All Things Are Impermanent

"feel" is a smooth and soulful track that blends lush melodies with a laid-back rhythm, creating a deeply emotive and immersive listening experience. Rooted in neo-soul and R&B influences, the song incorporates ambient textures and intricate electronic beats to craft a soundscape that feels both intimate and expansive. Its flowing structure and groovy undertones evoke a sense of reflection and tranquility, making it perfect for a late-night drive, relaxing moments, or simply vibing to its rich atmosphere.

feel

Another track from my upcoming Time Machine EP with music similar to Hidden Room and Time Machine

Electro Chill perhaps Nu Jazz (a brass, woodwind solo could push it more in the jazz direction, so maybe a future remix)

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An original composition, no AI, produced digitally using a MIDI keyboard and DAW.


76 bpm

DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
E-INSTRUMENTS:
Session Strings
Concert Grand piano
SoCal Ballad Piano
Ambient Lead
Lunar Chords synth
Upright Ballad Bass
Deep Round Synth Bass
Minimal Techno Pattern
E-DRUM KITS:
Analog Circuits
Trip Hop Remix
African Kit
European Folk Kit
Pop Kit

COVER ART is a composite using AI-generated images created by the DaVinci app and then designed in Photoshop.
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ARTIST NOTE: I’m one of those people who has developed a high tolerance for uncertainty, instability I endured in childhood, and because of it, I learned with courage and loving support to harness uncertainty into inspiration, a drive to create.

For me, the unknown is an invitation, as if life has offered me blank canvases upon which to paint. Or a keyboard and computer upon which to express sounds that I hear in my head and heart. That for me, is a Benevolent Enigma, the awesome mystery of why and how something springs forth from what seems like nothing — how beauty emerges out of a barren void  like a rose growing out of a concrete sidewalk.
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Enigma

The Mongol Princess is a conceptual EP/soundtrack Mood Exhibit released in July 2017.
moodexhibit.bandcamp.com/album/the-mongol-princess

It is an audio story of a young, beautiful, and kind princess that died tragically by disease at an early age. The music reflected her stages of life with emotion and textures of various ethnic and acoustic instruments. It remains my most passionate musical project.

This EP is a document of her return; in spirit form, as a legend. These tracks retain the same feel as the original, but with a more grandiose and mystical flavor, and mixed minor electronics.

https://moodexhibit.bandcamp.com/album/the-return-of-the-mongol-princess

I had asked fellow electronic artist Belial Pelegrim to collaborate on 2 tracks for this EP. These 2 tracks showcase his brilliant production and vision, fitting perfectly to the mythology of The Princess.

Belial Pelegrim/Mood Exhibit - Prismatic Refractions of The Mongol Princess

'Intuitive Reactions' an Ambient Fusion track with a laid back vibe and varied sound palette.

Dont Smudge The ink

Intuitive Reactions

Composed, arranged, performed, and produced by:
Carlos Vivanco

Suspiros Del Alma

Con El Viento

slide with me

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

A little bird told me you had left this town
And no one knew where you had gone
So many rumors everywhere
They all talked about you, when you weren't there

But little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Sharp tongues on the little birds
They spoke very loudly, made sure they were heard
"What have you done?"
"Why did you leave?"
While you were hiding, the little birds screamed

Little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Fake little birds.....

Fake little birds....

Fake Little Birds

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Morning View

‘Travel Within’ es una composición de Ambient Piano en la que participa la talentosa violinista Mirela Nita. El tema ha sido mezclado y masterizado por el productor Runar Blesvik, quien además ha creado el arreglo de cuerdas sintetizadas.

Sobre esta composición:

Sting, el reconocido músico y filántropo, concedió una vez una entrevista en la que compartió una reflexión muy interesante sobre sus viajes, tanto los externos como los internos. A pesar de haber recorrido el mundo entero, Sting explicó que sus mejores viajes han sido los que ha hecho hacia dentro de sí mismo, y no puedo estar más de acuerdo con él.

Cuando viajamos hacia nuestro interior, exploramos nuestros pensamientos, emociones y creencias, y obtenemos una comprensión más profunda de quiénes somos realmente. Este viaje puede ser, a veces, desafiante e incómodo, porque nos obliga a enfrentarnos a aspectos de nosotros mismos que quizá hemos evitado o ignorado. Pero también puede ser enormemente enriquecedor, ya que nos permite descubrir nuevos niveles de autoconocimiento, autoaceptación y crecimiento personal.

Al igual que Sting, también creo que, aunque viajar y vivir experiencias externas puede ser emocionante y enriquecedor, al final son pasajeras y nunca podrán sustituir ese sentido profundo de propósito y significado que nace de nuestro interior.

Tomarnos el tiempo para explorar nuestro mundo interno nos permite comprendernos mejor, entender mejor lo que nos rodea y desarrollar las herramientas y la claridad necesarias para afrontar los desafíos de la vida con mayor serenidad y equilibrio.

Jan Uve (Compositor y Pianista)

Toca para Volver a Ti

Travel Within

NEW ALBUM OUT - "WELCOME ANOMALY"- https://moodexhibit.bandcamp.com/album/welcome-anomaly 

Mood Exhibit is the sound expression outlet for Robert Salchak. Exploring the genres of electronic (IDM, electro, ambient), post classical, and melody laced soundtrack styles. The music of ME has a strong emphasis on visual texture and emotion.