“Oxford Revisited” is a chamber-folk narrative told across eight hours of a 20-year reunion at New College, Oxford. It’s the sound of returning to the architecture of your youth and discovering the internal rooms you’ve locked or forgotten. Over fingerpicked guitar, warm cello, and soft glitch textures, the album follows a 40-year-old protagonist as he retraces the pathways of his first independence—old staircases, renovated bars, candlelit halls—meeting the ghosts of who he was.

Across the evening he reconnects with Anna, a woman whose life was transformed by a book he wrote in his twenties. Her gratitude destabilises him at first; he barely recognises the idealistic version of himself she quotes back. But as the night deepens—from laughter with first-year neighbours to the humbling sobriety of an alumni football match—he begins to warm to the idea that the artist he used to be isn’t gone, just quiet.

By midnight, standing on the Mound beneath the warm lamps and cool air, he accepts a truth he’s avoided: growing up didn’t erase the creative self—it only buried it under routine. Anna didn’t come to remind him of the past; she came to return him to himself.

This is an album about memory, drift, courage, and the dignity of beginning again. Not nostalgia—recognition.

The Bar Isn’t Where It Was

Ever feel like you've been playing quantum leap in your own life?

The Bar Isn’t Where It Was

Quantum me