hiT͟Hərˈto͞o - THOREAU / KOMATIK HAI
Sky Deep feat. Hevî - Woman & The Gun 
Miranda De La Frontera - Dear Viyan (feat. Viyan Payman & Dilar Dirik
Julie Rousse - JIR - Fire Fighter 
Olivia Louvel - 'Afraid Of Women'
Inge van den Kroonenberg - ROJAVA Tryptich
chra - Rojava Belong Here
LaPelleMuta's Sounds - Tingis: Bombs 
Anne Lepère - Traverser sa Manche
- - - 		
In the beginning of 2016 female:pressure launched an awareness and solidarity campaign for the cantons of #Rojava (located in northern Syria), where women participate on all levels of decision making and building a new society from scratch, with built-in social, racial and ethnic justice, religious freedom, ecological principles and gender equality.

With a series of music, media and sound art to listen, dance and fight to, we send our love and strength to these women and spread a positive message in support of their efforts.

http://www.femalepressure.net/rojava.html

radioart106_#050_ROJAVA by female:pressure

French sound artist, activist and musician Gaël Segalen aka IhearU has a very diverse experience in sound and is focused on poly-listening, dissonance and new music, as well as to create people’s encounters in improvisation spaces. She believes all the noises she has collected or manipulated, can coexist in one inclusive spirit, here and now, and transposes the complexity of the world into electroacoustic and polyrhythmic soundscapes, bruitisme and DFR (Danceable Field Recording) compositions. The reconciliation of all the noises she has collected from her travels is manipulated in the studio, in one inclusive spirit, here and now.

Creations:
Différé / Delayed (2005)
Nowhere Close - excerpt (2011)

www.ihearu.org

radioart106_#071_Gaël Segalen's works

Laws of Lost and Found Objects (22:53) 2015
Strange Radio Episode 1: Jetzt Höre ich/ Now I Hear (7:30) 2016
Strange Radio Episode 3: Postcards From The Second Basement (27:00) (Excerpt) 2016
---
Karen Werner is a U.S. radio producer and sociologist. Her radio work has been commissioned by and broadcast on the Australian Broadcast Corporation shows Earshot, Radiotonic, and Soundproof. Karen’s audio work has also been played at Kinokophone's sound cinema events at Lincoln Center in NYC and at the Deep Listening Festival in Troy, New York. From 2014-2016 she received a Hemera Fellowship for artists with a Buddhist practice. Karen’s 2016 radio documentary, “Laws of Lost and Found Objects” won the 2016 Grand Prix Marulic. In Fall 2016, she was artist-in-residence at studio das weisse haus in Vienna, Austria, producing a radio series called Strange Radio. Karen is on the faculty at Goddard College in Plainfield, Vermont.
---
https://karenwerner.net/

radioart106_#075_Karen Werner I

She Stops Watches (feat. composer Nur Tiven)
Strange Radio Episode 5: Strange time(s) 2016
(Listen to #075 for more)
--- 
Karen Werner focuses on Audio and digital storytelling; hybrid documentary-ethnography-narrative forms; story as methodology and epistemology; indigenous methodologies; arts-based research; critical storytelling; art activism; community economies; Buddhism.

http://karenwerner.net/about

radioart106_#076_Karen Werner II

Playlist:
Spigelsound Mix - Women of The Great River 
Claudia Wegener, Knut Auferman - 6 June 2014 Mobile Radio I
Radio Continental Drift - ZAMBEZI WOMEN CALL OUT
Inge van den Kroonenberg - Virginia Phiri - AFRICAN DRUM
Eunice Mwinde - Banene Eunice About Bush fruits
Dixie Treichel - Mavis Moyo - Media women take over
Claudia Wegener, Knut Auferman - 6 June 2014 Mobile Radio II
Gael Segalen - Born Free
Chipata DMI women meet Radio Continental Drift
Sithandazile Dube - My Time
Antye Greie - Ruvimbos Voice, How is Europe worlds apart?
Spigelsound Mix - Women Of The Great River
Claudia Wegener, Knut Auferman - 6 June 2014 Mobile Radio III
Penny Yon - Black N White
Under The Siachilaba Baobab
Esnart Mweemba - My Mums Baskets 1
19-20. Barbara N Viola - The Uses Of Baskets
Abbigal Muleya - Women Team-working 2
Penny Yon - Passing On Stories
Janet - Intro N Song 2 
BassOratory - I CAN DO WHAT YOU CAN DO
Dinah Bird - Mavis Moyo - Miles&Miles
Sarah Washington - Annie Mpalume - Its Funny Truth Truth
Felicity V Ford — Esnart Mweemba - They don't know about the beads
Valerie Vivancos - Mavis Moyo - Survival Lullaby
Chiwoniso - Colonized Demonized
Thandanani Womens Ensemble -Take Me Home

radio continental drift celebrates the art of listening and the power of storytelling in local recordings, especially on the African continent. The “dramatic” field-recordings are presented in playlists on the Internet Archive and shared under creative commons license with the invitation to global listeners to explore and use the archived audio.
https://radiocontinentaldrift.wordpress.com

radioart106_#084_Radio Continental Drift

Meira Asher’s work challenges accepted conventions of practice and genre, even within the supposed open-minded circles of the Avantgarde. A composer, performer and Human Rights activist, she freely oscillates between, through and beyond the fields of Sound art and Radio art. In the past 20 years her artistic practice has been focusing on in-depth and long- term projects, and she has been working assiduously, amassing many different projects in different veins. She is the producer of the independent Radioart show radioart106 since 2014 and a former lecturer at Haifa university's Art School (2012-22). Her works were released on Crammed, Sub Rosa, Auditorium, Raash Records and Ultima Ratio labels, but mostly independent through her own platforms. Her recent works include TANSIKتنسيق for Radio Reina Sofia Madrid, a Hebrew version of Antonin Artaud’s radio essay Pour en finir avec le jugement de Dieu and Sonic Voyage of Resistance for Radio Art Zone.
https://soundcloud.com/radioart106
https://linktr.ee/meiraasher 
https://meiraasher.bandcamp.com 
https://www.instagram.com/meira.asher
https://www.instagram.com/radioart106

TRACKLIST:
1. Luisa Houseworks - I wanna be 
2. Ana María Romano G. - Yo conozco tu locura porque también es la mía 
3. Selina Martin - So-Lo
4. Radio Continental Drift - STIMMEN AUS HAMM - Tina – Ich hoffe auf eine Welt…! 
5. ASARA - her safe space
6. Kleine Pia - Déjà Vu (yesternight)
7. Meira Asher - Eyal Checkpoint, the north of the West Bank, 4AM, 31.7.22
8. Kirche Von Bubach - Wald- und Wiesenvoegelchen
9. Christine Schörkhuber & Zorka Wollny - Lullabies to Wake Up
10. Lauren Sarah Hayes - Kill the Cop in Your Head
11. Mikado Koko - Obscurity I 
12. Catenation - Terminal Moraine
13. akkamiau - Voltage Tao
14. Laila Abd Elrazaq - The Letter of Deema al-Wawi (edited and translated by Dareen Tatour)
15. Abigail Toll - Ruins 
16. Floy Krouchi - 100 Photons and a Void & AntiChambre
17. Laure Boer - Marre
18. Sandra Pereira - Lets Keep This Between Us

f:p podcast episode 137_Meira Asher

Pastille sonore composée, interprétée et enregistrée par Sylvia Hinz suite à sa journée passée à La Maison Jaune, magasin de décoration, d'art de la table et parfumerie.

Pastille 25 : Casa Amarilla, de Sylvia Hinz > La Maison Jaune, magasin de décoration et parfumerie

Playlist:
The Port 
The Opaque Fleece 
(spoken by Virginia Phiri. Response to the ZAMBEZI WOMEN Call Out organised by Radio Continental Drift)
Galanthus
Aeaea Nova
Cochlea (unreleased)
rho - ῥῶ

Composer Anna Stereopoulou defines her style as "SONIC MOVING IMAGES".
She specializes in composition for films and television and conducts interdisciplinary performances inspired by her research on various subjects. She is currently investigating the human brain. Her last concept albums are 'c i r c e: the black cut and the SYN project'. In September 2017 she released her album electron.
https://annastereoscopic.wordpress.com/

radioart106_#106_Works by Anna Stereopoulou

A farewell show from KolHaCampus106fm, the initial home for radioart106.
(for personal, nonprofit use. no institutional use is permitted).

Writer Angela Dimitrakaki and theorist Antonia Majaca were invited by visual artist Sanja Iveković to animate her Monument to Revolution installed in Athens in the context of Documenta 14. The original monument in Berlin (in memory of Rosa Luxemburg and Karl Liebknecht) was destroyed by the Nazis. The new monument is set symbolically in Athens where the struggle against capitalism is rife. Thirty international feminist contributors, individuals or collectives, were asked to send a short recording on fascism and the importance of feminist struggle against it. The multi-lingual collection of recordings is scored by sound sculptor AGF.
Intro by Angela Dimitrakaki
AGF (@poemproducer) assembled, scored, mixed the contributions and broadcasted on #Documenta14 #savvyfunk radio on 28 June 2017.

Contributions by:
Cecilia Vicuña (artist and poet, Chile)
Intro by Angela Dimitrakaki
Revolutionary Association of the Women of Afghanistan/RAWA (Afghanistan)
Mujeres Públicas (activist art collective, Argentina)
Elke Krasny (art theorist, Austria)
Jaleh Mansoor (art historian, Canada)
Vesna Kesić (activist and writer, Croatia)
Le Zbor (feminist choir, Croatia)
Kuratorisk Aktion (Frederikke Hansen and Tone Olaf Nielsen, CAMP founders, Denmark)
Mare Tralla (artist and activist, Estonia/UK)
Arahmaiani (artist and activist, Indonesia)
Giovanna Zapperi (art historian, Italy/France)
Isabell Lorey (political theorist, Germany)
Athena Athanasiou (social anthropologist, Greece)
Phoebe Giannisi (poet, Greece)
To Mov/The Purple (feminist collective, Greece)
The Organisation of United African Women (Migrant Women Association, Greece) 
Larissa Vergou (actress and elected councilor of Athens Municipality, Greece)
Universal Jenny (poet/s, Greece)
Dilar Dirik (writer and activist, Kurdish Women’s Movement)
Sylvia Marcos (writer and activist, Mexico)
Syreny.tv (Ewa Majewska & Aleka Polis, feminist network, Poland)
Ana Teixeira Pinto & Alex Martinis Roe (writers and artists, Portugal/Australia/Germany)
Gülsün Karamustafa (artist, Turkey)
Esther Leslie (political and cultural theorist, UK)
International Women’s Strike (USA), The National Women’s Liberation (USA)
Bojana Pejić (art historian, Serbia)
Shubigi Rao (artist and writer, Singapore)
Nuria Enguita Mayo (art historian, Spain)

radioart106_#107_AGF_The Art of the Possible: INTERNATIONAL ANTIFASCIST FEMINIST FRONT_part1

KolHaCampus106fm closure, a farewell show.
(for personal, nonprofit use. no institutional use is permitted).

Writer Angela Dimitrakaki and theorist Antonia Majaca were invited by visual artist Sanja Iveković to animate her Monument to Revolution installed in Athens in the context of Documenta 14. The original monument in Berlin (in memory of Rosa Luxemburg and Karl Liebknecht) was destroyed by the Nazis. The new monument is set symbolically in Athens where the struggle against capitalism is rife. Thirty international feminist contributors, individuals or collectives, were asked to send a short recording on fascism and the importance of feminist struggle against it. The multi-lingual collection of recordings is scored by sound sculptor AGF.
Intro by Angela Dimitrakaki
AGF (@poemproducer) assembled, scored, mixed the contributions and broadcasted on #Documenta14 #savvyfunk radio on 28 June 2017.

Contributions by:
Cecilia Vicuña (artist and poet, Chile)
Intro by Angela Dimitrakaki
Revolutionary Association of the Women of Afghanistan/RAWA (Afghanistan)
Mujeres Públicas (activist art collective, Argentina)
Elke Krasny (art theorist, Austria)
Jaleh Mansoor (art historian, Canada)
Vesna Kesić (activist and writer, Croatia)
Le Zbor (feminist choir, Croatia)
Kuratorisk Aktion (Frederikke Hansen and Tone Olaf Nielsen, CAMP founders, Denmark)
Mare Tralla (artist and activist, Estonia/UK)
Arahmaiani (artist and activist, Indonesia)
Giovanna Zapperi (art historian, Italy/France)
Isabell Lorey (political theorist, Germany)
Athena Athanasiou (social anthropologist, Greece)
Phoebe Giannisi (poet, Greece)
To Mov/The Purple (feminist collective, Greece)
The Organisation of United African Women (Migrant Women Association, Greece)
Larissa Vergou (actress and elected councilor of Athens Municipality, Greece)
Universal Jenny (poet/s, Greece)
Dilar Dirik (writer and activist, Kurdish Women’s Movement)
Sylvia Marcos (writer and activist, Mexico)
Syreny.tv (Ewa Majewska & Aleka Polis, feminist network, Poland)
Ana Teixeira Pinto & Alex Martinis Roe (writers and artists, Portugal/Australia/Germany)
Gülsün Karamustafa (artist, Turkey)
Esther Leslie (political and cultural theorist, UK)
International Women’s Strike (USA), The National Women’s Liberation (USA)
Bojana Pejić (art historian, Serbia)
Shubigi Rao (artist and writer, Singapore)
Nuria Enguita Mayo (art historian, Spain)

radioart106_#107_AGF_The Art of the Possible: INTERNATIONAL ANTIFASCIST FEMINIST FRONT_part2

Hallo Listeners! 
This playlist of Voices from Binga forms part of “The Women Sing at Both sides of the Zambezi”, an archive of life-story-telling established by African women for their sisters, and brothers, near and far. The archive currently contains more than 70 interviews with women in Arts, Culture and Media from Zambia and Zimbabwe. It forms a start for audio-visual–radio and creative media projects with women in the Zambezi region aiming to pass the skills of digital productions and the tools of their distribution in to the hands of the storytellers. 
The online publication of the recordings is in process. Each week more links to on-line audio will become available for global listeners to play and download the recordings under creative commons license. The collections from Binga, Bulawayo, Harare, Kitwe, Livingstone, Lusaka, Masvingo, Mazabuka and Monze are a beginning. The archive is open … and the Zambezi is a long stream… 
For more details and how you can join, 
read here  http://both-sides-of-the-zambezi.tumblr.com/ 

The playlist features soundscapes from Binga and clips from interviews with: Linda Mudimba and Sihle Ndlovu, both National Volunteers with the Basilwizi Trust, Jossam Munkuli, leader of the musicians group Tonga Simonga, Simudenda Bertha, a bead-making artist, Babara Mudimba, a basket weaver, the teachers, Florence Munsaka from Damba, and Muleya Elita from Sachilaba, Janet and Luyando Muyalali, Mr Kelias, deputy head of Siachilaba Primary School, and Abigal Muleya, from the ZUBO Trust. For more details read here: http://both-sides-of-the-zambezi.tumblr.com/notes-to-the-archive 

Basilwizi Trust is a cultural advocacy organization for the communities of the Zambezi valley, the Tonga people who were displaced from their ancestry homeland during the construction of the Kariba Dam in the 1950s.

THE PEOPLE OF THE GREAT RIVER
The Tonga people who inhabit the areas in the Zambezi Valley on Zimbabweʼs northern border, are descended from those who were forcibly removed from their homes and fields in the valley in 1957 to make way for the rising waters of the mighty Zambezi River after the filling of Kariba Dam. The dam brought hydro-electric power and wealth to the country, but passed over those who were displaced, leaving them in the dark ages of exclusion for some decades after. Having lost everything their culture survived strongly as a driving force of self-assertion, resilience and development.

http://www.basilwizi.org/
http://www.mulonga.net
http://www.facebook.com/tongaonline
http://www.zubo.org/
http://www.servus.at/argezim/
http://www.kunzwana.net/category/tags/about


29 Sihle Ndlovu - times are changed

radio continental drift  
a broad casting house in the bag of a listener
out to here unheard voices
a branch of the growing networks of sound workers, 
audio artists, radio communities, and the street corner academies 
of listening and broadcasting 
around the world 
radio is happening 
when people loiter in public places
the air is free!

radio continental drift is a mobile radio drama project focusing on spoken word, “dramatic field-recordings”, narratives usually produced before/ during/ after skills-training workshops or in the context of long-term collective audio media projects such as the NO-GO-ZONES project and the DURBAN SINGS audio media & oral history project. 

The work of radio continental drift takes place on the intersection of sound art, radio drama, media activism, acoustic education and literacy, oral history, community radio and digital communities. At each point of its journey, a project seeks creative and collective ways to exploit the opportunities of digital media for transmitting a story together with the toolbox and infrastructure of its production – be it locally, in collective media projects, or on-line for a global audience. The resulting compositions, radio dramas, trailers and mixes of radio continental drift invite a listener in to a space where “I can hear myself listening”... an awareness about listening as an imaginative, productive and creative act.


29 Sihle Ndlovu - times are changed

radio continental drift

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