sometimes weird but love this kind of ambience!!!

Oh, love the reappearance of the guitar here! Very nice touches throughout. Especially like the occassional hesistation to the beat. Thanks for using my track, I really enjoy what you've done here!

Ha! I picked the same two tracks. What are the odds?

Surprisingly Krakenkraft& Etherkraken know each other ...

Throw every thing up in the air with glee etc ... See what happens . Abstract noise R :) x

Is Form  Less

developed from Marco Lucchi´s
https://soundcloud.com/marcolucchi/one-hand-piano-n2-you-to-play-with-if-you-like-it

Triad 2 w/Marco Lucchi

Recorded, mixed & mastered 01-02 Jul 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. Reworking samples provided by Marcus Fischer - @marcus_fischer

©2023 Marcus Fischer & Jim Lemanowicz

Process notes - 

For this piece, I used an Ableton Live template that I developed for an ongoing (and similar) project with others in Sarah Belle Reid's Patreon community that we started in Sept 2022. Essentially, it is a way to process samples and then re-process the resampled material. My template also gives me enough flexibility to add/remove elements. For me, it's just a starting point from which I can grow sample-based materials in a generative manner.

Marcus provided 7 samples for this project but I only used 4 of them. 

Sample names - 
1 - 600_walking-mfischer
2 - 600_nacre_voit-mfischer
3 - 600_hands_held-mfischer
4 - 600_no_input_matrix_mixer-mfischer

The first three samples were put into my template/devices to pull slices using MIDI files as triggers which were arranged to add randomness to which slice was chosen as well as velocity and probability. 

The template channels as used here contain a sampler with some distorted or delay elements added. The resampled results of these were then run through devices that would add some ambience and resonance as well as sample-warp algoriths from Live.

The 4th was only processed by Ableton warp algorithms but per instructions, the piece starts & ends with an unaltered 2 seconds from this sample. 

---------------

This original version of "Hurricane Built For Two" was submitted as part of Disquiet Junto Project 0600: Reaching Out. The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer.

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Artwork/photo by Jim Lemanowicz, 30 Jun 2019, Whitney Museum of American Art, NYC, USA

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

This track was originally released under the artist name "Three Nuts In."

Hurricane Built For Two (disquiet0600)

What a lovely prompt... and a tough one! 

I’m bad at minimalism. Most of my tracks somewhat baroque (fancy excuse for „too dense“). For this assignment I tried to reduce wherever I could. Once again, working with silence is a thing I still need to learn. Spent two hours balancing between silence and notes with the help of of transient designers and gates. Brought the sounds-silent ratio down to maybe 60:40. 

***

Disquiet Junto Project 0605: Fifty Fifty 
The Assignment: Compose a piece of music with as much silence as notes.

There’s just one step to this project:

Compose a piece of music with as much silence as notes.

(Thanks to Jason Richardson for having proposed it.)

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0605” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0605” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0605-fifty-fifty/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

(…)

More on this 605th weekly Disquiet Junto project, Fifty Fifty (Compose a piece of music with as much silence as notes), at: https://disquiet.com/0605/

Thanks to Jason Richardson for having proposed this week’s project.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0605-fifty-fifty/

Horror Vacui [disquiet0605]

Disquiet Junto Project 0609: Speed Limit Pt 1
The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

Step 1: You’re going to record a simple track at 60 BPM in 4/4 that will be reworked subsequently by other musicians, including potentially being combined with other tracks. Think about how you want to structure something with that intention.

Step 2: Record a 60 BPM track in 4/4 based on the thinking that resulted from Step 1.

Note: This is the first part of a two-part project. You don’t need to participate in both. In the Junto, all projects are intended to be doable as standalones. However, there often are sequences. The intended second project of this project, next week, will build on this one, so please consider making your track downloadable and available for reworking/remixing.

Track notes:
 
I started by creating some simple 60bpm arpeggiated sequences on a Microkorg and improvised over the top of this with synth, guitar and a vibraphone patch. To top it off and give the track something a bit asynchronous, I added an 1950s field recording of a Australian Blue Faced Honeyeater, which provides a playful - and oddly complimentary - counterpoint to the otherwise rigid arrangement. 

This recording has 32 bars of the 60bpm track with no fades.

[Disquiet_Junto_0609] Refactored Drift (60 bpm)

TAL Sampler, TAL Drum, and Arturia Pigments. Mangled. All at 60bpm.
--
More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

chwe deg (disquiet0609)

Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

I selected two tracks that I liked, but more by incident, because I liked many (and most of them felt already finished). But with Refactored Drift from Tristan Louth-Robins (https://soundcloud.com/red_robin/disquiet_junto_0603-refactored-drift-60-bpm) and Transient Melter from ATW (https://soundcloud.com/atw/transient-melter-60bpm-disquiet-0609?in=disquiet/sets/disquiet-junto-project-0609) I had the fantasy, that they would make a nice combination of melody and sound. I was very lazy and just slowed them to half speed. I also wanted to keep the result under five minutes, and I wanted both tracks to have some kind of a solo (because the ATW track more or less forced it). I edited and recut in Reaper by taste and justification, and I ignored scales and syncopation correctness (not totally, but they are surely not always "proper"). No additional knick-knacks but some subtile FX.

Thanks to Tristan Louth-Robins (Refactored Drift) and ATW (Transient Melter).

--

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Refactored Melter [disquiet0610]

For this assignment I used my own submission from last week paired with a.a.miles Key Limit which then morphs into Michele Isoni's Chirper which is finally joined by Sunbear's lovely submission. All the parts where brought into ableton, slowed down by half and then warped back to their original pitch. After it was all sequenced I then used a bunch of puremagnetic effects to give the whole thing that worn out vibe (which also resulted in some strange drop outs and flutters which i left)

Many thanks to all that got involved, so many interesting takes on the assignment!

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Blues In Two Phases [disquiet0610]

This track is a rework of the wonderful tracks https://soundcloud.com/noodletwister/plucks-pad-disquiet0609 by @noodletwister and https://soundcloud.com/henklasschuit/speed-limit-pt-1-disquiet0609 by @henklasschuit inspired by the Disquiet Junto Project 0609: Both tracks were slowed down from 60 to 30 BPM and combined using different effects to create this track.

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Plucks & Pad & Speed Limit [featuring Noodle Twister and Henk Lasschuit] (Disquiet0610)

More on this 619th weekly Disquiet Junto project, Beat Accrual (The Assignment: Rebuild a complicated rhythm from scratch), at: https://disquiet.com/0619/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0619-beat-accrual/

Flourish Disquiet0619

#LofiHipHop
#LofiBeats
#StudyMusic
#ChillBeats
#RelaxingMusic
#LofiStudy
#FocusMusic
#Chillhop
#LofiChill
#LoFiVibes
#StudyBeats
#LofiRelax
#BackgroundMusic
#CalmBeats
#ChillStudy
#LofiNight
#ZenBeats
#MellowBeats
#LoFiStudyBeats
#LofiForStudying

Sunny Day Study - LOFI BEAT Dm130 230

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

Refactored Melter [disquiet0610]

Krakenkraft & Etherkraken

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