Tape Pass)
Otari MX5050-mk3 - Tape Multitracking (using new ATR 1/2" tape)
Alesis Midiverb II - Reverb
dbx 166 - Compression

Little video of the reels spinning with this track: https://youtu.be/O0y5w3Hctiw

【﻿ｗ ａ ｒ ｍ ｅ ｍ ｂ ｒ ａ ｃ ｅ】 《低忠実度》

Another crusty crunchy cassette dubby house track.

equipment used:
korg monologue - bass
roland jx3p - pad 1
arturia drumbrute impact - drums
akai ax80 - gentle pianoy sounds
roland jd800 - brass leadish

alesis 3630, dbx 166 - drum compression
yamaha r1000 - bass reverb
alesis midiverb ii - jx3p reverb

squarp pyramid mk ii - sequencing

SA90 - 2A [332 - 639]

4 - clinging, haunting

I was messing around with the deepmind, monologue and sp404 to make some lofi beats on the tape machine.

Keystep controls deepmind12 and clocks the sp404. Monologue is played by hand. 404 does beats, deepmind does arps and chords and stuff. Monologue on bass.

Recorded to tascam 424 at half speed.

3 - Terminal Emulator

Testing out my yammie reface cp, really good stuff. Also I'm bad at playing bass.

I'll work on finishing this soon.

Hazy Morning

Public Transit Authority

Testing out the microfreak, made a little song!

Korg Volca Drum, Microfreak, EQD Avalanche Run was used.

Freak Club

Just a little chill track made with the microfreak through some a.run reverb. Good stuff!

Folding

Testing out my new Yamaha EM 150 II powered mixer, has a spring verb, 6 inputs, and a stereo graphic eq that sounds awesome. Seriously awesome mixer and it was like like 40 bucks. how cool is that!

Also, this has the Microfreak on dub stabs, Monologue on bass, and Volca Drum on drums.

Em150dub T3 Tape

Wanted to test some really crunchy delays, so I made something that's like borderline unlistenable. Woo!

program one - cross signal

Had a pretty catastrophic plumbing failure over here at the house, so grabbed some gear and my four tracker and ran over to stay somewhere else.

Did a little jam right before bed, made this little diddy!

Arturia Microfreak - Lofi Bloops
Roland JD800 - Pad
Akai AX80 - Bass
Roland SP-404 - Beats
Boss RCL-10 - Pad Compression (sidechain to drums)
DIY Tape Delay (send 1)
EQD Avalanche Run (send 2)
Yamaha AM802 - Mixer/Sends
Tascam 424 mk1 - Cassette Recording

Chill vibes all around. Love delays. The Microfreak runs a 16 step sequence that I live play some extra notes over, while the Microfreak MIDI syncs the SP-404.

Fogline

So tired out, so have some mildly delirious technoy shit. It's just Reface DX into some distortion and verb, then of course some sidechained delay/reverb for everything. Super cool.

Volca drum for drums.

Vocla

I wanted to do some sampling for basically the first time aside from just loading up a bunch of drum samples. So I grabbed a tune from those old kmart tapes and just messed around a bit with it. Not too bad!

Sequencing - Yamaha QY-700
Sampling - Roland S-550
Recording - Fostex Model 280

「ｌｏｓｔ ｉｎ ｔｈｅ Ｋ」

This is a kinda chill weird synthwavey, lofi hip hoppy, housey mess of a track. Recorded to tape at slower speed with DBX on, then played back with DBX off. Quite a lot of fun!


In this one, the Rytm handles well, rhythm mostly. Though it does also do some nice brassy melodic lines towards the end. An interesting note here is that I started the whole thing because I found a whole host of weird drum loops with various genre names on em, all rated at 75 bpm. But, these all sounded like fairlight raw samples, pitched up a full octave. But, they're 75 bpm fast, so at roughly normal drum sounds it's like 50 bpm hahaha. I messed with things a lot to get that weird shuffling feel going quite well. Almost makes the true meter of the song kinda hidden!


Then, the Manther handles the bass on this one as well as providing CV to plaits for the weird chords. Manther is run through my Tascam GS-30 guitar amp simulator for EQ and saturation. I'm quite proud of the high pass sweep I get somewhere in the later half of the song on the bass, that's one of my favorite things to do heh.


Finally, we have the Microfreak and Model D. The Microfreak is running an arpeggio and sending MIDI to the Model D, and both are fed into the eurorack. Model D gets mixed with the Plaits chord signal, then run through antiphon and lil erebus for stereo filtering. That all goes through Clouds, then through the Dreadbox Hypnosis for chorus, delay, and reverb. Finally, the Hypnosis sends out to my DBX 900 rack for side-chained compression from the kick using two Aphex Expressor modules.


Everything mixed and mastered in REAPER with Trash 2,  Ozone, Supercharger, and some stock REAPER plugins (REAEQ). This one was a lot of fun!!!

Identity Statement

hey everyone! This is a really big track just mechanically speaking, it's 22 tracks of recording from the Mackie console directly into REAPER, as well as featuring the MV-8000 for sequencing duties on 14 synths!!!

So, basically this is a whole boatload of synths in this thing. I'm working on a video for this right now, and I'm thinking I'll do some text overlays so you know what's playing each part at each point. Should come in handy.

But basically, RD-8 on 808 sounds, MS-101 on bass, and then literally every other synth I've got hooked up ran through effects doing leads, pads, weird sounds, just little 30 second snippets. I just kept adding shit to tracks and seeing what stuck as I made it from like an 8 bar loop into a 4 minute song or so.

Movun

Alright, have another weird little acid jam. This one I wanted to make a little more sinister so I gave it a good and hard go! There's a video for this as per usual, but I'll probably finish it tomorrow night lol.

Hidden Intent

Technically award-winning sound guy and music boy

I'm back bitches!

I post a lot of music here, sometimes slightly under-done stuff. Check back every now and then if you like a track, cause there's a good chance that a day after I put it up I will have already replaced the original file lol.

I moderate the synth discord, if you want to drop in and talk some shop or goof about, go here: https://discord.gg/hCuvGvc

My current equipment list is:
Akai AX80 (analog poly synth)

Behringer Neutron (analog duo synth)
Behringer Model D (analog mono synth)
Behringer Deepmind12D (analog poly synth)
Behringer RD-8 (analog drum synth)
Behringer MS-101 (analog mono synth)

Elektron Analog Rytm Mk1 (hybrid drum synth/sampler)
Elektron Octatrack Mk1 (digital sampler/resampler/looper/sequencer/mixer)

Korg DW-8000 (hybrid poly synth)
Korg Poly800 (analog paraphonic synth)
Korg Volca Beats (analog drum machine)
Korg Volca Keys (analog paraphonic synthesizer)
Korg Volca Drum (digital drum synth)
Korg Volca Modular (mini modular synth)

Hammond L100 (tone-wheel tube organ)

Oberheim Matrix 6 (analog poly synth)

Roland JX-3P (analog poly synth)
Roland JX-10 (analog poly synth)
Roland JV-880 (digital poly synth)
Roland JD-800 (digital poly synth)
Roland MKS-50 (analog poly synth)
Roland REVO-120 (Leslie emulator)
Roland S-550 (digital sampler)
Roland CR-68 (analog rhythm machine)
Roland MV-8000 (studio sequencer/sampler/brain)

Studio Electronics ATC-1 (analog mono synth)

Yamaha TX81Z(digital FM synth)
Yamaha SHS-10 (cheap digital keytar)

Doric 61TT Transistorized Organ (combo organ, like Farfisa)

Eurorack Modular

Tascam 246 (4-track tape recorder)
Tascam 238 Syncassette (8-track tape recorder)

Radio Shack MX-1000 (6 channel mic amp/mixer)
Yamaha EMS-10 mk2 (6 channel PA amp/mixer w/ spring)
Mackie 32-8 (32 channel/8 bus mixer)

BOSS RX-100 (spring reverb)
Roland SDE-2500 (15-bit digital delay)
Roland RE-101 (tape echo)
Yamaha R1000 (digital reverb)
Alesis 3630 (compressor)
ART Pro VLA mk2 (compressor)
Alesis Quadraverb (digital reverb)
Alesis Midiverb II (digital reverb)
Alesis Wedge (digital multi fx)
dbx 166 (compressor)

EQD Avalanche Run (delay/reverb)
TC Echobrain (delay)
EHX Small Stone (phaser)
EHX Big Muff Pi (fuzz)

Cannonball Brute Big Bell Stone Tenor Sax (duh)
Fender Squire P-Bass (bass guitar)
Fender Squire Bulletstrat (electric guitar)

3 - Terminal Emulator

Dylan Packard