I like this breakdown. It's a nice breath of fresh air.

I like what you've done here. I think a little more variety and fleshing out of the ideas both in terms of sound design and composition could really sell it.

That break felt like it wanted to be a bit longer

i like these 70's (?) synth tom hits, very nice!

This track somehow feels upbeat yet sad at the same time. It might be the progression and key chosen?

The track feels a little repetitive, would've been nice to have some more variation in the arrangement

Nice little thing, but I have a strong feeling that lead is missing the key.

Don't know if this is intentional, but I found it pretty dissonant that your backing synth here plays a Gmajor on the top and a Bb on the bottom (i.e. a member of Gminor) - it continues for the rest of the track.  If it's intentional, I'd suggest putting the Bb *above* the Gmajor rather than below, which is much less dissonant and could be considered bluesy (especially if you make the bottom a G7, so together it's G7#9, i.e. the "Hendrix chord" https://en.wikipedia.org/wiki/Dominant_seventh_sharp_ninth_chord#Hendrix_chord =D).

pleasant melody, nice bass, although the sweep pads don't seem to fit very well, i quite like the retro disco toms

One Synth Challenge #121: Any One Synth

Submission to the KVRAudio OneSynthChallenge #167 "Any one DAW Synth"
In use: Bitwig The Grid

【peter:H】tEchno mAntrA 23

My entry for the KVR OSC 167 
Using the SunVox DAW & Modula Synth

As Zara and her compatriots investigate the anomaly, they discover a hidden world of secrets and lies. They also uncover an alarming truth about the anomaly itself: it is not just a random occurrence, but a deliberate attempt by a powerful entity to alter the very fabric of reality.

The Utopia Anomaly

Made with one instance of Alchemy in Logic, played live for OSC 167. Tried to reproduce the sound i remember playing recitals as a kid in a large hall that was rented out at the time. I used a compressor to ensure no peaks and a channel eq with a gentle shelving cut to remove some low-end flutter I couldn't figure out how to tame with synthesis or Alchemy's built-in EQ. No other plugins. Fun synthesis challenge, combined with a compositional challenge.

Alchemist Waltz

For this track I used 17 instances of Subtractor which was the first and only synthesizer in Reason 1.0 back in 2001. 

For reverb and delay I used Reason's DDL-1 and RV7000. For creamy long reverbs I used a free plugin by Airwindows named Galactic 64. On the masterbus I used Channev by Analog Obsession which is a free mastering plugin.

Subtractor - What Comes From Within

GLENZO - KVASS (квас) - OSC #168 - VOLTAGE MODULAR NUCLEUS

Here is my track High Voltage a single instance tack wholly made in Voltage modular Synthesizer from Cherry Audio. It is a brutally industrial techno-styled track and I am amazed at how well it came out given the limitations of 1 instance and the limited modules available.

High Voltage

Entry for One Synth Challenge 168. All sounds created with Voltage Modular by Cherry Audio in Renoise 3.4. with 21 instances of the plugin.

Video running the Renoise project and trying to show all the sounds: https://youtu.be/xaXhe2Y40W0

Using built in effects: Reverb, Digital Filter, Analog Filter, Maximizer, Bus Compressor
External Plugins: JB Broadcast, TB GonioMeter

https://soundcloud.com/davi_dj/modular-feelings-osc168?si=407c7c6e1a59430aa0b6963270f0068b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

OSC168

Modular Feelings (OSC168)

OSC#168: Cherry Audio's Voltage Modular
Blixir is a timeline poison. It turns reality into a fleeting dream. At the moment all things appear to make perfect sense, but you cannot hold on to them.

DAW: MuLab (www.mutools.com)
Instances: 11
FX: Auburn Sounds Panagement 2, OTT, LoudMax64

Taron - Blixir [Voltage Modular]

Created for KVR's One Synth Challenge #168. A very messy, unmixed, unedited rush job of a tune. Perhaps one day I'll stop waiting til the last minute.

Recorded in Reaper.

—Synth—
Cherry Audio Voltage Modular (18 instances)

—Effects—
ReaEQ
ReaDelay
ReaComp
Midi Note Filter
Kilohearts Compressor
Kilohearts Distortion
Kilohearts Transient Shaper
TDR Nova
CamelCrusher
Blue Cat Free Amp
Xfer DeltaModulator
Valhalla Supermassive
U-He Protoverb
TAL Reverb 4
Voxengo Span

Vestige (OSC 168)

This is what David Attenborough would sound like when he's discussing microplastics with his dolphin translator at the Assembly of Southern Right Whales, and an orca keeps interrupting.

Entry for the 169th edition of KVR's One Synth Challenge, using the free Kilohearts synth kHs One. Usually only free effects are allowed but we were allowed to use other Kilohearts effects so I've made use of SnapHeap and Multipass.

Whale kHsong - OSC-169

Wacky hi-jinks created for the "One Synth Challenge".
All sounds generated using U-He Bazille:
https://u-he.com/products/bazille/

Bazille Polka - Osc 121

This is my submission for One Synth Challenge #121 by KVRAudio Forum. I have used 10 instances of Synth1 VST to create this track via FL Studio. Effects used for the track are a combination of DAW's native plugins and  free VSTs.

Intimacy EP

Intimacy

Here's my entry for the OSC 10 Year Anniversary! After initializing 5 or 6 projects with various commercial synths, Krakli Plugins' free synth YAVA4 was ultimately the one to inspire my muse. So thanks to Ian Webster for a fun synth that sounds brilliant! 

I can warmly recommend this synth for bird song, orchestral textures, electric guitars and synthwave. Probably for everything else you throw at it, too! :)

Flamingo Kid and the Movie Box

Flamingo Kid and the Movie Box (One Synth Challenge: YAVA4)

My entry for the KVR OSC 121 "Any Synth", done solely with the Stigma synthesizer plugin. Except for the drums sounds *cough, cough* I tried not to tweak the internal sound engine via Stigma's built-in Sound Manager. https://www.fullbucket.de/music/stigma.html
Stigma: 19 instances, LoudMax: 2 instances, some (non-modulating!) Reaper effects
Recorded with Reaper 64
Reaper project: https://www.fullbucket.de/music/demo/darkdrums.rpp

KVR OSC

Full Bucket - Dark Drums (KVR OSC 121)

Made for the KVR OSC 121. Synthesizer of choice - Synth1. DAW: Reaper. Detailed track info can be found on KVR forum.

Nightmare City (OSC 121)

In Transition

Join the challenge by going here: https://shorturl.at/bhBFQ

In Transition

Quaoar

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