Description:

"...but I'm in front of you right now, I'm no illusion"
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𝙄 𝙙𝙤𝙣’𝙩 𝙬𝙖𝙣𝙩 𝙩𝙤 𝙗𝙚 𝙝𝙪𝙢𝙖𝙣. 𝙄 𝙙𝙤𝙣’𝙩 𝙬𝙖𝙣𝙩 𝙩𝙤 𝙗𝙚 𝙝𝙪𝙢𝙖𝙣. 𝙄 𝙙𝙤𝙣’𝙩 𝙬𝙖𝙣𝙩 𝙩𝙤 𝙗𝙚 𝙝𝙪𝙢𝙖𝙣. 𝙏𝙝𝙚𝙧𝙚’𝙨 𝙖 𝙬𝙖𝙮 𝙤𝙪𝙩. 𝙏𝙝𝙚𝙧𝙚’𝙨 𝙖 𝙬𝙖𝙮 𝙤𝙪𝙩. 𝙄’𝙫𝙚 𝙖𝙡𝙬𝙖𝙮𝙨 𝙬𝙖𝙣𝙩𝙚𝙙 𝙩𝙤 𝙗𝙚 𝙝𝙚𝙧. 𝙄’𝙫𝙚 𝙖𝙡𝙬𝙖𝙮𝙨 𝙬𝙖𝙣𝙩𝙚𝙙 𝙩𝙤 𝙗𝙚 𝙝𝙚𝙧 𝙨𝙞𝙣𝙘𝙚 𝙖𝙨 𝙡𝙤𝙣𝙜 𝙖𝙨 𝙄 𝙠𝙣𝙚𝙬 𝙨𝙝𝙚 𝙚𝙭𝙞𝙨𝙩𝙚𝙙. 𝙎𝙤 𝙬𝙝𝙮 𝙘𝙖𝙣’𝙩 𝙄? 𝙒𝙝𝙮 𝙘𝙖𝙣’𝙩 𝙄?
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Tracklist:

Yatsunori Mitsuda - 夢の岸辺に アナザー･ワールド
Anna Gardeck - Verachtung
Hawthonn - Eden
Grouper - A Cover Over
Stillppusteypa & Hanayo - Kimigayo
Li Yilei - HAI / 海 (Sea)
Clipz - Again (feat. Ms Banks, Ms Dynamite & Jaykae) (Redlight Remix)
Murder He Wrote - Girl Riddim vs. Temperature
The Rezidents - Popcorn
Armin van Buuren feat. Sharon den Adel - In And Out of Love
Candee Jay - If I Were You (Al Storm Remix)
DHT - Listen To Your Heart (DJ Manian Remix)
Rachel Loy - I Can Feel It (Lovin' Me)
Celer - (06.23.17) From the doorway of the beef noodle shop, shoes on the street in the rain, outside the karate school
Kurotokage - Hungry Ghost
Dylann - Your Eyes
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links:
soundcloud – https://soundcloud.com/lol1l00pz
instagram – https://www.instagram.com/saltyk0va/
youtube – https://www.youtube.com/channel/UCms7zLcLQ6g4yW7TgxzjQCg

062 – Saltyk0va - Die A Thousand Deaths

Bonus Track from Japanese Edition of Grimes 2012 album Visions.

Grimes - Ambrosia (Visions Bonus Track)

The Crazy Doctor

You Will Never Be 13 Again.

@basilemusicsounds "No Extra Territory" EP

Out now : basile3.bandcamp.com/album/no-extra-territory-ep

Written and produced by @basilemusicsounds
Mastered by Tom Waltz
Artwork by Camille Soulat

PRDX009 - www.paradoxeclub.fr

No Extra Territory

Basile3 - Thousand Ways To Live

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

EXTRA-GENRE COMMUNITY RADIO «FANTASIA» ORIGINATED BY TYPOGRAPHY CENTER WORKERS IS TO CREATE A PLATFORM TO SPEAK OPENLY ABOUT ACTUAL PROBLEMS OF THE WORLD SOCIETY AND ARCHIVE MATERIALS COLLECTED BY ARTISTS, CURATORS, JOURNALISTS, ART AND SOCIAL THEORISTS, SONIC RESEARCHERS AND SOUND POETS.

WE CREATE AN IMPULSE AND HOPE THAT IT WILL FIND AN OUTLET IN DIFFERENT POINTS OF REALITY, WE WANT TO COME TOGETHER WITH THOSE CULTURAL WORKERS THAT CONTINUE TO WORK IN DIFFICULT SITUATIONS ALL AROUND THE WORLD.

WE CONSIDER IT IS IMPORTANT TO FIGHT FOR YOUR RIGHTS, STATEMENTS AND FREEDOM IN VARIOUS FORMS. THERE ARE DIFFERENT WAYS OF CIVIL RESISTANCE, SPREADING INFORMATION ABOUT WARS, CONFLICTS, DISCRIMINATION AND A CLEAR AND UNAMBIGUOUS EXPRESSION OF THE POSITIONS.

062 – Saltyk0va - Die A Thousand Deaths

Radio Fantasia