Cinema

Classic

Latest five releases. Updated after new release.

The Recent Five

This playlist will be constantly expanded.

My SoundCloud Favourites

SCREAM FROM PORCH WARNS CITY PASSERBYERS

[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 591

infinitely open ... except for the beat, no beat, or not enough to call it a beat, or too many of them either in succession or concurrent.

created: 2025/08/16

These tracks were uploaded in July and August 2025,
except for the following, older ones:
. . .

Capitalized tags are SoundCloud's suggestions.

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

[TO BE COMPLETED]

hk_fantaisies_tracks_591

Turn Your Glistening Head: 25 Shimmering songs from the SoundCloud community

NOWHERE LIKE HOME TO STOP MENTAL CONFUSION

NIGHT COLOURS REMIND YOUR FACE FOREVER

This was played using a Yamaha Clavinova and some sampler I bought at that time for around $1000 :(.  It used floppy disks for sounds. This was the string sounds with arpeggiator turned on.  I remember being floored that I could play and trigger the sampler at the same time.

Looking back, it was a fun time to learn about synthesizers and 16 track recorders and rack mounts and being wrapped in midi cables and trying to figure out why one rack mount wasn't being triggered and why the mixer was messed up and why you forgot to arm your recorder to record after you just finished playing a 15 minute masterpiece (a masterpiece in your mind...until your friends heard it and told you not to quit your day job).

Reverence (Nostalgia - 1987 Analog Tape Recording)

Polish patriot woman , fighting after the Second World War with the Soviet's invader and communism in Poland.
She was arrested in Gdańsk on July 20, 1946.
Despite a brutal investigation, she did not reveal any information about her companions
Execution by shooting took place on August 28, 1946, six days before her eighteenth birthday. This judgment became a symbol of the brutality of the communist courts. Her grave is located in the garrison cemetery in Gdańsk.

Inka

For my Dad.

Picture in thumbnail by AI: The Stable Diffusion https://lexica.art/

The White Room

Thank You so much for over 1400 plays ❤️

This is a second part of my triptych "Memories From the City of Light", begun with "Vital Signs". A love theme, a story of my heroes love – full of uncertainty, unfulfillment and even danger... Creating this piece I had in mind two couples: Rachel and Rick Deckard from Ridley Scott's "Blade Runner" and Irene and Driver from Nicolas Winding Refn's "Drive".

This track is also a homage to one of the greatest composers - Ewangelos Odiseas Papathanasiu aka Vangelis.

In production again I've reach out for help to Jörg aka @joerxworx and his tenor saxophone on which he beautifully performed, catching the atmosphere of this track in couple of amazing sounds – thank You my friend for Your patience!

Jörg @joerxworx - tenor saxophone
R.U.R. @r-u-r-pl - composition, mix, mastering
DAW Ableton Live Standard
Spitfire Originals Media Toolkit - Piano
Vital free - synth
Massive - synth
Surge XT - synth

We thank You for listening and we're hoping You enjoyed it a bit.

–––––––––––––––––––––------
Story behind the scenes:

This track was created one day (about 4 weeks ago) when I had one beer that went hard to my head. I sat before my computer and tried to listen my previous tracks and I felt very unsatisfied by all that music. It felt like everything was... heartless.
In that moment I took all my feelings, all memories of happy and not so happy love to create this track.

In the process I got mad at my 2 octaves Novation LaunchKey mini keyboard, because my hands almost couldn't fit both on such a small device... and I understood it limits my creativity... Time to change... something ;)

Also it's a first time I played without metronome. This track is completely devoid of tempo. These are the pure emotions of playing live.

https://youtu.be/u2eNZMKa_Ok

The Space Between Us

The Person Behind Her Smile

It Won't Bring Her Back

I was honored when https://soundcloud.com/graphicsontelevisions asked me to remake ‘Tattlesnakes’ from their fantastic album ‘Pun’. Maybe it’s the wildest one, unpredictable but coherent, it inspired me immediately !!

I've remixed to my taste their original studio stems (drums & keyboards), adding my own vocals, guitars & more... hard recommendation of headphones again !!

Lyrics are from another of my ancient poems, where I played with oxytone & eproparoxytone rhymes (translated below but with lost effect in English).

Full versions album here: https://soundcloud.com/graphicsontelevisions/sets/another-pun-a-brand-new
Downloadable: https://graphicsontelevisions.bandcamp.com/album/another-pun
I suggest checking out the original tracks too: @https://graphicsontelevisions.bandcamp.com/album/pun !!!

Letra  /  Lyrics:

Claro que ya no soy plástico,  /  Clearly I’m not plastic anymore,
ni estoy falto de razón,  /  nor lacking of reason,
puesto que, siendo simpático,  /  since, being friendly,
de sangre es mi corazón.  /  of blood is my heart.

Claro que soy esporádico  /  Clearly I am sporadic
en locos cantos espléndidos.  /  in splendid crazy singings.

Gritos de loco dolor,  /  Screams of insane pain,
llenos de mudo amargor,  /  full of mute bitterness,
claro que ya no son gélidos.  /  clearly are not icy anymore.

Claro que ya soy simpático  /  Clearly I’m yet friendly
y estoy falto de amargor,  /  and lacking of bitterness,
puesto que mi corazón,  /  since my heart,
siendo de sangre, no es plástico.  /  being of blood, is not plastic.

Y en mis cantos esporádicos,  /  And in my sporadic singings,
claro que ya no soy gélido.  /  clearly I’m not icy anymore.

Gritos de loca razón,  /  Screams of mad reason,
ya no gritos de dolor,  /  not screams of pain anymore,
claro que ya son espléndidos!  /  clearly are yet splendid!

ER00EC11

Tardigrade & Tattlesnakes (with Graphics on Televisions)

Dropouts

Music by Simon Alami
Tasha Warren, clarinet
Yun Hao, piano

MOSTLY MODERN FESTIVAL
Skidmore College, Arthur Zankel Music Hall
Saratoga Springs, New York (USA)
6/18/2024

LINKS
Festival: https://www.mostlymodernfestival.org
Ensembles-In-Residence: https://mostlymodernfestival.org/ense...
Composer: www.simonalami.com
Recorded by Arts Laureate: https://www.artslaureate.com

Tea With Debussy And Pärt In Casablanca (Clarinet &  Piano World Premiere)

❤️❤️ Thank You so much for over 2000 plays! ❤️❤️

Little improvisation made after watching Fracture Sounds "Hemisphere" trailer and turned into track. The ad set the emotional state and choice of instruments. NO A.I. INVOLVED!

What I played sounded so melancholic that it reminded me of the thoughts I had while walking with my wife. Every playground we passed was empty. It contrasted with times when our son was little - finding a free swing for a toddler bordered on a miracle. Now it's a miracle to see children swinging on them. Could the "Universe 25" experiment have predicted everything that is happening now?

I played it in one take, then did some editing and added cello, harmonics, bass and ambient sounds. I used only three instruments: two from free Spitfire LABS libraries: Ambient Guitars and Cello Moods. Bass is sub patch from Native Instruments Massive.
I used one sample from the BBC Sound Effects library: Children: Playing - Fushun: Children playing in snow.

The genotype of this song definitely includes two of my favorite This Mortal Coil songs, "The Jeweller" and "Tarantula".

I secretly hope that You may like it. Let me know in the comments what You think about the music and what lies in its heart.

Thanks go to my testdriver kavvka ••ꝁ𐌰v̷̷v̷̷ꝁ𐌰•• @grzegorzkawka who always gives me courage and accurately points out the elements that need improvement.

Picture from Pexels by Robin McPherson: https://www.pexels.com/photo/black-metal-swing-908970/

A Miracle I'd Like to See

NO A.I. INVOLVED
It all started in late 2022 while driving. I heard a song on the radio that inspired me to create this piece. I only heard it once, I don't know the author(s) or the title of this song.

After creating the core/mockup of the song, I presented it to Brian Butts (@brian-butts-565934842), which is amazing multi instrumentalist, and asked if he would record a guitar solo similar in idea to the solo from "The Break in Tranquility" https://soundcloud.com/r-u-r-pl/the-break-in-tranquility, which I had previously asked him to review. He agreed to this willingly and that's how my first ever collab was created.

I actually regret a little that this song is a bit too slow, but trying to speed it up caused Brian's solo to fall apart, and my skills don't yet allow me to properly edit it.

This song was lying in my "drawer" for over 2 years. I wasn't fully satisfied with what I did and its sound. I wasn't able to come up with a good Bridge and make it a full-fledged song. In the end I decided to release it as is. I only modified some parts to maintain the feeling of the progression of the arrangement.

Sorry Brian, my friend, that it took so long, but my perfectionism https://w.wiki/9XhH makes me constantly dissatisfied with what I do and often prevents me from finishing the songs.

Thanks to my friend ••kavvka •• (@grzegorzkawka), for his constant support, patiently listening to subsequent versions and lots of good advice.

To craft this piece I used
Ableton Live Standard
Ableton Live's Simpler
NI Massive
Spitfire Originals Epic Strings
Spitfire Originals Epic Brass & Woodwinds
iZotope Ozone 9 Elements
Impact Soundworks Shreddage 3 Stratus Free (only when the guitar enters)
Arturia Filter MS-20
Valhalla Supermassive (Free)
iZotope Ozone Imager (Free)

I also used 3 MIDI drum loops from free libraries in Ableton LIVE.

Thanks for listening. I hope You'll enjoy.

Picture in thumbnail made by me in Photoshop using a source Designed by Freepik: https://www.freepik.com/free-photo/still-life-with-scales-justice_33123996.htm

...And Justice for D-Punks

MUSIC FOR CONTENT CREATORS!

***
🎵 Title: Spring Awakening
🎼 Music by Michael Herter
🎻 Genre: Classical, Soundtrack, Cinematic
🎬 Video: 

Immerse yourself in the vibrant essence of spring with "Spring Awakening", a symphonic masterpiece that breathes life into the season's renewal. This orchestral journey harmoniously blends the rich timbres of strings, the expressive voices of woodwinds, the bold resonance of brass, and the subtle accents of percussion. Each movement paints a vivid soundscape, evoking blooming landscapes, gentle breezes, and the joyful awakening of nature. Let "Spring Awakening" rejuvenate your spirit and transport you to a world where music blossoms with the promise of new beginnings.

🎼 Key: Es-Dur | Time Signature: 3/4 | Tempo: 95 BPM

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Spring Awakening

Jeremias Langsämmer – As The Light Dims Slowly
A piano-led meditation unfolding at an adagio pace, As The Light Dims Slowly channels the hesitant phrasing of Erik Satie. Cello, violin, and soft strings offer gentle support, moving in and out of the piano's uncertain light. Sparse and reflective, the piece lingers in moments of pause as much as in sound, capturing the hush of evening as it slowly gives way to night.

Cover photography by Fraser Cormack. Find more of his work at https://www.facebook.com/profile.php?id=61559043332127

As The Light Dims Slowly

PLEASE FOLLOW US On YOUTUBE AND WATCH THE VIDEO:
https://www.youtube.com/watch?v=gT2tzzx-N1c

This is the first song of my new band "Radcor". I collaborate with an old schoolmate, who plays the guitar here. Giacomo Rossi as usual on vocals and Maxim Prokofiev from russia on drums. In the long run we will go for a full album. 

Don't turn your head 

The mighty god of the underworld
Looks with sadness into my soul
White hands hold my only love
Dark words rise from a deep hole

Don't turn your head
Or else she will be dead
This move, my son, can never be undone

One after one through hell and fire
Ignoring just a strange desire
Does she look pale or maybe alive?
Does she follow me through the night?

Don't turn your head
Or else she will be dead
This move, my son, can never be undone

I could not resist, my dear
When I looked I saw the fear
One last sign of love you gave me
Before you fell back into your grave

Don't turn your head
Or else she will be dead
This move, my son, can never be undone

music and lyrics by Dirk Radloff/ all rights reserved

Don't turn your head

This is the third part of the fourteenth piece in a series of Concrete Music pieces. The sounds come from pots and wooden bricks. The music is generative. The source-code can be found at github.com/danielstahl/concrete-music-14.

Dots and Strokes Part 3

I did not use AI support at any stage in the creation of this piece.

When I started composing this piece in December, after buying Spitfire Originals Intimate Strings on sale, I had these thoughts: If this is what the future is going to look like, I didn't sign up for it. Although in my youth I read and watched a lot of SF films presenting both utopia and dystopia, I always preferred the bright future. However, what I see on TV, on YouTube and outside my window is starting to resemble the latter...

Despite this, I hope you like the piece at least a little bit

To make this track I used:
Ableton Live 11 Standard
Spitfire Originals Intimate Strings
Spitfire Originals Cinematic Percussion
Spitfire BBC SO Discover (free)
Soundpaint 1928 Vintage Steinway Grand Piano (free)
Arturia Augmented Voices
Arturia Augmented Mallets Play (free)
Strezov Sampling Afflatus Minimalist Violins Legato Freebie (free for Kontakt Player)

Beside plug-ins I used 3 samples:
Two from BBC Sample Library:
- Rioting - Riot in Belfast - with breaking glass, rubber bullets, distant cries and chants
- Chatter - Club atmosphere, busy mixed chatter at mealtime (mid-distance) - 1981 (1C25,reprocessed)
and from Freesample.org
Real War - Marines in Firefight Gunbattle (Raw audio) by qubodup

Picture in cover: Freepik

Future Perfect?

Composed , Produced, Written and Arranged by Jah-Femi Telewa

Angel’s Song is a hauntingly beautiful fusion of hip-hop and orchestral soul, opening with angelic choir harmonies and poetic reflections on love, peace, and divine presence. With ethereal ahhhs and vivid imagery, it captures the serenity of nightfall as angels sing and bells ring softly in the background. A meditative journey through sound and spirit.

Lyrics 
Ahhhh
Ahhhhhh
Ahhhh
Ahhh
Ahhh

Let the angels sing,
Let the light true lovers bring.
When the rain falls down,
The flowers would shed petals as they drown.

When night falls dim and the angels start to sing,
That’s when the joy it brings
Settles on the night to bring it calm.

Angels sing,
Calm it brings.

Watch the nighttime,
They’re singing—
The angels
Keep singing.
The bells ring,
Keep ringing,
At the nighttime
While you’re sleeping.

Watch the nighttime,
They’re singing—
The angels
Keep singing.
The bells ring,
Keep ringing,
At the nighttime
While you’re sleeping.

Ahhhhhhhh
Ahhhhhh
Ahhhhhh
Ahhhhh
Ahhhhh
Ahhhhh

Angel’s Song:

EDIT 2025-07-16: I am very happy to announce that thanks to this piece I won first place in this competition! 😍🥂🥳

EDIT 2025-07-07: I reuploaded track because I've messed a little in "original" part. Now "my part" is much more different from the original

No AI was involved in creation of this track.

Track made for Spitfire LABS Discord competition.

At the beginning (up to 0:18) and at the end (from 2:23) – a short fragment of the theme song for the AppleTV+ series "Severance" by Theodore Shapiro which can be heard in its entirety at the link below. I highly recommend it! The opening credits of this series, as well as the entire series, are worth seeing.
https://www.youtube.com/watch?v=NmS3m0OG-Ug
Yes, I know, I've bite off more than I can chew, but whatever... I guess it's worth tackling such a great and catchy musical theme ;)

The idea was to "Write a short piece (1-2 mins) that starts with a recognizable melody in it’s original form, and then take that melody and reinvent it in your own style. Use one or more of the first 10 LABS packs that were released for this, but feel free to incorporate any other tools you’d like."

To made this track I used:
Ableton Live 11 Standard
Spitfire LABS Libraries:
(Original Theme)
Soft Piano
(Reimagined Theme)
Amplified Chello Quartet
Strings
Electric Piano
Intimate Piano
Lap Steel
Wurli
Beside LABS I used:
Strezov Diamond Jazz Trio Freebie
and two MIDI loops (both from Ableton Live packs)
Gravity Werks Kit - 105 bpm and
Shaker Chance 126 bpm

Picture in thumbnail is a part of original poster from the show: http://www.impawards.com/tv/severance_ver2_xlg.html

Severed ("Severance" Theme Reimagined for Spitfire LABS competition)

This is a track from my album TALES OF A NOMAD, a collection of impressions from decades of living a nomadic life for professional reasons.

Scream Of The Northern Plains

The language without words

Russia China

cercaypin

So what now?

The pieces are set,
The board is occupied,
The main actors have taken their positions.

The inevitable is coming,
Fear fills hearts and minds.

Will what many predict come to pass,
Or will fate turn in our favor?

The core of our beings has been seized by the machine.
The art that defined us is being smothered by a flood of perfect artificiality.

Simulation of emotions, simulation of art, simulation of humanity.
Where do we belong?

Where is my place?

And what now?

--------


This is a piece I improvised on March 23, 2025. I was surprised at how well it turned out. However, I didn't know what to do with it. I couldn't think of anything more, so I'm publishing it as is, with minor tweaks (I literally added six notes in three places).

With this piece I am starting a series in which I will be posting rather uncomplicated, short pieces, created out of the need of the moment, under the impression of something specific.

To compose it I used only 3 plugins/sounds
Spitfire LABS Autograph Grand (piano) (free)
Spitfire Originals Intimate Strings x2 (in octave)
And one patch from truly amazing synth from Arturia: Pigments

I hope you like it at least a little bit.

Picture Freepik: https://www.freepik.com/free-photo/woman-portrait-with-blue-lights-visual-effects_26813733.htm

And What Now?

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. 
Thank you for listening :) 

Original Photo by https://www.pexels.com/de-de/@alexazabache/

You And The City

LES PASSANTS DE LA PLUIE 

Tu rentres à l'aube ébouriffé comme un soleil 
A la lune, ta plume saigne de tout ses maux 
Tu rases les ruelles, les murs et les poubelles 
Découpent ta vie en lambeaux 

Trop vrai pour porter un costard dans leur parade 
Epingler un sourire au col de leur boutade 
Et dans les "places to be" jouer à qui ment le mieux 
Trop intact pour être comme eux 

Il faudrait faire semblant, jouer à être vivant 
Continuer d'être morne jusqu'à la fin des temps 
Mais mieux vaut être libre et se sentir en vie 
Que marcher dans le gris des passants de la pluie 

Dedans c'est le foutoir d' une chambre insalubre 
Alors tu prends ton paredessus usé de solitude 
Dehors le froid du nord mord déjà les passants 
Mais toi, ta liberté n'a pas de prise au vent 


Il faudrait faire semblant, jouer à être vivant 
Continuer d'être norme jusqu'à la fin des temps 
Mais mieux vaut être libre et se sentir en vie 
Que marcher dans les pas des passants de la pluie 

Si pour être soi-même il fallait renoncer 
Au confort, aux écrans, à la facilité 
Mieux vaut être Poète à poil devant la vie 
Qu' être clown à la fête des passants de la pluie
                                                             dlb2025

LES PASSANTS DE LA PLUIE

2025-08-07

cold night

It's such an honor and joy to work with these two incredible artists! I have had the privilege of collaborating with Masa (Tot) a few times already, but it is my first making music with Khan. I hope you will enjoy this chilled out summer vibe.

Khan - @khan20233202 - Vocals & Lyrics
Tot - @tot-beat - Beat & Samples
Tea R. Sea - @tea_are_sea - Synth, Drums & Production


Lyrics (by Khan)

ON JULY

We met on July
We don’t know music come from and why
I can hear the storm is coming down down down
We don’t see but we see eye to eye
We can hear muses are coming down down down
We don’t see but we’re brotherhood

I saw fireworks tonight alone
I got the Big echo tonight and moon
I saw fireworks bring me to them
I feel paradise is here for me.

On July (Khan, Tot & Tea R. Sea)

Nothing like a pesky raccoon to stir things up a bit… Oh, hello. Glad you dropped by. A raccoon, I named Bandit, has taken up a vacation residence under the shed here. It’s right next to the raspberry patch and apple trees. A couple nights ago, Bandit snuck into my small greenhouse, where I grow tomatoes and peppers, and made a salad of the pepper plants, munching one plant completely down to the stalk. Bandit also likes the heavy crop of choke cherries here. He also uses the back corner of the vegetable garden as a latrine, which last summer was up on the house roof. I’d awaken with a start to hear little footsteps running across the roof. Luckily no roof excursions this year. Anyway, this is a Blues song with some solo banjo. Lyrically, it has a couple of reflections about life, mortality, gardening, relationships and partner expectations, letting go of life dreams, a nod to Bandit, the wacky weather, and making peace with old age. And of course, there’s a fair amount of daydreaming going on, while plucking banjo. Hope all is going reasonably well with you, wherever you are on Earth, during this whirlwind tour we’re on. Mark

Back Porch Banjo Blues

Well, its taken a year but at last I've managed to create something new, a track that reminded me of warm, sultry days on holiday. I do hope you like it and any support you can give me as I find my way back into music would be much appreciated!

Spotify

Glistening (feat. Zara Delaney)

Brand New track on the Rocks! Summer 2025 and let it roll with my brand new track called "I Keep Protecting my Soul".

Purchase it digitally via #bandcamp: https://shockthealgorithm.bandcamp.com/track/i-keep-protecting-my-soul

(p) & (c) 2025, STA.

lyrics:
I keep protecting my soul
There's nothing more sacred than my soul
I keep protecting my soul
The body dies, it's eternal the soul

Clear is conscience, i am free i am alive
Sleeping in peace not with fear with opened one eye
I never harmed anyone, don't owe a dime
i am keep paving with gold this road so up high.

I Keep Protecting my Soul

PARENTAL MENTAL

Original title: I like to sample old drums

Open collaborations have always triggered me and they have to be cooked, when they are still hot. So when I listened to the new track of Marquis I knew immediately what I wanted to do and created a remix in a few hours. My approach is, that I have replaced the warm and organic sounding drum-loops with cold and sterile sounding synth-sounds. Though I am far from being a Hip hop-producer I tried to apply a polished and modern attitude. I painstakingly recreated the groove of the original loops, shifting sounds exactly to the same place. All sounds are made with the Zebra-synth and mixed in Logic. I used two raps and tried to create a smooth transition between them.

Open Collab original: https://soundcloud.com/couch-king-presents/i-like-to-sample-old-drums

Lyrics 
Take The Max Down To Hillsboro  
Hey maybe when were done collabing  
You should  
Take the max down to hillsboro  
Kickback and relax 
We could have fun 
Eat some cake at Decadent Creations  
Chill and bake in the sun, then Run to the Bagley park pavilion 
When the rain has begun 
We don’t use none umbrellas here 
Just jackets from Columbia  
I could buy you one cause there Is no sales tax,  
I don’t lie, just facts 
We all like to try to put bike racks on our Subarus  
What chus got to loose  
Boos is only sold  
At the liquor store I got one near me called 
Wholesale Liquor store 
Yo what more  
Do you want to know From the Portland Airport  
You can go  
Take the max down to Hillsboro It’ll cost around 4 to 6 bucks  
And take about an hour and 45 minutes 

This One Goes  
This one goes out to Portland breweries even though I don’t drink keep making them brews 
This one goes out to Washington Park for the oldest west of the Mississippi zoo 
This one goes out to Beaverton Nike workers cause you know we keep wearing them shoes 
This one goes out to Hillsboro  
This one goes out to Cornelius, every day I go to work I’m just passing through 
This one goes out to Forest Grove Pacific University keep collecting them dues  
Fuck going into debt for school



Heartscore and The Couch King - I like to program new drums

Nowhere

Download

■概要(Overview)
みんにゃについていけなくて、にゃんかノレにゃい自分・・
そんな感じの曲にゃ。みゃぁ、このギターが一番ノレてにゃいにゃん！
いい子だね！いい子だよぉ！
It's a song about not being able to keep up with everyone else and feeling a bit left out. Well, this guitar part isn't the most catchy though!
What a good kid! What a good kid!

■歌詞
夜の街をただ
あてもなく歩いた
どこかの客引きが
舌打ちをする夜

過ぎて行ったもの
探しているように
冷たいビルに紛れ
灯を探している

紛れていたい
同じものを見て
クスッとしたりさ

はやりの歌
友達同士で口ずさみたいな

でも何をしたって上の空
どうにもノレない
ズレてる感覚
自分を塗りつぶす
夜の灯　色を付けて
私を隠し　混ざり合ってゆく

真剣なまなざしで
作り話をする
無意味な時間さえ
捨てることも出来ない

過ぎて行ったもの
つかみ取った人が
冷たいビルに紛れ
灯を浴びる夜


誰かの歌　聴こえてきて
口ずさむふりをした
その時　少し混ざれた気がしたのだけど

でも何をしたって上の空
どうにもノレない
ズレてる感覚
自分を塗りつぶす
夜の灯　色を付けて
私を隠し　混ざり合ってゆく
夜をほどいてく

■Lyrics (English translation)
"Out of Sync Night"

I walked the city streets  
With no destination in mind  
A tout somewhere clicked his tongue  
On a night like that  

As if searching  
For things that have already passed  
Blending into cold buildings  
Looking for a light  

I want to disappear into the crowd  
See the same things  
And smile quietly with someone  

A trendy song  
I wish I could hum it with friends  

But whatever I do, I’m not really there  
I just can’t get into it  
This offbeat feeling  
Paints over who I am  
The city lights tint me  
Hide me, and I begin to blend  

With a serious gaze  
I tell made-up stories  
Even meaningless hours  
I can’t bring myself to throw away  

Those who’ve grasped  
What has already gone  
Blend into cold buildings  
And bask in the glow of night  

Someone’s song reaches me  
I pretend to hum along  
And for a moment,  
I felt like I belonged—just a little  

But whatever I do, I’m not really there  
I just can’t get into it  
This offbeat feeling  
Paints over who I am  
The city lights tint me  
Hide me, and I begin to blend  
Unraveling the night

ノレない夜(Out of Sync Night)

● Feel The Touch Of The Orient with Cafe De Anatolia ●

☛ Plunging into the deepest waters of folktronica, downtempo and electronica, ethnic deep house, organic house, afro-house, tribal.

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The Copyrights for the Cover Photo, Video & the Music belong to the Artists involved in this Project.

My Shelter My Home

Shabboo Harper - My Shelter My Home (Original Mix) SNIPPET [Cafe De Anatolia]

Song written, sung, produced and engineered by Chris Scheri.
Instrumentation by Chris, Mark, David, Brendan

COULD HAVE STOPPED THIS

(Intro. Instrumental theme )
Walking in the park on a hot Summer night.
Make the best of this - he wants to help.
Walking in the park on a hot Summer's night.
Make the best of this - and help yourself.

But you know
You could have stopped this
could have stopped this
could have stopped this (repeat chorus)

(repeat instrumental theme)
Walking in the park on a hot Summer night
Where's the rest of this? Where are you now?
I'm walking in the park on a hot Summer night
What's the best of this? I need to know the rest of this.
Because I know
I could have stopped this
could have stopped this
could have stopped this
I could have stopped this

Over and Over. It keeps me awake at night.
“Could have stopped this” (background vocals)

Guitar solo.

M8 Just when you think, “Everything's alright.”
Just when you think, “We're under control.”
You trip on a thought and slip into “If Only”
If only I'd known, I would have been there!

There – on a hot Summer night
Your thoughts are everywhere.
Can I still help you?
Walking in the park on a hot Summer night,
You're the best of this!
Oh can you tell me, is there anything
I can still do for YOU?

(Choruses repeat till the end, joined by lead guitar on the
third repeat)
YOU COULD HAVE STOPPED THIS

Could Have Stopped This

You Could Have Stopped This

Forever

It’s been a while….. Hope you are enjoying your summer! Just a little chilled ditty for your perusal!
Thank you for all of your kind plays reposts and playlists!💐

Water Colour

Pierre and Jean-Claude Bordetti productions (c) 09/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Visage (Lyrics/Paroles)

J'ai aperçu son visage, mais ce n'était qu'un mirage, 
Comme un reflet dans l'orage, une illusion de passage,
Son regard m’a fait naufrage, dans un monde sans rivage,
Où l’amour n’est qu’un langage, perdu dans le vent sauvage.

Elle danse dans mes pensées, comme une ombre sans visage, 
Chaque nuit je veux l’aimer, mais je n’ai que son mirage,
Un soupir, un doux présage, puis le vide en héritage, 
Je poursuis son doux sillage, prisonnier de son image.

Visage

It Felt Like Love

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

Composition : Julien Morency
Here's my new composition.  At first I thought the mood would stay cold and melancholic, but at the end I guess I was caught by the Holiday spirit...😉  I think whatever happening in life, better keep searching the brighter path what do you think?!😏💖

Voici ma nouvelle composition.  Au début je croyais que l'ambiance resterait froide et mélancolique, mais à la fin je crois que l'esprit des fêtes m'a rattrapé...🙂  Je pense que peu importe ce qui arrive dans la vie, c'est mieux de continuer de chercher le chemin éclairé qu'en pensez-vous?!😏💖

The North Star

Acheter/Buy

I wanted this to be one song. The result was there were more in one. I did not want to split because I discovered that there maybe there is some connection even if there isn't :)
Cheers

Patchy Landscape

Latent Piano

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765