Vidéo :  https://youtu.be/Jq81565UD6g

Les parisiennes       Texte : Sanzen

Souvent elles passent, complices ; 
en des jardins amis ; 
leurs yeux profonds et beaux, 
comme des ruisseaux lascifs. 

Sais-tu combien, jeunes et jolies, 
sont les filles de Paris ? 
Me dit un jour, un ami. 

Vieil homme, au banc ami, 
au coeur de Paris...
Se promènent dans des parcs, 
de jolies demoiselles. 

Elles parlent toutes les langues, 
les filles de Paris. 
Assises aux terrasses, 
étudiantes ou amies. 

Chassent mon crépuscule, en instants délicieux...
En des jardins amis, aux plaisirs vaporeux, 
je grimpe d'éternels escaliers/en tête, une idée !  

Leurs poitrines remplies, 
exhalent des parfums, 
en minutes folâtres, 
aux détours des allées. 

Leur coeur Orchidée embaume, 
mes heures parisiennes : 
Au soir de ma vie,  
vieil homme, au banc ami. 
 
Souvent elles passent, complices , 
leurs cheveux longs et lisses. 
Leur coeur potelé,
me comble de délices. 

Sais-tu combien, jeunes et jolies, 
sont les filles de Paris ? 

  Chassent mon crépuscule, en instants délicieux...
En des jardins amis, aux plaisirs vaporeux, 
je grimpe d'éternels escaliers/en tête, une idée ! 

En tableaux parisiens, les jolies demoiselles, 
passent souvent, complices, 
leurs yeux plein de malice. 

Au coeur de Paris, elles se tiennent la main. 
Le long des quais, leur doux parfum...
Souvent dans les parcs, on les croise : 
légères je les aime. 

Au coeur de paris, vieil homme au banc ami...

Sais-tu combien, jeunes et jolies, 
sont les filles de Paris ?

Les Parisiennes    Sanzen / Illos

The System

Well = Nosensend
open.spotify.com/track/0A2EsDD6R9MCUfKa98PLAf
Released on MojoHeadz Records https://soundcloud.com/mojoheadz
demo :  https://soundcloud.com/user-370942421-686440500/yggdrasil
https://www.beatport.com/artist/nosensend/953633
https://www.junodownload.com/products/nosensend-tribe/5641456-02/


Synthesizers used;
Moog Voyager XL
Moog Model D
Moog sub 37
ARP 2600
ARP Odyssey

Relentless

Yggdrasil

I only sing !!
Mahan Mahan all instruments !!

Mahan Mahan And eddyoffline 22

(Free WAV Download available here under '••• More'; and eventually, as part of a future solo album)

Greetings all you fun and funky SC musicians. I don’t typically upload remastered versions of a song as a new track. I usually just replace the old with the new, and change the title to reflect the remaster. But this one is special, for a few reasons (and if you’re not much into personalized mixing details, you may want to skip this liner note).

First (and most importantly)… I thought I’d lost the ability to edit the original tracks for this song. The last time I opened it up in Logic (updating it for the 2018 album remaster), the siren voices were all messed up (automation in Alchemy can have odd results sometimes). I just assumed the original native file was broken forever, because I no longer had access to that version of Logic. I had to do the album remaster from my only existing mix… and it was definitely lacking.

4 years later, I’m so glad I took a chance on reopening the native file when I concluded this ‘Siren’ trilogy. All the sounds/automations were exactly as I had left them. Prior to this attempt, I just assumed the worst, and never tried again. Thankfully, I was wrong. :D

Second… the remaster turned out much better than I hoped; and the differences were so satisfying, I thought it might be fun to have both versions up (for a side by side comparison, for any interested musicians out there. Here's the older version: https://soundcloud.com/grevusanjl/siren-rising).

So why does this one sound so much better than the original version? (And please take all of this with a grain of salt. I’m no pro. But I have discovered what works for me.)

Honestly, a tremendous amount of credit goes to having a much better understanding of Compression. For many folks, Compression is almost a dirty word. Just the title of the plug-in alone confused me at first. Why would I possibly want to compress my sounds, when I liked them as is? 

But it turns out (for me at least) that the different Compression options really shine when chosen specifically, and used minimally. As an example (and I’m not sure if your DAW offers similar options, but), Studio VCA works brilliantly with strings, female vocals and many of my favorite synths. But Studio FET works great on drums. Etc. And while some might cringe at the idea, I absolutely love what Soft Distortion does to most tracks as well. Used in mild amounts, Soft Distortion adds a phenomenal amount of spacial quality to the sound. I don’t use this one all of the time, but I bet I use it at least 75% of the time now (and Compression in general on about 95% of the tracks).  So there you go… I’m definitely a big fan of Compression… when used responsibly. :)

In addition, I’ve also learned a lot about EQing since I first did this song in 2017; so much so, that I was actually baffled by some of my earlier choices. So a large amount of the repair/update time for the 2022 remaster was spent on getting the EQing for each track set up more effectively.

And finally, I had the opportunity to give the full mix a healthy rebuild. After 5 years, you’re undoubtedly going to have a very fresh perspective on a piece. And I realized a lot of the sounds simply weren’t in their optimal positions in the stereo field. I also reconsidered where sounds faded in and out, and how intensely they did so… and I updated all of that as well. 

And there you have it, the story/history behind one of my all time personal favorites. I’m so glad I had an opportunity to revisit this one (while leaving all the original instruments true to form), and I hope you enjoy all the latest sound enhancements as well. I’m excited to hear what you think of my ’Siren Rising (2022 Remaster)’. :D

WTF! The Musical

Siren Rising - 2022 REMASTER

wrote down a letter
shrouded it in code
gonna mail it off in the first class post
to some unknown address
from long ago

and if ever you do see me down the road
please do not shout out
I will not slow
if I should hear some distant voice
from long ago

you coulda lit my fuse
but it's too early to say
cancel my subscription
down with the masquerade
if you're so honest 
I'm the longest day

you may lay claim 
to banish all my blues away
but it's just conjecture deception and facade
when it was you who put most of them there
anyway 

I'm mailing all of my blues away
I'm mailing all of my blues away

somewhere out in the distant multiverse
my entropy is flowing in reverse
and all my branches are forming
to build a church

where I can go and get some peace
retrieve my letter off of
the holy priest
and slowly build my life back
piece by piece

I'm mailing all of my blues away
I'm mailing all of my blues away

but you know just lately
I have come to doubt
what in the hell it is that 
I'm taking about
maybe you'd be better off without

and in about a billion years or so
I'll figure something out
you don't already know
and mail it to some address
from long ago

recorded at home on my 8 track

thanks a million for stopping by folks, really appreciate it, keep on being cool✌️

From Long Ago

Written by former cherished band mates…

Subtle Disposition

This track is from 2014, created exclusively with the app version of the classic Yamaha TENORI-ON . 
https://www.yamaha.com/en/about/design/synapses/id_005

When I first acquired an iPad, one of my initial app purchases was the Yamaha TNR-e-US.
https://usa.yamaha.com/products/music_production/apps/tnr-e/features.html

This was a beast to do anything with. One of the most cryptic and least user friendly systems I have ever experienced. (usually requiring 3-5 button presses for any simple change in event, and virtually no on screen prompts as to what you were doing, since it just was lit up dots)

This track is an excerpt of 1 of the 3 tracks I was able to record before giving up. There was a unique sound this offered, and revisiting this in my archives makes me happy I at least have this document to share.
As is the case with many obscure apps that can't keep up with iOS updates, I can no longer access this even if a wanted. classify as: obsolete

Blink Twice - Duplicate

Original track - https://youtu.be/i-xTsAi5MXg
MOSNAR DET - Remixing, Drum Programming
Happy Hollandaise e'erbuddy!

Loop Diggers Main Challenge 60 XMas 3 - L E G _ L A M P _ S N E K 🦵🪔🐍

Dubdreamerz  -  Rerelease

1. Intro John chapter 7 verse 38

Mood Exhibit is the sound expression outlet for Robert Salchak. Exploring the genres of electronic, post classical, world instrumental, and melody laced soundtrack styles. The music of ME has a strong emphasis on visual texture and emotion.