Techno donnn

Wide Open (Len Faki DJ Edit)

Sound Associates - Boombox (Len Faki Edit) 

Hypnotica

mister 27

Blade the Hunter - Enrique Hidalgo,AuraFuturA (original mix)Master04

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Trance, Init? - Drumcode - DC173

Alan Fitzpatrick’s We Are The Brave brand has well and truly landed. Their debut sold-out club shows, held over one weekend at the end of March were preceded by three barmy house parties live broadcast from the homes of fans, and a host of well received singles have now come and gone, setting the tone for followers to expect the unexpected from the label with their self styled motto of We Do What We Want. 

It is then with a nonchalant shrug of the shoulders and poker face glare that We Are The Brave dish out their latest offering, ‘You Got Me’. As Fitzpatrick goes on to explain:

“Brave will always be the most natural home for my music, whether it be a familiar style to listeners or not. The whole point is that we are building an excitement around the music being released by not following a particular pattern or pandering to expectation. Hopefully I’ve made the point over the first three releases that We Are The Brave is about going with a flow and not letting preconceptions limit your experience, so its about time we released a good old Fitzpatrick rave banger, init!” 

Even the most fleeting of listens to the intro of thumping kick drums, precision crafted percussion and thunderous claps will give a strong clue that Fitzpatrick is back at the controls this time out. By the time the cut is in full throttle just after the two-minute mark then you can sense the knowing looks starting to shoot about the room as the familiar feeling grows. Luckily for anyone still unsure, all doubt is cast off at the half way point when the rave pads and breakbeats rip on from nowhere followed in hot pursuit by the "classic" Emmanuel Top "Play It Loud" you got me burning up vocal.

Some more recent converts to Alan Fitzpatrick may not be fully aware of the depth of his catalogues, never mind the 20+ years discography that Slam have behind them or indeed the history of remix collaboration between the two that goes back to 2010. However, despite the heavy dosing of hoovers and horns on their You Got Me rework, this Slam Track Series remix is all about the here and now as Glasgow’s techno kings turn in another example of the fine form they find themselves on right now.

You Got Me

BUY LINK

Alan Fitzpatrick - You Got Me

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Ocean Tides / Innerself / Sphere

Sphere

https://WeAreTheBrave.lnk.to/ThisIsIt

We Are The Brave stormed onto the scene in 2016, and has since released some truly epic dancefloor bangers from both the established and fresh faced talents the industry has to offer. Alan featuring some of his biggest tracks on the label, as well as inviting Reset Robot, Gary Beck, Skream, Darius Syrossian, and Sasha to be a part of their ever-growing family. 2019 is set to be the biggest year yet, with Alan Fitzpatrick’s Day just around the corner and more planned label showcases than ever before.

‘Poison’ was a vocal smash hit last year from Croydons finest – Skream. He’s teamed up with a UK duo who are already regulars on his imprint, as well as Dense & Pika’s Kneaded Pains – Melody’s Enemy.

‘This Is It’ the lead track, has a story. On a flight to play a festival in Germany, the guys decided on a concept to record Ollie, get a recording that showed a slice of who he really is, what he's all about. “We did wonder if he'd go for it actually, and we sprung it on him unawares on the day he came to our studio - but true to form, he was up for it in an instant!” adds Melody’s Enemy.

A full-on futuristic acid hook, with a driving energetic bassline sitting alongside Ollie’s spoken words which weave in and out between the synth and groove. This is MEGA!

Given the title, ‘5am’ is a bit more of a straight up banger, with its low end kicks and tight punctuation, pads glide through the track along the main rave inspired synth. “Ollie sent us a hook and parts from something he'd been working on. And we went to town on it. The motive here was maximum dance damage’.



https://www.facebook.com/MelodysEnemy
https://soundcloud.com/melodysenemy
https://www.facebook.com/wearethebraveofficial/
https://twitter.com/weare_thebrave
https://www.instagram.com/wearethebraveofficial/
https://soundcloud.com/wearethebraveofficial

Melody's Enemy vs Skream - This Is It

Buy/Stream: https://smarturl.it/6xq7eu
Release Date: 2020-05-22

► Cirez D ♫
https://soundcloud.com/eric-prydz
https://beatport.com/artist/cirez-d/10650
https://spoti.fi/2zL8uUn
https://twitter.com/ericprydz
https://facebook.com/ericprydzofficial
https://ericprydz.com

► Mouseville ♫
https://beatport.com/label/mouseville/1421
https://ericprydz.com/mouseville

► Obsessive Progressive ♫ 
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Submissions: music@obsessiveprogressive.com

Cirez D - Valborg

GET TRACKS HI_RES: https://bit.ly/drumcode226

My new ep is here and incredibly proud on the result. It’s the first project rolling out of my new studio and i spent so many hours building the place and creating the tracks..

Sphere

Raito

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