Incredibly powerful. Excellent production 🖤

Fantastic build up! Love this continuous tension!

Oh wow , majestic , powerful , outstanding !

Philip Glass is my favourite composer, Excellent "idea"!

Awesome...
Brilliantly captivating 
Bravo
👏👏👏👏👏👏

video here : https://youtu.be/c6CZq2fupJQ

Waiting for dawn

She's waiting for dawn when the dewdrops will sit, on every blade of grass and the sky will be lit.... 
with just enough light, to see but not be seen, as she disappears softly just like a wakened dream.

She clutches her bag, her hands start to shake, as the panic grows her will starts to break.
A few more minutes more, another cup of tea and she'll leave this sad life and finally be free.

My blood on your hands.
too many times, too many times, you have broken me down.
Tears on my face, as you creep nearer, your breath loaded as I make no sound.

She stands at the door breathing in the fresh air, She knows deep down its the last chance if she dares. 
No more telling lies, no more scared for her life, no more breaks and bruises. 
No more being his wife.

My blood on your hands
too many times, too many times, you have broken me down.
Tears on my face, as I run faster, my heart thumping as I leave this place.

( original song I wrote based on a woman trying to escape her abusive husband. I started writing this with this visual in my mind but also used my own experiences of a past abusive relationship and the feeling of being frozen/trapped based on abuse I experienced as a child)

Waiting for dawn...mp3

And oh, life goes way too fast - I look to the past and all i see is you
and you were my shining star - better than the last - I better watch my breath
its fading fast - I know that you are here but you seem to disappear in all of my despair - I die again
I have to face the truth - that everything I am I am because of you
and you I know you feel it too cause everything that we've become we've never come undone
And oh this alcohol is killing me - sometimes i drink so much I cannot see - and you never bat an eye - stand by my side - no matter how rocky the ride 
and oh --- I know that your are here but you seem to disappear in all of my despair - I die again 
and I have to face the truth - that everything I am I am because of you - and you I know you feel it tooo- cause everything that we've become we've never come undone
remembering  when life was oh so simple back in the days
now I spend all my nights looking down at your grave 
its oh so dark and desolate this hell blowing in my face
I need you to have my back just one more time
and oh I know that you are not here but you seem to reappear in all of my despair I die again
and I have to face the truth that every thing I am I am because of you

Because of you (I die again)

Thank You for 1000 plays ❤️

In the late 1980s, I had the opportunity to watch in the cinema Godfrey Reggio's documentary "Koyaaniquatsi" with music by Philip Glass and produced by Francis Ford Coppola, and I became a fan of the soundtrack from this film.

A few months ago I was watching the third season of "Stranger Things" and suddenly, in the third episode, in the last scene, I heard familiar sounds. Without checking, I could tell I could hear Phillip's music. And so it was. My fascination was revived and I felt the urge to create something similar to his style.
Unfortunately, my creativity and time has its limits and I haven't been able to make a full song... yet ;) But I'm sharing with you an idea, or rather an introduction to this piece. I hope you like it at least a little :)

Looking Through the Glass

2023/5/10

Website

parabola

Hello～
🙇 Very~sorry!
Recently, I often can't comment&reply because my PC isn't working well, 
but I'm enjoying listening to Deep Sound Crowder's songs! 
I will improve as soon as possible! 
Thank U for listening! And much Respect to all the cool people!
 It's U! Yeah!

Walk(Beat&added live Drum-MasaTot.)

Walk

On May 13, 2015, my brother-in-law Eduardo Fortuny Loret de Mola was killed in a road accident, to the great sorrow of all who knew and loved him, in particular his widow and two sons. I wrote this song in the aftemath of his all too soon passing away, but the time never seemed right to try and record it ... until now, when Enna, his wife, read the lyrics and expressed her wish to hear a recorded version. It would also have been his 60th birthday this year. I took both as a sign that it was time, and thanks to the monumental musical and production abilities of Sergio Aguilar, not to mention the wonderful backing vocals of Beto Quintero, here it is.

The song, needless to say, but I will say it, is dedicated to Eduardo, and all who loved him.

Hallelujah is a transliteration of Hebrew: הַלְלוּ (hallū yāh), which means "praise ye Jah!" (from הַלְלוּ‎, "praise ye!" [8] and יָהּ‎, "Jah".)[9][10][11] The word hallēl in Hebrew means a joyous praise in song. The second part, Yah, is a shortened form of YHWH (Yahweh or Jehovah in modern English).
~ https://en.wikipedia.org/wiki/Hallelujah

“In traditional Christian thought, the final transition from life on earth to life in heaven is symbolized by crossing the Jordan River."
~ https://jesusway4you.com/2020/06/24/signs-and-symbols-of-the-bible-jordan-river/

“For what is it to die but to stand naked in the wind and to melt into the sun? And when the earth shall claim your limbs, then shall you truly dance.”
― Kahlil Gibran, artist and poet.

"The song is ended
But the melody lingers on
You and the song are gone
But the melody lingers on."
~ Irving Berlin, songwriter.

“Do you not know that a man is not dead while his name is still spoken?”
~ Terry Pratchett, English author.

Lyrics
Last night I dreamed my brother strode with Jesus by his side
With heavenly strength to move them on, they walked the ocean tide
I cried, “Dear brother, hold your haste, we all must journey home.”
“Jordan calls me,” was all he said, I knew myself alone
I knew myself alone

Hal-le-lu …. Hal-le-lu …. Hal-le-lu …. Hal-le-lu

Last night I dreamed my brother rode in tandem with James Dean
Along the streets and the highways that to this world are unseen
I cried, “Dear brother, promise me, you’ll meet me when I come.”
He smiled his smile, and raised his hand, I felt my world undone
I felt my world undone

Hal-le-lu …. Hal-le-lu …. Hal-le-lu …. Hal-le-lu

Now I’m awakened, oh, let me dream that dream once more
Hal-le-lu, Hal-le-lu, Hal-le-lu, Hal-le-lu, Hal-le-lu … yah

Now I’m awakened, oh, let me dream that dream once more
Hal-le-lu, Hal-le-lu, Hal-le-lu, Hal-le-lu, Hal-le-lu … yah

And take me over Jordan, see my brother walk upon its shore
Hal-le-lu, Hal-le-lu, Hal-le-lu, Hal-le-lu, Hal-le-lu … yah

Yeah, take me over Jordan, for I am tired and so heartsore
Hal-le-lu, Hal-le-lu, Hal-le-lu, Hal-le-lu, Hal-le-lu … yah

Credits
Music: Michael Sellers; Sergio Aguilar
Lyrics: Michael Sellers
Vocals: Michael Sellers; Beto Quintero
Guitars & bass, piano; musical arrangement, & production: Sergio Aguilar
Drums: Rodrigo Uribe
Album Cover photo: Michael Sellers
Cover design: Loretta Sellers Fortuny

One Singer Left to Mourn

I Dreamed I Saw My Brother

Buy on Bandcamp

I Dreamed I Saw My Brother  5 Stars rating; Commended Entry; UK Songwriting Contest, 2023

A couple of years ago, while searching through Netflix for something to watch, we decided to try a Korean drama series. Since then we have spent many hours being entertained and moved by Korean tv and movies, often in genres that we would not normally go for (e.g. rom com's). The cover art and dialogue featured in this piece are from a Netflix trailer for Hometown Cha Cha Cha, a dreamy laid back romance set in a small seaside town. We won't spoil the plot by explaining the context or translating the dialogue, suffice to say it's very romantic.

Andy: Piano and additional strings
Helen: Korean (vst) Gayageum / Ajaeng / Daugeum

A Korean Romance 한국의 로맨스

Guitar: The Boilerman https://soundcloud.com/boilerman-615719656
Music, Lyrics, Vocal, Electric Piano, Bass, Drum Programming: Jan Schonander

Resung, remixed and remastered from almost four years ago.

This is a clash of psychology with science, and, well, early The Cure meets Bowie's Scary Monsters. It's easy to be close to somebody and still not be seen or heard no matter how loudly you speak. Mixed all this up with some actual invisibility science, so believe it or not, in terms not being seen this song stands on solid physics, until it doesn't....

BEND THE LIGHT

You see me
You look through me
You hear me
Can you hear me?

You’re blinded by your reflection
I’m invisible in the shadow of your glow

I absorb you
I deflect you
I’m a scientific wonder
My surface is cool
My paint is dark
A massive anomaly
A singularity
A Nobel prize in disguise
I’m in disguise

You’ve got the angle
You could be near or far
On any wavelength
You bend the light
You bend the light
You bend the light
You bend the light

I wait for you
You walk by me
I’m a meta material
New spectrum
No infrared
I’m headed to the Blue Hall
A Nobel prize in disguise
I’m gonna be famous
I’m gonna be famous

You’ve got the angle
You could be near or far
On any wavelength
You bend the light
You bend the light
You bend the light
You bend the light

You bend the light
But I’m gonna be famous
You bend the light
And I’m famous

Bend The Light

Bend The Light | The Boilerman 🎸

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

Instrumental and Mix by Garddwr Porffor: https://soundcloud.com/garddwrporffor
Vocals, Vocal melody, Lyrics by Nadia Selvaggi


What Are We?

Divinity's breath --
a shadow appearing
in early morn's lucid dreams
Where unseen gods
plant their symbols and serpentry

​In you and me

Our lost history
that keeps us bound by
the spells of powers unseen
Our imaginations --
the empty halls
painted with hues of agony

What are we?

Our captured souls --
their source of power
Our hands and minds --
their energy
And for their gods
we are the sacrifice,
their offering

​W​e were once free

In a fallen world of illusion
the living dead shield themselves
from beauty and truth
Beguiled and hypnotized
by the chimeras of demons
they cling to their slavery

​Too blind to see

Shaping our thoughts and actions 
with their dark ancient craft
A faceless persuasion 
lights the path to unconsciousness

What Are We? by Garddwr Porffor & Nadia Selvaggi

Terra Incognita

For now I'm not using A.I. while creating my music. I share songs generated by A.I. only for informational purposes to make the unaware aware of the coming revolution in music.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left until April 2022. My music is created in Ableton Live Intro (until december 2022) and Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

Looking Through the Glass

R.U.R.

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