Opening track from my new album, Signals Aligned on Dusk Delay. 

Distribution worldwide by Rubadub.

Release date 08 Sept 2025.

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Signals Aligned is Lord Of The Isles’s fifth album and his second contribution to his own Dusk Delay imprint.

Signals Aligned stands as a sonic testament to the intersection of science, spirituality, and the vast unknown. Inspired by pioneering theories on the nature of anomalous phenomena, viewing them not as extraterrestrial but as a complex, multidimensional enigma.

There’s a consistent theme of “discovery through distortion.” Truth is often obscured by layers of misinformation, disinformation, and misperception. The music plays with the concept of clarity and distortion, revealing hidden textures beneath shifting layers of sound.

The sound palette is vast and ethereal, incorporating elements of noise, shimmering synths, and organic textures. There’s a sense of both wonder and unease that mirrors theories on the strange and unexplainable.

Release date 12 Sept 2025

Opalescent

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Nabes w/ Anymodal - 20/08/2025

Caroline Lavelle - Moorlough shore (Eye of the storm mix)
Rising Sun (Ken Ishii) - Ocean View
Pete Namlook & Klaus Schulze - The Heart Of Our Nearest Star Part III
The Electric Chamber - Pavane (Maurice Ravel)
Moodorama - Darkness
Smith & Mighty Featuring Tammy Payne - Same
Thievery Corporation - The Foundation
Ecson Waldez - Microcosmos
Björk - Isobel
Spooky - Consume
Floex - Love The Camel
La Rocca - Island of God
Orbital - The Box, Part 2
Ohm Square - Wounds on a Cherry Tree (Keeled over Mix)
Tango - Spellbound
Liquid Harmony - Living In The Shell

Vapor Cone w/ OBL4KA | Shella Radio 07.08.2025 - Trip Hop Special

Noumen returns to Central Processing Unit after a six-year absence with Altum. This bumper record, the Ukrainian artist’s fourth release for the Sheffield label and first since 2019 double-LP Obscurium, serves to remind us all why Noumen’s music has been lauded by the likes of Mixmag and Resident Advisor in the past. Altum is a consummate piece of contemporary electronic production, a technoid exploration of outer-edges electronica that nods to genre greats like Autechre while still maintaining its own unconventional charm.

Across well over an hour of music here we find Noumen repeatedly playing punchy mid-tempo beat work off of some more cerebral tuned synths. Altum kicks off with the epic ‘Oion’ - beginning in that Autechre/AFX mid-tempo zone, full of deep-sea bangs and whirrs, the track slowly builds to a final stretch of delay-drenched keys which set us free amidst the outer cosmos, almost Sun Ra-style. It’s a perfect liminal-space roller and an apt scene-setter for Altum.

‘Oion’ provides a blueprint for several of the album’s other highlights - plenty of the joints here adopt that same approach of hitting hard with the drums and soft with the synths. Second track ‘Splitter’ takes on the baton from ‘Oion’ while souping up the kick to warehouse levels; the beats in ‘Far Wind’ splutter like a needle skipping on a mid-90s Tresor drop; ‘Fate Carette’, all eerie looped synth leads, is a highlight as the album enters the home straight.

The rhythm production (which, it should be noted, is exemplary throughout Altum) is ratched up in intensity on a handful of numbers. ‘Telemask’ displays a delightful breakbeat - if you’d told me this was sampled from golden age A Tribe Called Quest, I’d have believed you. Mid-section anchors ‘Awe’ and ‘Axis’ are glitchers in the Mike Paradinas mould, with the latter showing off some pleasing steel pan-esque synth leads for good measure. And while Altum generally maintains a processional pace throughout, there are points where Noumen toughens up the drums for club deployment - ‘Unveilness’ shows off a real chunkiness in the low end, closer ‘Spurling Sign’ plays a satisfying rolling groove off of ever-layering synths, and the title-track is an alien machine-funker in keeping with fellow CPU electronauts like Silicon Scally and Cygnus.

Noumen’s third album for Central Processing Unit is a pleasingly hefty double-LP which builds on the zany invention of acts like Modeselektor and Autechre to delightful effect.

FFO: Autechre, Aphex Twin, Modeselektor, Bochum Welt, LFO

Noumen - Altum

The new «Радиант» for RS was recorded by electronic musician and journalist Nik Zavrie﻿v — one of the key figures of the first wave of IDM in Russia, best known for his project Ambidextrous (https://soundcloud.com/ambidextrous).

Debuting in 1998, the artist has released dozens of records on both Russian and international labels. Nearly 30 years later, he continues not only to create new material and perform live, but also to regularly organize parties as part of the Desktop Robotix series and, together with Ilya Rasskazov, the «Обсерватории Дежавю».

In addition, Nik is a passionate researcher of electronic music history, which has taken shape in his podcast and book «Планетроника», as well as in his teaching work. On his personal Telegram channel, he shares rare recordings, intriguing facts, and other valuable content.

For RS, Nik has put together a mix of energetic braindance and breakbeat, inspired by his performance at last year’s Mestnost label (https://soundcloud.com/mestnost-records) party at the «Мунк» bar.

Cover by Alisa Voronina, inst: @alalisa

Треклист:

James Shinra – Ghost In The Machine
Kettel – Goodbye Snake 
Uf0 – Walking On Jupiter 
Locked Groove & Gacha Bakradze – Variation 1 (Deniro Remix) 
FaltyDL – Further 
µ-Ziq – Magic Pony Ride pt. 1 
Vertical67  Twitch 
Principles Of Geometry – Emquvist
Squarepusher – 4001
Anderdog – Sleep Paralysis
Wisp – Keeper Of The Hills
Ulrich Schnauss – The Magic In You
Vertical67 – Upside Down
Hudson Mohawke – Bicstan


Радиант #26 – Ambidextrous

Analogical Force welcomes back @moy for his third outing on the label. ‘Ghostware EP’ delivers four tracks that push his hybrid of braindance, acid and electro into bold new territory.

Side A opens with Kernel Panic, a pacy cut that flips between breakbeats and 4/4 drive, punctuated by TR727 whistles and percussion, before Megazone dives into chopped breaks, thick bass and a conversation between a 303 and FM-modulated 101. Together they form a high-energy pairing that refracts rave DNA into something sharper and more futuristic.

On the flip, the title track Ghostware goes widescreen with heavy bass, intricate breakbeat manipulations, the unmistakable Korg M1 piano and soaring melodic acid, all tied together by wistful pads and sudden reverbs. Voidwave closes the EP on a darker, twisted note, with slithering AFX Station basslines, constantly evolving acid, and breaks chopped into timing flips that constantly disorient the rhythm.

With Ghostware, MOY refines his sound while embracing new techniques and sharper contrasts. It’s his most progressive and fully realised work to date for Analogical Force, reaffirming both artist and label’s place at the forefront of modern braindance.
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PREORDER 12" BLUE MARBLE VINYL + DIGITAL: https://tinyurl.com/4nmdvru8
—
A1   KERNEL PANIC                              05:13  
A2   MEGAZONE                                  04:18
B1   GHOSTWARE                                 05:26
B2   VOIDWAVE                                  04:35
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C+P Analogical Force 2025. All rights reserved. 
Written and produced by Jonny Moy in Norwich / UK
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Geometric Love, UK
Distributed by Clone, Rotterdam 
—
www.analogicalforce.com

Preorder Now

[AF064] MOY 'GHOSTWARE EP' [2025]

READ > https://inverted-audio.com/premiere-synalegg-computer-series-14

French producer @synalegg returns to @ooh-sounds with Computer Series / Last Run - the final chapter in his radical generative music experiment. Built in Pure Data, Synalegg’s system composes autonomously, creating immersive, unpredictable sound worlds that blur the line between human design and machine logic.

The result recalls Autechre’s algorithmic precision, Jimmy Edgar’s Michaux project, and the mechanical curiosity of Aphex Twin’s Computer Controlled Acoustic Instruments Pt2 - yet feels entirely its own. Glitching rhythms, fractured harmonics, and fleeting human cadences emerge from the code, forming an uncanny balance between control and surrender.

A bold statement on authorship, automation and abstraction —-Computer Series / Last Run closes Synalegg’s exploration of machine-driven composition.

Synalegg - Computer Series 14 [OOH-sounds]

Hey everyone, Shine Grooves here.
It’s time to share a few highlights from all the releases I put out under my alias Quadrat back in the early 2010s. I picked one track from each release and compiled them into a new EP.
Fun fact: every Quadrat record was transferred straight to vinyl, completely unmastered — in other words, the distributor used my original files without any additional processing. I actually found this out many years later. Most likely, it was done just to save costs.
The new release we’ve put together with FAM has been properly remastered (or rather, mastered) — and it sounds great.

Pre-order

Quadrat - Extrax 1-4(Sampler)

Maximum Bass

Need You

13.11.2025b sound of goodbye2 instrumental

Радиант #26 – Ambidextrous

Radiant Sound