Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

I selected two tracks that I liked, but more by incident, because I liked many (and most of them felt already finished). But with Refactored Drift from Tristan Louth-Robins (https://soundcloud.com/red_robin/disquiet_junto_0603-refactored-drift-60-bpm) and Transient Melter from ATW (https://soundcloud.com/atw/transient-melter-60bpm-disquiet-0609?in=disquiet/sets/disquiet-junto-project-0609) I had the fantasy, that they would make a nice combination of melody and sound. I was very lazy and just slowed them to half speed. I also wanted to keep the result under five minutes, and I wanted both tracks to have some kind of a solo (because the ATW track more or less forced it). I edited and recut in Reaper by taste and justification, and I ignored scales and syncopation correctness (not totally, but they are surely not always "proper"). No additional knick-knacks but some subtile FX.

Thanks to Tristan Louth-Robins (Refactored Drift) and ATW (Transient Melter).

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More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Refactored Melter [disquiet0610]

Contains recordings by Tristan Louth-Robins, Thomas Undermulden, Hugh G Prat, Jonathan Zorn and Bo OhWell
Mixed & mastered 10 Sep 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Samples & effects

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This original version of "Cactus, O Cactus" was submitted as part of ​Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

More on the Disquiet Junto at: disquiet.com/junto
Conversation took place here - https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/63990/45
Artwork/photography by Jim Lemanowicz, 09 Sep 2010, NYC subway.

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This track was originally released under the artist name "Antlers Spread Wide."

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Fluttering Fins

Cactus, O Cactus (disquiet0610)

Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

• • •

For this remix, I worked with a handful of tracks from the 0609 collection that I gravitated towards, chopping + processing them in Paulstretch, Twisted Wave, and Ableton Live to halve their speeds.

'Blink' by https://soundcloud.com/analoc became a melodic anchor that the rest of the remix was built around. It was interesting to listen to the results of slowing + pitching the original tracks down. Sometimes I would sample the original speed version, and others I would first slow down before stumbling onto something that clicked well with the composition. 

bassline + clicky percussion sampled from:
https://soundcloud.com/analoc – https://soundcloud.com/analoc/0923-disquiet-junto-609-blink

heavy, textured bass drum hit sampled from:
https://soundcloud.com/winterer – https://soundcloud.com/winterer/catnip-in-60bpm-disquiet0609

huge clap drum sound sampled from:
https://soundcloud.com/oh-well-360226041 —https://soundcloud.com/oh-well-360226041/shadow-clocks-disquiet0609

soaring synth solo sampled from:
https://soundcloud.com/xhg — https://soundcloud.com/xhg/disquiet0609-acrostic-speed-limit?in=disquiet/sets/disquiet-junto-project-0609

chord washes + drum loops sampled from:
https://soundcloud.com/doodledigital – https://soundcloud.com/doodledigital/already-the-morning-disquiet0609

• • •
More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: disquiet.com/0610/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…0-speed-limit-pt-2/

Creatures Blinking in the Morning Shadows • [Disquiet 0610]

Ethereal Light

"Ethereal Light" is a Lydian mode composition that creates an ambient and ethereal atmosphere with an extremely relaxing tempo of 30 BPM. The gentle melodies and floating chords envelop you in a soundscape of tranquility and mystery. Each note unfolds slowly, allowing the listener to lose themselves in the serenity and beauty of the moment. "Ethereal Light" takes you on an introspective and peaceful journey where time seems to stand still and light becomes an almost tangible presence. Let this piece transport you to a place of calm and deep reflection.

Ethereal Light

Rx Papi Ripleys Believe It Or Not

NightCircus

FRACTURE VOL. 1

Жених приехал - Нюдсы_наггетсы_naruto_найс

cweepy

peak-time, afterhours, berghain-style, hypnotic-loop, tension-builder, tool
hypnotic/rolling/deep techno, loopy minimal, dubby warehouse”

Monochrome Pulse

Bader Beat / Instrumental - (Intro)

new album *ᴄᴏɴᴄᴇɴᴛʀɪᴄ* out now on Mystery Circles

im bon.
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uhhmmmmm hopefully I can make music.
:D

Producer and Singer: 
Youtube Channel: https://www.youtube.com/@JojoMariaOfficial

Beatstars: - My Beats to Buy
https://www.beatstars.com/didibondi

Hi! I'm David De Quinto, a passionate and multifaceted composer. My main motivation for creating music is to express my moods. Throughout my career, I have learned and composed classical and tonal music, and gradually, I have been experimenting with other compositional forms such as modes, exotic scales, pitch class set, Bartók's axes, cardinal points, and atonalism.

I had the privilege of learning harmony and tonal composition, as well as jazz, from the great composer, bassist, choir and orchestra director, and excellent teacher Julio Blasco, to whom I am deeply grateful for his teachings. Additionally, I explored new sonorities and discovered the works of Bartók, Philip Glass, among many others, atonal music, and musique concrète through my instrumental training and music didactics professor, Nieves Hernández, whose guidance has been invaluable.

I love composing ethereal and ambient music, though I often return to my classical roots with its characteristic instrumentation. Synthesizers are essential in my compositions as they allow me to explore unique textures and atmospheres.

At 51 years old, life has greatly influenced my musical career, providing me with a variety of both good and bad experiences. My musical influences include artists like Brian Eno, John Carpenter, Paul McCartney, Jean-Michel Jarre, Tangerine Dream, Aphex Twin, Nacho Goberna, Mike Oldfield, Erik Satie, Kebu, and Arvo Pärt.

The genres I enjoy composing the most vary depending on my mood, but I often lean towards creating sad and melancholic pieces. I enjoy composing and listening to lofi, ambient, dark ambient, ambient black metal, minimalist music, psybient, illbient, and dark wave. I am particularly proud of "Veil of Mist" and "Arabian Nights" because they explore atmospheres that are different from what I usually compose, and I believe they turned out quite well.

Currently, I have several projects in mind, including creating a series of symphonic poems for 4 or 5 synthesizers and for flute, violin, viola, cello, and piano. I am also exploring synthwave composition and have several pending collaborations that I am excited about.

At this stage of my life, my biggest dream is to compose music that expresses my feelings, and it brings me joy when listeners can decipher the emotions I try to convey with my compositions. Besides music, I enjoy writing short stories, especially horror, and listening to a lot of music, as music is life for me.

I began in music as a form of personal expression, finding it easier to compose a piece to explain how I feel than to say it in words, as I am a person of few words. I invite you to immerse yourself in my musical world and join me on this sonic journey. I hope you enjoy my compositions as much as I enjoy creating them. Thank you for listening!

Making music is about being surprised.
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what is colundi?
we fail to reliably express our precise thoughts & intentions using words.
consequently, you may fail to understand us.
we apologise for the effects of such misunderstanding.

WEME067
https://www.youtube.com/channel/UCv_QE5dKDaLT1sNvv3lHZlg

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

New tracks tagged #30bpm