Superb track and sound, beautiful atmosphere. Fantastic production!!!

yay my friend - here you created a strong track - synthwork, drums, overall mix and athmosphere are superb - it has a futuristic feel - great work!

very enjoyable-and that is what's most important in my view-tech. stuff is intriguing massive chops are enticing but it often feels more like a chore to listen to this kind of tracks

Great track - Really great production and balance of sounds!

Fabulous production Richard ( as always ! )

🔥🔥Brillant Track🔥🔥
👏The whole track is well thought out & arranged beautifully.,
👏creative sounds & instrumentals along with the Beat are a perfect Fusion of enjoyment 
👏👏👏Bravo👏👏👏

coole electro beats. very nice production

Thank You for 1000 plays ❤️!

I was wandering what happens when I'll try to make song base on starting patch from NI Massive. And this came out ;) Thanks for listening. I hope You'll enjoy.

I wanna point out that all instruments are VST. 

Thanks to:
Alexander Stratonov (@ephtrackx) for lots of great tips and advice on the final mix,
Brian Butts (@brian-butts-565934842) for reviewing guitar solo.


Mastered with Bandlab Mastering: https://www.bandlab.com/mastering

Image in thumbnail: Stable Diffusion: https://lexica.art

The Break in Tranquility

The Break In Tranquility

Four piano fragments for Her Highness Damga
1 - The Deep Sky of Abstraction [0 - 0:50]
2 - Red Hair Pop Theme [0:50 - 1:44]
3 - Take Off Your Armour [1:44 - 3:12]
4 - La Nuit Monte dans le Crépuscule Embaumé [3:12  - 4:07]

Piano Fragments For Damga

Thank You all so much for 1300 plays of this collab track! ❤️

On may 2024 (so it's passed 6 months...) @belial-pelegrim presented to the world Taffeta 189 which can be found here >> https://soundcloud.com/belial-pelegrim/taffeta-189. A masterfully crafted piece from his unfinished story-driven musical series.
From the very beginning, this track fascinated me to such an extent that a melody immediately appeared in my head. In a burst of self-confidence, I asked the Master for the file of this song so that I could put my melodic ideas into it, just like I did with Donak RV's song https://soundcloud.com/r-u-r-pl/duo-melodica-rur-nylon-guitar-remix. And the strangest thing is, he willingly agreed to my idea!
So I tried it and here we are. It's been a while since then, but I think I've finally finished it. I sincerely hope that you will like the effect of this cooperation.

If you are intrigued by this song and you haven't heard the music of @belial-pelegrim yet, and you would like to listen to more (I assure you, it's really worth it!), please visit his profile for more!

To add my two cents to this track, I used the following plugins:
Free Spitfire LABS - Electric Piano - Chorus
Free Spitfire BBC SO Discover - Trumpets, Flutes and Oboes
Free Native Instruments Kontakt 8 Player
Free Heavyocity Foundations - Staccato Strings
Replika XT effect
Free iZotope Ozone 11 EQ
ujam UFX Reverb - which I got for free during the promotion after the publication of this plugin
and also received for free from Novation for their 30th anniversary - iZotope Ozone 9 Elements

Taffeta 189 (R.U.R.'s Melodic Mix)

Dedico questa mia musica a tutto il popolo Africano e all'Africa tutta. Terra di di fascino, dove si vive secondo natura e nel rispetto reciproco di ogni uno di noi.

I LOVE AFRICA

The Pièces froides are two sets of piano pieces composed in March 1897 by Erik Satie. Unpublished until 1912 when Ravel played them publicly, they marked Satie's break from the mystical-religious music of his Rosicrucian and Gymnopodies period (1891–95), and were a harbinger of his humoristic piano suites of the 1910s. 

The title Pièces froides, translated as Cold Rooms or Cold Cuts, is a punning allusion to the dire poverty Satie experienced during his last years living in Montmartre. In July 1896, he had been forced to move into an unheated ground floor closet (he called it a "cupboard”. The space was so small that Satie's camp bed all but blocked the door shut, and on frigid nights he kept warm by sleeping fully dressed with the rest of his clothing piled on top of him.

This the second of the two cold pieces: Danses de travers (Crooked Dances)
1. En y regardant à deux fois (Give it a good look)
2. Passer (Go on)
3. Encore (Again)

Here i've arranged the original solo piano for 2 classical guitars, 12-string, celeste, woodwinds & strings.

cover art: Le Repas Frugal by Picasso

Erik Satie, Pièces Froides

Voici le générique que j'ai réalisé pour l'animation et les remises de prix du prochain festival de films courts " Les Moulins d'Or " dont voici le lien :  https://lestontonscadreurs.fr/festival-courts-metrages/                                  Merci à Christophe Blanchard pour sa confiance renouvelée .
Here is the light motiv music that I created for the animation and awards ceremony of the next short film festival "Les Moulins d'Or" here is the link: https://lestontonscadreurs.fr/festival-courts-metrages/ Thanks to Christophe Blanchard for his renewed trust.

Canopée 🌿

High energy dance song with elements of dubstep.

Sussuri

A collaboration with 4mat in which he kindly let me play some guitar over his awesome track :)

More of his work here:
https://soundcloud.com/mt-msc

Dreamscape Theories (with 4mat)

Autumnal strumming, full (as usual) of imperfections.
I've been turning around this track for years, hope I've put a stop to it.
What is not guitar or bass, is only crowding of thoughts and voices in the head of the sitting man.

Cover picture: Jack Vettriano, 'The Weight' (2010)

---

Music by Michele Ansani (2018-2024)
Posted on SoundCloud: 2024, November 3

Thoughtfulness (final version) *

Tommorow Always Comes

Espirito

I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

The Break In Tranquility

R.U.R.

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