Idea 7

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Gibran Alcocer - Idea 22

Épica

Coral

Solas X Interstellar

Idea 15

Gibran Alcocer - Idea 15

Gibran Alcocer - Idea 7

I composed this track last summer, getting inspired by the sunny atmosphere of the summer season. This track moves around the repetition of clean and cheerful notes, harmonized in a fluid and airy melody, representing a light hearted and relaxed state of mind, directing our thoughts towards everything harmonious and beautiful. 

Written and Performed By Raffaele Scoccia
(p) & (C) Moon Rocket Acoustic 2024

Get Them Flow (No Vocals Edit)

Lava and Snow

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Listen on all other streaming services - https://ffm.to/6j5qeon


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Sheet Music + MIDI

Spectrum of Dreams (With Ocean Sounds)

This is a track we help promote because we find it pleasant! https://open.spotify.com/playlist/0J7EFptNh6K6Qebrsrcx8d?si=ae32df247fdd4a1d


Dance Of Twilight

Download sheet music, MIDI, audio, and more - https://www.patreon.com/c/thepianotherapist


Listen on all other streaming services - https://ffm.to/23av6j3


the piano therapist, piano therapy, relaxing piano, piano for sleep, piano for studying, piano for meditation, piano for relaxation, piano to study, piano for focus, piano to destress, piano to relieve anxiety, piano to relieve stress. piano to calm down, piano to relax, piano to focus, piano for work, piano for studying, piano for concentration, piano for productivity, piano for mindfulness, piano for peace of mind, piano with white noise


Sheet Music & MIDI

Exhale (With White Noise)

 Sunday Grace - a modern classical piano reflection on forgiveness and renewal, capturing the moment light returns after silence.

Sunday Grace is the 5th track from Sunday, a 20-track piano-led concept album exploring a single melodic motif through emotional, spiritual, and sonic evolution. While Sunday Reverence lingers in sacred stillness, Sunday Grace moves with light, a gentle reminder that even after silence, warmth returns.

It began with forgiveness…
Imagine someone whispering, “You’re forgiven.” The weight lifts, the heart softens, and light slowly filters back in. Each piano phrase carries that quiet renewal. not grandeur, but a soft, graceful healing that rises like dawn after the longest night.

That spark became Sunday, a project of 20 interpretations of the same melodic idea, exploring emotions like grief, clarity, longing, rest, awe, and renewal.

Sunday Special Edition

Sunday Grace

Passacaglia - Handel/Halvorsen (Sunday Grace)

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

This piece is inspired by a walk through the park in Milan on a beautiful day. A young man is standing there, creating countless soap bubbles for the people, while some French film music plays in the background. The bubbles float around, bringing joy to everyone around them.

'Inner Compass' is a journey through the emotional world within. The pieces are inspired by places and the emotions I associate with them. The Inner Compass leads the way through it all.

Written, performed & produced by Andreas Wolff
Artwork by Maximilian Hein
Mastering by Jay Pocknell

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Inner Compass

Bubbles

Epic and sweeping, this instrumental unfolds in layers - with forward momentum and changing
themes, like lights dancing across a vast sky.

Aurora

antique

Hi my name is Raffaele, 

I am Composer/Pianist and Producer, I am Italian and I have lived in New York for many years.

My passion and attitude for music emerged spontaneously when I was eight years old and I would prefer to surround myself with musical instrument toys rather than the other toys typical of my age. When I was fourteen, I was finally able to get a real piano that I located in a waterfront room where I started composing my first melodies.

I was captured by the charm in every musical expression able to drive emotions believing that, although the musical genres can be very far apart from each other, in the end the “essence” and the “strength” of the music they are expression of, are unique and unchangeable.

During the years I found myself spacing among different music genres and producing music with the collaboration of many international artists using the alias Moon Rocket.

Here I want to go back to the start, the piano as the center stage and melodies as pure expression of the inner and sometimes hidden part of my “Ego”.

A glimpse of a landscape, the closeness with nature, an event or just the observation of the world we live in, all those things generate emotions and considerations that once translated into musical notes vibrating in the air make us dream, meditate and let us rediscover that fleeing sensation of peace and beauty that comforts and reassures us.

With the hope to succeed in this mission, I will appreciate any of your comments and thoughts.

Get Them Flow (No Vocals Edit)

Raffaele Scoccia

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