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Out of tranquillity and contemplation, Rampa is reaching out once again. To seek contact, to give and take energy, to offer an even mind-expanding touch. All in guise of two new tracks that, quite fittingly, make this “The Touch” EP and #35 within the Keinemusik release-catalogue.
The title track on A combines all the reflective qualities of the newer Rampa-sound to a mantra that soon will be chanted collectively across dancefloors all around the world. He thoroughly is aiming for the intensifying pull into deepness of a perfect loop. He’s letting go of anything redundant like all too distracting rhythmic elements and therefore opens space for an OM-like, bass-deep interplay of synth-notes and meditational sounds in the background.
“528 Hz” on the other side borrows its name from the concept of the Solfeggio Frequencies. Within the scale of supposedly healing sounds, this very figure is known to be the frequency of repair, representing the energy of love. And an ardent declaration of love this tune is indeed. Within the sound-vocabulary of recent Rampa-releases it might be the logical next chapter after “Trust”. A synth-space- odyssey, emphasized by e-drum-highlights, pulse-quickening tribal-frenzy and a supernova-like blast of energy culminating after the break.

Release date:
27 January 2017

The Touch EP

Rampa - The Touch - Keinemusik (KM035)

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From 2009 on, Rampa made a name of himself through Keinemusik, his own little d.i.y.-cosmos, being not only label, but also crew of likeminded DJs, producers and friends. The teamwork within this realm has seen a serious number of productions and collaborations, particularly with fellow producer &ME, not to forget the rest of the bunch, Adam Port, Reznik and Monja. 

Besides, he’s got an array of other collaborations and releases under his belt, put out on imprints like Circoloco, Innervisions, Diynamic, Afterlife, Cocoon, Ninja Tunes / Counter Records, Strictly Rhythm, Kompakt, 2020 Vision, Freerange, Bpitch Control, Defected or Crosstown Rebels.

The events of the last few years have seen Rampa focussing more and more on the production side of things, be it studio time or the inauguration of the TEILE project – his own company to produce and distribute analogue effects, custom built for DJ-purposes. Certainly also an outlet for a slight nerdism, that includes not only studio gear, but instruments in general. When it comes to DJing itself, he is going for a less is more approach these days, choosing bookings and playing more consciously.