OK. I've reverted to unmastered file... In my opinion that what automatic mastering done was horrible... Nevertheless, you can listen to it here and form your own opinion:
https://on.soundcloud.com/4FZJcJWpyocL1aPx7

No A.I. involved. Only me, keyboard, recently bought sustain pedal, free Soundpaint Piano with built-in shimmer reverb, some compression and Ozone 9 Elements on master channel set to jazz.

Little theme I've conceived on evening May 27th after watching the last episode of "The Devil's Hour". Simple melody and chords... a draft. Let's say it's a version 0.5 ;) Half improvisation, half interpretation of something that came to my head 30 minutes earlier. Lots of hesitation, a bit mistakes, two edited notes on ending of first part... and the double ending ;) I'm still human, and a bad keyboard player ;) Recorded in one take.

Picture in thumbnail from Freepik
https://pl.freepik.com/autor/freepik

The Longing

The Longing (Unmastered)

Old frozen scenes
where daylight breathes
and fades away
As they roam and seek
how it feels unreal
left here today

Gone, the past has gone
forever gone
As hope, keeps holding on
keeps holding on

Old echoed dreams
they crawl and weave
then fade away
Not much left to believe
as the past it creaks
here today

Frozen Scenes

https://soundcloud.com/indiiwildmoon/the-water 082225updmx

Water ~ Wildsilences

Amor Aeternus (My Original Composition)

'Dont Smudge The Ink' is an easy listening laid back track and soundscape.

Dont Smudge The Ink

Cast of Characters:

Cgmaness – https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?si=pJS46q9cRDmArzLu-g_3qQ – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way using her original lyrics. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify, which you can find by clicking the link next to his name in the credits. 
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to her name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....


Better Not Say (The Eclectic Collective)

Final mix of this tribute to all pollinators. Vanessa atalanta (aka Red Admiral) was formerly known as 'The Red Admirable'. This beautiful butterfly is on the ropes and in need of our help. The admirable creature needs long grass and not manicured lawns.  
Pic. c/o Pinterest
Previous mix:
https://soundcloud.com/user-146692255/red-admiral-cla158m2-early-mix?si=82d7ae9dec5a48c0ac7d52f11e10f236&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Vanessa atalanta ['Red Admiral' -  final mix]

Voirus Due

Bollywood Nights

Spontaneously improvised this piano solo tune at the early morning of this lovely autumn. Enjoy!

09.24.2025

Me in Spotify/Apple
Spotify: https://open.spotify.com/artist/3ZT6CL1pYRz20xt5BEhJpL
Apple Music: https://music.apple.com/us/artist/ashot-danielyan/551761240

Me in a social media:
» Telegram: https://t.me/ashotdanielyancomposer
» VK: https://vk.com/club219373443
» Instagram: https://instagram.com/ashot_danielyan_composer?igshid=YTQwZjQ0NmI0OA%3D%3D&utm_source=qr
» YouTube: https://www.youtube.com/user/ashotdanielyan
» Facebook: www.facebook.com/ashot.danielyan.composer
» X (Twitter): https://twitter.com/ashotcomposer

All my Albums: https://ashotdanielyan.bandcamp.com/

» My Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

My Spotify

Ashot Danielyan - Autumn Lullaby

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

The Longing (Unmastered)

R.U.R.