Driven by the love of electronic music, Yosko already looks back on a 20 years dj experience.

His music his deep and powerful, organic and hypnotic, always thought to bring the crowd in a state of transe.

He played in many clubs and festivals around Switzerland, France, Czech Republic, Germany and even in Mozambique, with well know artists as Superflu, Tim Engelhardt, M.A.N.D.Y., Sascha Cawa and many others.

Yosko also organise parties in his headquarter SAS Club in Delemont and in the famous Fours a Chaux of St-Ursanne with the Mont Terri Productions crew.

Booking & enquiries : djyosko[at]gmail.com

2 0 1 9  
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20-31.12 Mozambique Tour, TBA
13.12 zeus, Delémont
07.12 SAS, Delémont (Sonntig Lustig)
15.11 Zeus, Delémont
31.10 Halloween, Undervelier
19.10 Salon Dansant, Delémont
11.10 Zeus, Delémont
13.09 D! Club, Lausanne
13.07 Secret Party, Somewhere
28.06.19 Braderie Rooftop, Bienne
01.06.19 Kiosk Art, Neuchâtel
04.05 Kings Pub, Delémont
07.04 Vida Loca, Sion
23.03 Zeus, Delémont
02.03 SAS, Delémont
09.02 Salon Dansant, Delémont
11.01 Salon Dansant, Delémont

2 0 1 8  
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12.01 Zeus Bar, Delémont
19.01 SAS w/ KIKO, Delémont 
02.02 Sauna, Vevey
23.02 Salon Dansant, Delémont
02.03 Cube - Stage, Delémont
17.03 Bikini Test, La Chaux-de-Fonds
24.03 Salon Dansant, Delémont
01.06 Terre Sainte, Vicques (Sonntig Lustig)
09.06 Undersound, Undervelier(Sonntig Lustig)
22.06 Secret party, Somewhere
23.06 Secret party, Somewhere
17.07 Secret party, Somewhere
27.07 Cube - Stage, Delémont
31.07 Lake Firework, Bienne
07.08 Bikini Test, La Chaux-de-Fonds
31.08 MTP pre-party - SAS, Delémont
15.09 Labyrinthe, Delémont
15.09 SAS re-opening, Delemont
28.09 Bla Bla, Delémont
05.10 Cube - Stage, Delémont
19.10 Salon Dansant, Delémont

2 0 1 7  
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10.06 Chill on the Birse, Moutier
16.06 Secret party, Somewhere
22.06 Stage Club, Delémont
01.07 SAS, Delémont
22.07 Secret party, Somewhere
23.07 Secret party after hours, Somewhere
11.08 La Kulture, Strasbourg
26.08 Secret party, Delémont
15.09 SAS reoopening, Delémont
21.09 Bac à sable, Delémont
23.09 Fête des vendanges, Neuchâtel
06.10 Stage Club, Delémont
13.10 Zeus, Delémont
10.11 Salon Dansant, Delémont
17.11 Zeus, Delémont
01.12 Boukak Fest - SAS, Delémont
02.12 Tropicana Beach Contest, Bassecourt
09.12 Zeus, Delémont

Owner and boss of Finefood Records, he has been passionate about electronic music for more thirty years, Ryan Hawkin has multiplied projects and shows the evolution of his acoustic world by his artistic approach. 

Deejay, organizer, producer and composer, he dedicates the many facets of his talent to his passion.

Having played at the biggest events that were held in Switzerland around 1994 -2006, he "rediscovered himself musically" both as DJ and as a producer by taking his first steps as a composer in the late nineties with a release in 98 on a techno compilation. Ryan gradually left the world of raving and started producing more club orientated music. By getting involved in the music he truly loves - his sound became more refined and surprising.

From 2006 to 2010, while mixing and organizing parties at la Ruche Club in Lausanne and he played at the most important Festivals such as Modernity, Chocolate and les Fours à Chaux. He focused on parallel tools such as web publishing, which would prove to be useful for the development of his ongoing projects. Ryan withdrew into the privacy of his small home studio in rider to reach a kind of musical maturity, before presenting his music to his audience again.

In 2010, He began performing live and he decided to create his label Finefood Records. His amazing and innovative DJ sets and live performances have raised him to the rank of one of the most charismatic performers on the Swiss electronic scene.

In 2011, he produced tracks on Abstrakt Records in Argentina and on Arteria Music in Italy.

In 2012 he decided to leave night life and stop DJing to focus on his project Finefood Records favoring vinyl releases over digital with a solid international distributor: Deejay.de. He released his first production on Finefood Records with a Remix from Mini Jool.

In 2013 he released a first Vinyl Ep "Elegance is Destroyed" composed by Mia Kaltes and David Fjörgenson, remixed by Seph from Argentina and Ryan Hawkin himself. A second EP closely followed ; "I am Here Ep" composed by a young artist from Tel Aviv, Eran Ben Zeev. These projects were also released on Beatport as were other projects including artist such as Benjamin Fehr, SeQ, Seph, David Fjörgenson and Konpiuta. He appeared on the famous label Doma Musique with a beautiful track called "Walking Dead".

2014 sees Ryan Hawkin and his label Finefood pose its brand nicely in the underground music market with the third vinyl release, World 247 composed by Swiss artist Nelson De Jesus, remixed by Berliner artists Jens Bond, artist and producer on Highgrade Recods, Juliett a young French artist from the Glaswegian label "Creepy Finger" and Ryan Hawkin himself. The fourth, Yha Neth EP, composed by the duo ThomasT&Anish, remixed by Luca Torre and Kane Roth.

2015 marks the return of Ryan Hawkin to the deejaying and with his label Finefood Records with some new series of new Ep. SAFKA EP, out in April, made by Marco Da Mata & Ema, incl. remixes by Dan Noël, David Torr and Robie Rios and MOONWALKER EP by ThomasT & Anish out in September.

2016 the Finefood Records releases series continue with a new EP composed by the Berliner Benjamin Fehr WE FALL EP, incl. two remix by the Argentine Hernan Bass and the Swiss duo ThomasT & Anish released in February. 

In 2017, he decided to take a break from deejaying and his musical projects. 

In 2020, during the COVID, his friend Broody start the WOOD PARTY concept. The concept continues to bring together a wide range of privileged people in secret locations with lovely artists like Broody, Ame Pure, Cristo and Minimat.


Where it play:  Nature One Koblenz, Club der Visionaere Berlin. Paloma Berlin, RTS.FM, Privilège Ibiza, Europa Lisboa, Energy, Street Parade,  Grodonnia, Oxa, Sensor and Photobastei Zurich, Fri-Son Fribourg, Case à Choc Neuchâtel, La Ruche and Folklor Club Lausanne , Para Club Neuchâtel, Mad and D Club Lausanne,   and  many  major Raves during the 90's like Motion, Futurescope, Goliath, Gladiators, Garden of Eden, Sonic, White Wolf, Inka Imperio, etc....

input - output inc label boss also writes music for labels such as Si Beggs Noodles, Data-Trace, Semi-Automatic, Currently Processing etc...

"Imagination does not have borders"

Biography

The history of projetH begins in the late 90s under the alias DJ Boukak. Basically fan of funk, rave and rock and roll, I had the chance to live the genesis of Techno culture.

From 2005, I made the choice to only use the computer to produce my music. Therefore under the alias Ludwig Van, I explored various styles, such as the Dark Electronica, Jungle, and the Tribe Acid Trance.

Since 2008, I expressed my various productions, mixes and remixes under the pseudonym of projetH. Convinced that EVERY styles can cause many emotions, I made the mixing of styles called a priority. Thus erases differences, because the music we met.

My last alias Gavid Detta

Four years on since they dropped 2009’s blistering Tarot Sport, Fuck Buttons’ Benjamin John Power and Andrew Hung are back with their third LP Slow Focus.

When Hung and Power get together a unique chemistry emerges and nothing else is allowed to interfere. As Power puts it: “The one fundamental rule remains: we are in the same room when we write. The rest is all fair game.” Fuck Buttons have never really stopped writing together in the time between albums. “The actual writing for Slow Focus began fairly soon after we stopped touring,” says Hung, with Power adding “If we've had any time off, it's been a few months, so though both albums might seem like two isolated events to everyone else, it doesn't seem as much so to us. They’re more like snapshots of an ever evolving mess.”

Fuck Buttons latest opus is the first record they’ve produced themselves; it’s an album that attempts insular resonance. Using repetition to create hypnotic and suggestive states, Slow Focus veers ever more wildly between these parameters; a whole mood-shift taking place to darker, more turbulent evocations – something suggested as much in the album’s title.

“Slow Focus seemed like a very apt title when considering the sentiment of the music,” explains Power, “It almost feels like the moment your eyes take to readjust when waking, and realising that you're in a very unusual and not a particularly welcoming place. There’s a brooding and almost violent theme throughout.” The album gained shape at the pair’s own Space Mountain studio, a place that was once used as a dairy (“It's actually very isolated from the hustle and bustle of London. With the courtyard outside the front of it, it almost feels like you could be in rural France.”) However, it’s not their surroundings that guide them; rather their connection and imaginations that drive the unique sensory assault we've come to associate them with. “The music comes out of the relationship. We've always felt that our music doesn't have a particular sense of geographical location attached to it, they say. “We like to think that we create our own new landscapes, and with Slow Focus it's a very alien landscape.”

As Tarot Sport showed an increased boldness from predecessor Street Horrrsing, Fuck Buttons’ third is a confident stride forward again, signified in their decision to produce the record themselves. Quite apart from a duo whose music bristles with an often brazen menace, the production aspect of it was one of cautious learning and a humble desire to improve their skills. “The writing process revealed how production was intrinsic in that process but what we did lack was the knowledge of how to record and mix those productions properly” Hung admits. “This penultimate step - before mastering - was actually the step that took the longest time because we had to figure out how we could do it.” But persevere they did, and Slow Focus’ production fully recognises every textural change, from thunderous viscera to dark techno and slow oozing melancholia, allowing the dynamic nuances to achieve maximum impact. “To an extent, we've used producers as safety nets in the past and, whilst it is useful to have that filter,” says Hung, “we've always had a very specific idea of what our music should sound like and so it became the logical step to take that we should do it ourselves.”

Fuck Buttons were flung out into the perception of the global public in 2012 when Danny Boyle opted to use their music in his breath-taking Olympics Opening Ceremony in London, after a recommendation from techno veterans Underworld whom were working with Boyle at the time. Now they’re ready to face the limelight in full again in 2013, with a string of festival dates, including headline slots on The Park Stage at Glastonbury and at Green Man, then later in the year - a full UK and European tour.

Fuck Buttons may have been away for a while, but Slow Focus looks set to put them right back where they were: as one of the most arresting electronic acts in the world today.

Quick and Dirty is following