sound art for disquiet0620

More on this 620th weekly Disquiet Junto project, Beat Accrual Accrual (The Assignment: Turn someone’s slow-build beat into a finished track), at: https://disquiet.com/0620/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0620-beat-accrual-accrual/

sympathy factory w/ Lily Makes Sound (disquiet0620)

Artist and non-musician making sound art with found objects.

Electronic music ranging from ambient to experimental.

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

M. Ackerman's second page, mostly for Disquiet Junto pieces projects.

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Electronic music, field recordings and weird electroacoustic sounds.

During the early 1990s I studied Mathematics and Computer Science. The world wide web was still largely text-based and mostly empty. Today things are obviously different, though I still thoroughly enjoy art, design, cinema and music in all its forms. I have traveled all over the world for nearly two decades, visiting just over 140 countries. Japan is my favorite. All of this I attempt to incorporate into my music and art.

I'm a composer, song-writer and audio storyteller in San Francisco. My latest release is the concept album/audio artwork Marsification, created in collaboration with Zara Zimbardo. 

Previously, I created the podcast A Therapist Walks Into a Bar and the experimental radio show Shadowtime on BFF.fm as well as the EP We Find Our Demons' and mini album I Told You How Important You Would Be (with Pale Bird). 

My compositions and sound design have been featured in several podcasts and on BBC Radio 4.

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime.

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

sympathy factory w/ Lily Makes Sound (disquiet0620)

Raincat