tennyo mixtape with love [october 2021]

Stefan Schwander (Synthesizer - Harmonious Thelonious), Philipp Janzen (Drums - Von Spar, Cologne Tape), Christopher Marquez (Bass - Von Spar), Michaela Melian (Vocals - F.S.K.), Marc Knauer (Artwork)

Ex Versions - Baßläufe (Vocal Version)

Nicolas Jaar feat Gisela João and Dave Harrington - Os Vampiros (live at Lux)

Nicolas Jaar - Little stone

DubIndeed - Pirate Dub featuring Tony Hughes - friend and legend // The Happy Sufferer

DubIndeed - Pirate Dub

DubIndeeed - Pirate Dub

Spotify

DubIndeed - Pirate Dub (Featuring The Happy Sufferer)

Kloud Forest - Quartz (Dylerium Drip Rethink)

IG -@aeris_music
#DeepHouse  
#DeepHouseMusic  
#HouseMusic  
#DeepVibes  
#DeepGroove  
#DeepHouseLovers  
#UndergroundHouse  
#DeepHouseBeats  
#HouseGrooves  
#DeepSounds
#NowPlaying  
#NewMusic  
#TrackOfTheDay  
#OnRepeat  
#ElectronicVibes  
#SpotifyPlaylist  
#SoundCloudMusic  
#UndergroundVibes  
#DanceMusic  
#EDMCommunity
#ProgressiveHouse

Take Me Under

Der Weg Der Zeit

"Heaven" is the bittersweet result of Evil Twin's need to find a bridge between the rituals of the self and the cynical beats of the contemporary techno environment that surrounds them in the German capital. 
The single is Electronic Music featuring an ancestral chorus, in an old and abandoned church, with dusty and rotten paintings from the 17th century. 
A humble pray to beauty, fading, rising hope.

Heaven

Isaac Soto’s new EP “Marmol” is out in all digital stores!

The EP, consisting of 4 tracks, is a unique mash-up of classical and contemporary compositions, contrasting organic sounds with synthetic textures; employing samples, powerful bass lines, catchy instrumental tunes and laid back vocals.

The first track, Campo Minado is an ever-expanding musical fractal with Isaac’s piano guiding through his maze of layered structures, enhanced with muted guitars. The underlying bass line moves the listener, as they evolve into high pitched sounds creating a sci-fi atmosphere midway through the track while the synth sounds at the end prepare the ground for the next track.

Cristal starts where Campo Minado left off, expanding the soundscape even more with its organ sounds reminiscent of Baroque pieces. The electronic sounds swiftly caress the ears while Sato builds the tension in the track, creating a sense of scale. 

The tension of Cristal comes to a resolution in the last track, Quena. The triangle of flute, vocals, and the gentle tapping sounds create an airy atmosphere, before reaching the climactic bass-heavy part. The gentle taps give way to heavy steps of bass, the spaciousness of the flute morphs into a longing cry and Sato’s ever-present piano shows itself for one last time to close the EP. 

The artwork of the EP, showing a chemical reaction between vitamins, emphasizes the combination of organic and man-made, vivifying Sato’s audial language.

https://kantorecords.bandcamp.com/album/marmol

Marmol

Campo Minado

After a short visit in Germany and 2 crazy weekends full of gigs and parties, friends and family I am now back in Portugal and finally found the flow again. 

Yesterday I recorded this set and then went out for a surf in the sun and made some nice diner after, while listening to the recording. 
Not more I could wish for.

As always I hope you like it.

Nicolas Jaar - Little stone

RWood