https://esslemont.bandcamp.com/album/the-sledge-with-you
Music Written & Performed by Esslemont
Features the poem 'The Price' by Stewart Henson
Track features on the EP 'The Sledge with You'
Recorded, Mixed & Mastered in Scotland

Esslemont Sounds 2022

The Referred Patient

ALX BROKEN - Sync Op 8

outHEAR New Music Week: Sophie Schafleitner - violin, Dimitrios Polisoidis - viola, Gregory Chalier - flute, Elena Arbonies Jauregui - bass clarinet

tres glosas - Klangforum Wien and PPCM Graz - Live

Only You

Mecanismos - premiered during the 2023 Distat Terra Festival
Quartetto Maurice
Sound recording: Pablo Boltshauser

Mecanismos - for string quartet

Piano Sonata No. 8

“Piano Sonata No. 8” was completed in November, 2023 in Fairview, TX.  This work was mastered by EMastered.com.  Publication soon.

The work is in three movements with only a slight pause between movements: Andante Rondo, Lento, Andante Rondo

Performance time is about 17 1/2 minutes. 

Score and parts in printed or electronic media are available from www.CreativeSpiritOnline.com.

Piano Sonata No. 8

View/Buy Score

Piano Sonata No. 8 (Now published at CreativeSpiritOnline.com)

Im in day .m4a

In the heart of the night emanate foreboding gleeps, blorbs and fragments of a forgotten broadcast; all of which compliment my piano improvisation.

Black Nocturne Nr 1

C. Duchnowski - sweter: Eryk Lubos, Agata Zubel

SWETER

dep . R(i)e . viv . al . a . tion (2019)
for ensemble

March 10, 2019, performed by Hezarfen Ensemble in Bilkent Concert Hall, Ankara

Orhun Orhon, conductor
Cem Önertürk - Flute
Kıvanç Fındıklı - Bass Clarinet
Kerem Öktem - Percussion
Müge Hendekli - Piano
Özcan Ulucan - Violin
Ulrich Mertin - Viola
Gökhan Bağcı - Violoncello

Recording and mastering by Engin Dağlık

Art: Limm by Christoph Bader
 
dep . R(i)e . viv . al . a . tion (2019) for ensemble

"unhappy that i am, i cannot heave 
my heart into my mouth: i love your majesty 
according to my bond; nor more nor less."
			King Lear, I.1: 91-93, Cordelia.

dep . R(i)e . viv . al . a . tion, is an artificial word that was created as considering the phonetic features of both deprivation and revival words.
Just like King Lear's little daughter, Cordelia, many people have organic bonds of pure love. The most bitter of this situation is that they cannot leave these ties behind, and over time they become a cyclic deprivation. These types of situations that cannot be left behind and are transformed again, avoiding the progression of the timeline which creates loops. The deprivations that occur in these repeated cycles with particular or unknown periods inform their endings; in fact, every ending is the cause of a new revival. As Shams- i Tabriz says, ’The end is to return to the beginning.’ 
I have observed that this psychological process, which people have to experience from time to time, has an actual physical reaction on our own bodies. The harmonic cycle of music refers to the psychological process; the music, beginning in the “E” harmonic area, that completes its harmonic cycle by achieving different center tones and ends at the “E” center just like in the beginning. The harmonic function of music also serves the formal structure of itself. Transformed small structures texturally reach up in each center tone during the procedure, which is a reflection of the observed physical results.

dep . R(i)e . viv . al . a . tion

Tema perteneciente al disco que sirvió de banda sonora al vídeo incluido en la instalación de Manuel del Valle "Mascaras y Escombros" inaugurada el 20 de junio de 2019 en la Sala Tragaluz de Jerez de la Frontera.
Saxo: Manuel del Valle.
Arreglos: Rafael Amaya
Tema perteneciente al disco que sirvió de banda sonora al vídeo incluido en la instalación de Manuel del Valle "Mascaras y Escombros inaugurada en la Sala Tragaluz el 20 de junio de 2019. Saxo: Manuel

Pista 06 Resignación

Rafael Amaya

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Rafael Amaya

Robert John Brooks, Composer

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