hymNal

The four verses of a chorale from the Saint Matthew's Passion undergo a transformation from nearly in tune (12ed1220c) and crystal clear to out of tune (12ed1280) and reverb saturated. An experiment in working with slight variants of 12ed1200 (12edo) tunings.

o Haupt 6-17-25

This is the Kyrie from a Palestrina mass, all jumbled up and gooey, with the tuning system set to slightly expanded: 12ed1220.

kyRie 6-24-25

This is the chorale O Haupt voll Blut und Wunden from Bach's Matthäuspassion. Every verse moves from order (four voices) to chaos (clusters). Voices (SATB) migrate from side to side, like a slow-motion procession of 100 choir members.

bLut und wuNder 7-25-25

This is my reworking of Praise God to Whom all Blessings Flow. Each of the four voices (SATB) is played at a slightly different speed. This is very audible if you listen to the soprano and bass (highest and lowest) parts. The parts diverge the most at the beginning, then converge to unison at the end.

wie wuNderbaRlich 7-25-25 drei

rachMiel