Dans Hardambient, seules des loops de morceaux (sauf le premier) de techno, hardtechno, gabber, trance, etc., sont superposées à quatre pistes – ces loops sont prises dans des moments calmes de ces morceaux, parfois avec seulement un kick en début ou en fin, pour former un magma dans lequel l’identité des morceaux est effacée pour former un tout métallique fondu, jusqu’à son implosion qui ouvre sur un futur non encore esquissé. Cela donne un résultat hardambient, oxymore dont l’immanence du sens est exprimée dans le continuum de ce qui semble être un vestibule sans fin.

Tracklist :

Piano Princess – In Sleep I was Screaming
Hexagonsound – Mr. Monster
Regal86 – Police
Quwer – 003.
fukkfacee – masochism
INSECT – With a Broken Bottle in His Back
HASHTAGA – EVERYTHING IS FINE NOW
DJ BIG GUNS – brain speak 
Atsushi Izumi – Casaurius
LeBlonde – Empire A
Scalameriya – Solid Shards of Time
666cmg – Unavailable
Carm Routes – Reaktori
M. TouNu – Seul dans le Noir
SWART – Save our souls
CRY.NN – Swallow my Dignity
GVRLLRVLLG – Salvation Though Agony
Coslow – Absurd
NOISEJIT – SIX MILLIONS WAYS TO DIE
Chris Edelhoff – Excite
Troy Violens – Dust Paranoia 
Abssys – Nightfall
B2 – Judgement Day
4.44.444.8 – TERRAIN
Niki Istrefi – Health Pool
Metaraph – Dandillon
SARELL – Bloodsport
ORL – LIZKA
ANSBRO – Toulouse
MESKVLIF – After
Tyrant – Spirit of War

BLANK #12 - "HARDAMBIENT" BY LUCUS

Artists: Various
Title: Limitation 
Label: Pi Electronics
Cat.No.: PEVA07/PEVACD03
Formats: 2x12’’ / 2xCD / Digital
Mastering: Dadub Studios
Release date: February 10, 2023
Distributed by TripleVision.nl

Tracklist:

PEDER MANNERFELT - CUT MY STEP
DEVIKA - PARADOXICAL REM
ARCHAIC INTELLECT - QUANTUM MECHANICS
ADAM X - RAW EXPERIENCE
TV.OUT - THE FORCE
3.14 – MUCK TOLERANCE
THANOS  HANA – SHIP ON FIRE
ØNLY - AT THIS POINT
PHALLUCIPHER - CREATURES OF ABSTRACTION

SAM_KDC – DOMINION
INTERVIEWS – CRAWLER
SLAVE TO SOCIETY – BIOSPHERE
ALESSANDRO ADRIANI – KYBERNETES
ZEVLA – YOURS IS MINE
IREEN AMNES/GRAMRCY – BANANABREAD
EOMAC - SURVEILLANCE STATE
ALEKZANDRA - NOIS AND DIRECTION
MONOCHROMATIC VISIONS – FOREVER (LIVE IN LONDON)

----
The third compilation (of four instalments) in the Various Artists catalogue of Pi Electronics is hitting physical and digital stores around the globe on the 10th of February 2023. 

The concept of releasing artists, who performed at π parties (2014-2019) along with musicians who stood close to the label before and during its activity, gathers 18 tracks to the Limitation Compilation. 

Music by New York City industrial legend Adam X, Swedish master mind producer Peder Mannerfelt  and Irish Techno figure, Eomac (also one half of Lakker) finally takes its place on the label catalogue, along with tracks by the electro side of Italian born producer, Alessandro Adriani and the sound-aesthetic of UK hailing musicians, Slave to Society (formerly AnD ) and Sam KDC. 
Berlin artists Alekzandra and Interviews appear with a synth leaning piece, and a hypnotic, broken techno contribution respectively. 
You can also meet the sound of Tel Aviv’s finest electro duo TV.OUT on this release, which also includes a rare collaboration track by Ireen Amnes and Gramrcy. 
Finally, ‘Limitation’ presents music by Greece affiliated acts of different backgrounds: from the dreamy guitars of Monochromatic Visions and the ambient/drone of Devika, to the broken beats of Zevla and Ønly, as well as the rolling techno of Thanos Hana. Not to mention the textures of noise band Phallucipher, the industrial slo mo techno of Thessaloniki’s, Archaic Intellect, and the noise-techno of label founder, 3.14. 

A crossroad of different genres and production styles is offered in the formats of Double Vinyl Sampler, Double CD and digital for this compilation, titled “Limitation”.

Limitation

Pre-order

V/A - LIMITATION [Pi Electronics Compilation 2023] // Snippets

Premiere: Slave To Society presenta su quinto EP llamado Distorted Thoughts con 4 nuevos cortes esotéricos.
Distorted Thoughts, Valves, Hyaluronic Acid y Fr3ak te llevan en un viaje al mundo distópico de Slave To Society. Con una infusión de rasgos industriales, las pistas viajan a través de el jungle, el hardcore y el breakcore con una producción cruda, distorsionada e intransigente.

Escuche exclusivamente "Fr3ak" de Slave To Societyen @knifearg SounCloud

Lanzamiento el 19 de Diciembre de 2022. Léa más y ordene en: https://slavetosociety.bandcamp.com/album/distorted-thoughts-ep

Premiere: Slave To Society presents his fifth EP called Distorted Thoughts featuring 4 new esoteric cuts.
Distorted Thoughts, Valves, Hyaluronic Acid and Fr3ak take you on a journey into the dystopian world of Slave To Society. Infused with industrial traits, the tracks journey through jungle, hardcore and breakcore with raw, distorted and uncompromising production.

Listen exclusively "Fr3ak" by Slave To Society on @knifearg SounCloud

Releases on December 19th 2022. Read more and order at: https://slavetosociety.bandcamp.com/album/distorted-thoughts-ep

Distorted Thoughts EP

Slave To Society - Fr3ak [Slave To Society]

Next guest is Granada, Spain based artist Terror Cognitive Dissonance, the identity that manifests itself through the human fear of the unknown, using as a way, the darkest, most disturbing and extreme sound coming from the occultism, the bizarre and the forbidden.

@terrorcognitivedissonance

PODCAST 035 | Terror Cognitive Dissonance

https://radiopunctum.cz/shows/wrong

June's editions of @wrongprague with @c4at. Recorded live @ Klub Petrohradská.

Tracklist:
4 6 2 5 - Cassette_A
Opake - All That Is Solid Melts Into Air (Original Mix)
Prophän - Imuran
Oxygeno - Devastated
Chafik Chennouf & Katsunori Sawa - False Paradigm
Vile Temper - Ack
Vatican Shadow - Kuwaiti Airforce Rehaersal Pt.2
Mareld - Skär I Ljus
Restive Plaggona - This Wait Always Meant Never
ID - ID

Wrong 06/23 by C4AT

No Rules... No Borders... Pure Experimental

01 Cassandra - Obsidio
02 Björn Pankratz - Ateris
03 Relicttape - Damas
04 esepsis - deformer
05 Prurient - (John The Baptist) Prehistoric Biblical Murder Weapon Replica
06 Haraam - Shaheed
07 Dødsmaskin - Virkeligheten
08 Mikko Tarmia - Simplicity
09 Black Pyramid - In 7/11
10 Lyss:is - Asymmetrical Shadow 
11 Prurient - John Muir Father (Featuring FFH)
12 God is War - Ignorance Shall Be Exalted
13 GUTKEIN, X PAYN - PLOTNA
14 Morgan Hall - Fanatical River With Golden Grass

EwE #11

With this mix I wanted to create a feeling of anxiety and derealization, there are also aspects of melancholy and nostalgia that soundtrack the passing of Summer. 

Soundcloud ➟ @evildust
Instagram ➟ www.instagram.com/evildustt
Facebook ➟ www.facebook.com/evildustt

Upperberry | Evil Dust

Intro

The soundtrack of the acquisition of a new synthesizer I've always dreamed of: The Roland d-50.
credits
from Generative Digital Series_Vol.11, released September 19, 2025
Written and produced by Hd Substance @Hd Substance Lab Studio B. ©SGAE 2025
license
all rights reserved

Emociones Lineales

Love Addiction

Enner Madness
1: Introducing
2: Shall I?
3: After-Glow
4: Relief
5: Meditation
6: Return

Dates:
28-Sep-2025 (inception), 01-Oct-2025 (finalised), 02-Oct-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
watch this space -- upload in progress

Description:
No, I am not going mad! More like an energetic use and interpretation of the Soma Enner instrument.

An orchestration of multiple granular synthesis banks through my custom programmed granular synthesiser, Granie (Release 04, 28-Sep-2025).

For full write-up, see my BandCamp or FaceBook Page.

Enner Madness records audio from external synthesisers or electronic instruments, feeds this into the Soma COSMOS memory station to loop over parts of the performance, giving me a small window to record this into small snippets of audio 30 seconds each, the grains into the Granie. The grains are modulated in time and space, left right audio channel modulations, position modulations, position offsets between grains and small changes in playback frequency amongst the cloud of grains. All of this can be varied by adjusting the rotary encoders of the Push2, not through low frequency oscillators, but through human controls of the rotary encoder knobs and then record those movements as automations to replay. All this is done live. I wanted to keep the performance organic.

The Granie also comes with a dual delay+gain+feedback section, one for the left audio channel and another for the right audio channel. Just as with the granular control, delay times and feedback were controlled dynamically on the Push2 live during the performance.

The Soma COSMOS was put into the Rhythmic Firmware mode, using the #09 Fractal mode and the #6 1/5 dominant mode. So the looping in the COSMOS was not your ordinary looper, rather it embraced improvisation and an ever changing play back.

The album consists of six tracks:

Track 1, Introducing: opens with the Soma Enner as the front end instrument. An energetic use of both the Enner and the granular synthesis of it.

Track 2, Shall I?: develops the ideas presented on track 1, but a bit like, shall I press this button and hear what happens? Again the Enner as the front end, blending this in with granular synthesis grains recorded from the Enner performance.

Track 3, After-Glow: takes the grain banks from track 2 and plays them alone, further exploring what can be done with them.

Track 4, Relief: Puts my electric violin at the front end, an NS Design Wav4. This was feed into the LR Baggs Para Acoustic DI (pre-amp), then feed into the Soma Pipe, then into the Soma COSMS and finally into the Granie. A slow moving, calm violin section was performed and simultaneously some short grains recorded. The grains were then mixed in, providing texture and mystery.

Track 5, Meditation: My (human) voice was sung into the Soma Pipe, through to the Soma Cosmos in fractal mode having fun adjusting live the Blur and Drift settings, with the Granie at the end of the signal chain. As with the other tracks, 30 second grains were recorded, played back whilst adjusting grain parameters, some of which were recorded as automations, leaving my hands free to adjust other grains and so forth. Soma Pipe modes here were alternating between the Harcho (best described as a thick stew soup) and the Filterra (band-pass filter with resonance control).

Track 6, Return: Track 6 returns to a similar style of track 1, playing the Soma Enner to the Soma COSMOS and back to the Granie. The Enner parts used a combination of a drum brush played through the face-plate piezo pickup, finger drum tapping and the touch plate oscillators. Then recording 30 second grains into Granie and experimenting live, with the granular synthesis parameters and feed back controls.


EnnerMadness 06: Return

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Wrong 06/23 by C4AT

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