ALL MUSIC AND MERCHANDISE AVAILABLE ON BANDCAMP HERE: https://dancewiththedead.bandcamp.com/
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More than 30 years in business, over 800 catalogue releases, over 8000 songs + remixes and still going strong!! Compost is one of the most prolific, highly acclaimed and in demand indie labels in Europe. Compost and its sublabels Compost Black Label, Compost Disco, Drumpoet Community, Derwin Recordings and rumpelmusig standing for quality music, a sophisticated mixture of electrifying disco, house, techno, soul, jazz and a little bit of pop. XLR8R wrote: "...top address where electronica meets musicality". Besides internationally respected artist like Robert Owens, Trüby Trio, Koop, Beanfield, Christian Prommer, Felix Laband, Karma, Ben Mono, Kyoto Jazz Massive, Marsmobil, Eddy Meets Yannah, Sepalot, Alif Tree, Shahrokh, Wigald Boning a.o. the label is also well known for its praised compilation series V.A. "Elaste" (Vol.1-4), "Future Sounds Of Jazz" (Vol.1-14), "Partykeller" (Vol.1-3) or "Glücklich" (Vol.1-5). Like Gilles Peterson once said: “With great pleasure I pronounce Compost the most consistent and forward thinking record label of continental Europe.“

As my first project, remains as "Eriko Toyoda", is built around acoustic soundscapes and recordings, where I explore layered editing of unprocessed sounds, capturing the raw noise of the moments, including the breathwork from singing that remains after processing. I also experiment with acoustic sounds through careful manipulation and transformation, allowing them to evolve into something that bears little resemblance to the original. This project represents my first step in reimagining the boundaries of sound.

If my music resonates with you and you’d like to be part of its journey, your support is invaluable. Every contribution through my music is an investment in creative growth, directly shaping and inspiring future projects.

New album "Dreamweaver" out now:
https://trentemoller.lnk.to/Dreamweaver

2025 Tour Dates:
https://tix.to/trentemoller

Copenhagen’s Anders Trentemøller has long been respected as a creator of extraordinarily memorable melodies and dark soundscapes. While many artists follow a pattern of invention and reinvention, Anders’ arc has been a series of points along the same curve, playing the long game with each release representing the next chapter in a constantly evolving series.

Dreamweaver continues on this track, combining elements of shoegaze, dark wave, motorik, noise rock and somber, introspective takes on electronic pop but in a considerably more psychedelic manner. The chronology of its 10 songs is an immersive experience that presents additional otic pleasures when headphones are strapped on.

The Comet Is Coming has possessed an air of inevitability almost from the word “Go”! Much like the trail-blazing name they originally lifted from a BBC Radio Workshop record, the trio has participated in a kind of Big Bang. Its immediately relentless sound demands a sense of being present in the moment yet lost within it, much like how visceral punk rock, interstellar jazz blasts, deepest dance-floor trances and real-time technological breakthroughs do. Octavia Butler once wrote that, “There is nothing newunder the sun, but there are new suns.” And on their third album, Hyper-Dimensional Expansion Beam, synthesist/studio-magician Danalogue, drummer-producer/intuitionist Betamax, and saxophonist/spiritual riffologist Shabaka bring her verses to life. They burn brightly, directly and confidently, soundtracking our epoch of change in ways their contemporaries simply aren’t trying to. Like great artists throughout the recorded century, they possess, in Shabaka’s words, “a sensitivity to the zeitgeist,” channeling their sound into both a mirror to our times and a potential healing process for it. If that seems like asking a lot, The Comet Is Coming is uniquely qualified. Because even by their own telling, that other-worldly power was almost instantaneous.

On Hyper-Dimensional Expansion Beam, they turn it back onto the listener. Wish us all luck!

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