Name: LANDSCHAFT #1 by randomorb
Duration: 27 min 44 s
Description: The LANDSCHAFT series are soundscapes that appear only when the original tempo is slowed down. What used to be glitches becomes detail, and what used to be motion becomes texture.

@kwatakwata

https://anno2.bandcamp.com/album/dot-dot-dot

Dot Dot Dot [anno-008]

Bandcamp

K Wata - Sling Of Life

you might wonder why i deleted the file for this one

bacon

@kronombass
@maxdahlhaus
@unizonelabel

Max Dahlhaus and Kronom team up for Unizone on “Trauma Tendrils” with remixes from Domizako and Ice_Eyes.

“Trauma Tendrils” lands with all the diplomacy of blunt force trauma. Both veteran producers trawl the deepest and darkest recesses of their personal brands of dystopia, settling on a chaotic course of textured experimentalism and distorted broken rhythms. It’s industrial techno that has dissected and reorganized its molecular structure. Tracks that simulate the experience of emerging from the primordial cyber cocoon. Caked in dirt, drenched in acid, mouth full of gristle. All that’s left to do is tear the feeding tubes out of your stomach, punch a hole through the membrane of your prison, and rush the sentinels. What’s the worst that could happen?

On EP opener “Frantic Solar”, a corrosive melodic motif swirls around kicks precision-engineered to shake the very core of the earth. Ashen voices and screeching machine wails round out the scene. Driving and cavernous, “Dozhdot” bursts through the speakers with bags of lawless energy. With explosive buzzes, unrelenting kicks, and barely a second to breathe, both producers drive their rhythmic framework into despotic territory. The two faster numbers of the foursome, “Tendrils” and “Losing Grip”, ramp up the drama and the sense of cinematic anticipation. Something’s around the corner but you don’t want to know what because it might be the last thing you ever see.

Domizako and Ice_Eyes both take on “Losing Grip”. Prague producer Domizako leans into the track’s tense atmosphere with a remix that is the sonic equivalent of a rolling boil. It’s understated and it’s deadly. Greek experimentalist Ice_Eyes turns the party dial up with a remix primed for the club. Prepare for big stabs and big polyrhythmic energy.

Trauma Tendrils is coming on May 22 2024 via Prague-based label UNIZONE

PREMIERE: Kronom & Max Dahlhaus - Frantic Solar (Unizone)

Heith - The Scrollkeeper (PAN 147S2)
Label: PAN
Cat.No.: PAN 147S2
Release Date: 15 April 2025
Purchase: pan.lnk.to/TheScrollkeeper

Heith shares 'The Scrollkeeper', the second single from the upcoming album 'Escape Lounge', out via PAN on April 25th, 2025 - accompanied by a new music video.

Written and produced by Heith and Leonardo Rubboli
Drums by Jacopo Battaglia
Harmonica and Synthesizer by Leonardo Rubboli
Mixed at TWS
Mastered by Amir Shoat
Artwork by Heith and Nicola Tirabasso

Heith - The Scrollkeeper (PAN 147S2)

Heith - Escape Lounge 
Label: PAN
Cat.No.: PAN 147
Release Date: 25 April 2025
Purchase: pan.lnk.to/EscapeLounge

Heith's music has always been infused with sacred mystery, striking a delicate balance between lived experience and imagination.

On Escape Lounge, his second full-length release for PAN, Heith draws inspiration from contemporary digital spirituality and interpretations of experience that are crossing over from cultural niches into the mainstream – including internet-based conspiracy theories and psychological operations. The album presents a sonic diary recorded across Milan, Berlin, London, and Stockholm, crafting a post-informational folklore while exploring new territories in personal songwriting.

The title Escape Lounge, inspired by airport waiting areas, serves as a metaphorical waiting room of the mind. Its hidden passages can lead either to peril and loss or to enlightenment and kaleidoscopic mental landscapes. This liminal space echoes the mysterious realms of Twin Peaks or the viral "Backrooms" phenomenon. Within it, contributing musicians – including frequent collaborators Leonardo Rubboli, Aase Nielsen, and 33 drummer Alexander Iezzi – move like ethereal presences, creating intangible soundscapes that leave traces of post-hypnotic melancholia. Notably, the vocal contributions from Price and James K enhance the otherworldly atmosphere, their multifaceted timbres adding layers of intentional ambiguity.

Throughout the album, Heith masterfully blends acoustic instruments, human voices, and digital technology along an uncharted path that references the experimental pop of 90s trip-hop, 2000s indie-folk songwriting, and lush Mediterranean psychedelia. The sounds are meticulously crafted, combining synthesizers with guitar-based compositions in a computational songwriting approach that creates a collage across eras and landscapes. Each track unveils new dimensions of this delicate hallucinogenic narrative, delivering an immersive listening experience. As reality continuously shifts, Escape Lounge emerges as both sanctuary and confinement – a space of momentary connections and endless potential.

In 2025, Heith will debut a new live show and audiovisual collaboration titled 'The Talk' with James K and Günseli Yalcinkaya, commissioned and premiering at Sonar Festival, Terraforma, Nuit Sonores, and Reworks.

All tracks written and produced by Heith 2021-2024.
Mixed at TWS
Mastered by Amir Shoat
Artwork by Heith and Nicola Tirabasso
Vocals by Heith, Price, James K
Strings by Leonardo Rubboli, H, Renato Grieco, Fausto Cigarini Guitars by Heith, Leonardo Rubboli
Drums by Heith, Alexander Iezzi, Jacopo Battaglia, Leone Ciocchetti Flutes by Leonardo Rubboli
Saxophone by Aase Nielsen
Lyrics on track 4 by Cecile Believe, Price and Heith
Lyrics on track 10 by Alia Seror O'Neill and Heith

Heith - Screen.angel

@oh-mr-james makes a powerful debut on Analogical Force with I'm Not Here, a six-track EP of intense dancefloor anthems forged from years of live performance. Capturing the tension of modern disconnection—always online, never present—this release cuts through the noise as a bold statement from the Cornish Braindance scene. Out on Madrid’s leading label for braindance, breakcore, acid, and experimental electronics, it marks a fearless new chapter in electronic music.

Amidst a sea of mediocrity and plagiarism, I'm Not Here stands as a testament to the uniqueness of the Cornish Braindance scene, which has given rise to some of the greatest producers in electronic dance music. Here, Benjamin James demonstrates that he is the torchbearer of that legacy, delivering anthems for a world spiraling in self-alienation—where identity flickers between screens and silence.
—
PREORDER 12" YELLOW VINYL + DIGITAL: https://tinyurl.com/3pxhs5pb
—
A1   SOMETIMES                                 02:34  
A2   I’M NOT HERE                              04:59
A3   THE BISHOP                                04:09

B1   GROUND CONTROL ACID                       03:27
B2   PARASYMPATHETIC                           03:42
B3   DESK ACID TWO                             03:54
—
C+P Analogical Force 2025. All rights reserved. 
Written and produced by Benjamin James Wood,Wales / Cornwall
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Geometric Love, UK
Distributed by Clone, Rotterdam 
—
www.analogicalforce.com

Buy Now

[AF063] OH MR JAMES 'I'M NOT HERE EP' [2025]

Coming out on Subtext Recordings 2nd February 2016. Image from a Fusion reactor.

Paul Jebanasam – Eidolons Beginning P = (m2A 2 Am To (rho - Z) - Y ∂t+(ρ See To Wait.... (SUB016)

Rites

Rites: II

Joshua Sabin "Terminus Drift" (SUB020)
Vinyl & digital: subtextrecordings.net/SUB020-Joshua-…Terminus-Drift

Subtext's latest signing is Joshua Sabin, a Scottish musician and artist based in Leith, Edinburgh.

Joshua's debut album Terminus Drift explores humans' relationship with environment and space, and how this experience is augmenting us as we further embrace a digital age. Our structures of communication, exploration, and discovery are mediated by technological shifts and we exist in simultaneity between our physical environment and emerging cyberspaces with a blended perception of embodiment and orientation within both.

Sirens reverberating through station tunnels, fluctuating harmonics of subway engines, echoing tannoy systems, piercing screams of electromagnetic fields.

The sonic material of this album is composed exclusively of field-recordings captured in transit through Kyoto, Tokyo, and Berlin, in addition to electromagnetic field recordings captured in Glasgow and Edinburgh. By interrogating the sonic properties of our physical environment, Terminal imagines the sonic landscapes of these dualistically navigable 'cyberspaces' we transiently create and move through interacting with our world.

http://subtextrecordings.net

Joshua Sabin – Array

The LANDSCHAFT series are soundscapes that appear only when the original tempo is slowed down. What used to be glitches becomes detail, and what used to be motion becomes texture.

LANDSCHAFT #1

Single tapeloop on Tascam MF-P01 Portastudio. Recorded live to Ableton Live.

Det är alldeles för sent

sounddesign / sound interaction
______
neither analog nor digital
based in Gdansk

LANDSCHAFT #1

randomorb

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