Art cover by Nataly NGM🌺🦜💚
Music and words by Loony De Bussy

Harmonica, acoustic/ slide guitars and vocals by Loony 
Percussion by Mister metronome 😃

Recorded on Korg D16 - Mastered on Audacity

Let It Fly

Thank You so much for over 1400 plays! ❤️

This time, I return to the realm of fantasy, where my characters, upon arriving in the North, found themselves in the dwarven mines. There, they are to meet with the Dwarf King's son, who will task them with aiding in uncovering the mystery surrounding his father's death, slain in a goblin ambush. However, before this occurs, they take part in a funeral ceremony.

To craft this piece, I utilized only the free VSTi's by ProjectSAM @projectsam: Free Orchestra 1 and 2. I've begun working on it 2 months ago... It's one of my over 30 projects in development ;)

Thanks goes to my friends and test drivers: kavvka @grzegorzkawka and Alexander Stratonov @ephtrackx

Picture generated by me in Leonardo.ai

Funeral of the Dwarven King

A Rom-Com on a celestial plane meets a reality in a Virginia grief group. 

Re: the chorus -- no shade intended, Ben Gibbard.

Influences: Ted Leo, Death Cab for Cutie, ColdPlay

To the Heavens

Midnight Racing

Pas à pas

can see for miles/room with a view

Composed, arranged, performed, and produced by:
Carlos Vivanco

Cosmic Rain

Love Storm

Always exciting to collaborate with Cheryl. 
Here is her creative addition to 'Occasionally Inapplicable'.
• Cheryl Pyle (New York City) - flute 
• Axel Weiß (Obernbreit) - piano / strings, synth., perc., art

You're welcome to listen if you like, if you can.

“You're on Earth. There's no cure for that.” (S. Beckett)

more

Occasionally Inapplicable • Duo (Cheryl Pyle & Axel Weiß)

Bogeyman Cometh (2002)

Live Reflexion#022

Golden Hippies

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Funeral of the Dwarven King

R.U.R.